France: Bordeaux City Oct. 18-19; Médoc Region Oct. 20; Paris: Montmartre Oct. 21-22, 2025

Our tour of the city of Bordeaux was with Sarah who met us in our lobby at Villas Fuchs. As we walked across the street Sarah told us that the city is now a UNESCO World Heritage site because of the large number of 17th century buildings still standing. The 17th century was the boom time for this city. We started in front of the Monument aux Girondins (Girondines Monument), a tribute to the revolutionaries, located in the Place des Quinconces, covering 40 acres, it is one of the largest city squares in Europe. The monument was built between 1894 and 1902 to honor the Girondins, a moderate political faction who were arrested and beheaded in 1793 after losing a power struggle during the French Revolution to the more radical Montagnards because they had not killed the king.

The project was led by architect Henri Deverin and sculptor Alphonse Dumilâtre.  The base of the fountain includes allegorical sculptures representing the Republic’s triumph, eloquence, and history.

It features a 141 foot column topped by a bronze statue representing Liberty breaking her chains, culminating at a height of 177 feet.

The central woman with the stick and orb is Marianne, a symbol from the revolution of France. She represents the Republic, the triumph of justice, liberty, and reason.  She is often depicted wearing a Phrygian cap. She appears on stamps, currency, and as statues in public buildings. Notice the fantastical details of the webbed hooves of the horses.

Marianne

Here Marianne is banishing dishonesty, lies, and ignorance.

During the German occupation in 1943 the bronze sculptures were dismantled by the Nazis to be melted down for weaponry. They were saved by French workers who hid them in a factory in Angers. The statues were rediscovered in 1945 and eventually returned to Bordeaux. The fountain remained “empty” for decades until the statues were finally reinstalled in 1983.

Le Coq Gaulois (The Gallic Rooster) symbolizes the French peoples’ attitude of “cock”iness, ie vigilance strengthened by their rural roots. It is frequently used by national sports teams.

Le Coq Gaulois (The Gallic Rooster)

As we walked toward Place de la Comédie, Sarah explained some of the city’s history. Bordeaux, founded as Celtic Burdigala around 300 BC, became a flourishing Roman trade hub and capital of Aquitania. In the middle ages (approximately 1100-1400) the city was controlled by the English. For centuries there was a wall around the city both for protection and to ensure collection of duties. Most of the wall was destroyed during the 18th century building projects. The 17th century was the height of the city’s prosperity owing to its central location for trade of wine from local wineries, slaves from West Africa, and sugar, cocoa, and coffee from Haiti. Sarah showed us a miniature model of the city.

The 17 and 18th century buildings were almost entirely in Neo-classical architecture, with the crown jewel being the Opera House.

Even the ceiling of the portico is intricately detailed with decor.

Facing the theater, on the other side of the square, stands the InterContinental Bordeaux – Le Grand Hotel, which opened in 1789, and remains a prominent landmark in the city. 

InterContinental Bordeaux – Le Grand Hotel

Sarah pointed out the the Bar à Vin and the École du Vin (Wine School), the official wine bar of the Bordeaux Wine Council. 

Bar à Vin and the École du Vin (Wine School)

The city symbol is selfevident.

Sarah directed us to Place du Chapelet where we found Église Notre-Dame de Bordeaux (Notre Dame of Bordeaux Cathedral), a Baroque church constructed in the late 17th century. It is dedicated to the Virgin Mary. It was part of a 13th-century Dominican monastery; the adjacent, formerly ruined cloister was restored and is now the Cour Mably. The original church was demolished in 1675 by order of Louis XIV as part of urban planning changes, leading to the construction of the current church.

Église Notre-Dame de Bordeaux (Notre Dame of Bordeaux Cathedral)

The facade is known for its intricate Baroque architecture, featuring sculptures and detailed stone carvings.

Inside the cathedral the wealth of the city can be found including elaborate marble alters

and a pulpit of carved mahogany from the Caribbean inlaid with marble from the Pyrenees.

The organ at the Église Notre-Dame de Bordeaux, built in 1785 by Godefroy Schmidt, is housed in what is considered the most beautiful 18th-century mahogany and oak case in the region. This historic instrument features four manuals, 58 stops, and approximately 4,238 pipes, offering exceptional sound tailored for the church’s amazing acoustics.

During the French Revolution, the church was stripped of its religious function and served as a “Temple of Reason”. It also spent time as a military warehouse, a political club, and even a library before returning to the church in the 19th century.

As we walked to our next stop Sarah regaled us with a tale of Goya:  Franciso Goya left Spain in 1824, disillusioned by the political oppression of King Fernando VII, and moved to Bordeaux, where he spent his final years, dying here in 1828. After 60 years, Spain requested his remains be returned, but it was discovered that his head was missing from the skeleton.  The head was never found, leading to theories that it was taken for scientific study (phrenology) or stolen as a model for a painting of a skull which was found in an antique shop in 1928 with an inscription on the back: “Skull of Goya, painted by Fierros”. When the Spanish consul in Bordeaux, Don Joaquin Pereyra, reported the missing skull, the directive from Madrid was to proceed with the repatriation anyway.  Goya’s body, minus the head, is now buried in the Real Ermita de San Antonio de la Florida in Madrid.

We walked through the Passage Sarget, a historic covered shopping gallery built in 1833. It is located in the city center, connecting the Cours de l’Intendance to the Rue Sainte-Catherine.  The arcade is the 18th century precursor to the 20th century shopping mall.

Passage Sarget

The gallery is known for its atypical charm, high glass roof, and unique boutiques.  It also features the copper topped lights found throughout the city.

Sarah took us to the main boulevard to take a moment and explain the 17th century architecture. As we had seen in Paris, the bottom is the main wares house, or business establishment. The next floor up, with the small windows, was for the many clerks and bookkeepers who worked for the establishment. The next level up with the ornate terraces were the receiving rooms for the family, above which are the family bedrooms, and at the top the servants’ quarters.

And as in Paris, the grill work on the terraces can be ornate. The claim here in Bordeaux is that decorating with grillwork initiated here prior to its adoption in Paris.

The wrought iron is brought from Sweden. Some are quite elaborate as a manner of showing off one’s wealth. Those with spikes are teasingly coined the “cuckold” protectors.

I found the conept hilarious and this one the funniest.

As this was a very wealthy area, and it was the age of enlightenment, many of the streets were named for the “thinkers” of the time.

We asked Sarah about the gold notary signs we see above some doors. She explained that notaries in France have a lot of specific and strict requirements which, once attained, come with a lot of special privileges. The distinction is often inherited.

The Porte Dijeaux (Gate of Jews) in Bordeaux is an 18th-century, neoclassical triumphal gate built between 1748-1753 from Frontenac stone. Originally an entrance to the old walled city marking the western Roman entrance, its name derives from Gascon, meaning “Gate of Jews” because Jewish communities historically lived beyond it.

Porte Dijeaux (Gate of Jews)

Librairie Mollat, a famous independent bookstore is considered the largest independent bookstore in France, spanning over five connected historic buildings. Founded in 1896, it is a significant cultural landmark in the city. The store offers a vast selection of over 300,000 titles across various genres and includes a large English section. 

Librairie Mollat

Three times in history Bordeaux became the capital of France. The government relocated to Bordeaux during the Franco-Prussian War (1870–1871), the beginning of World War I (1914), and during the German invasion in World War II (1940). Palais Rohan, which serves as the Hôtel de Ville (City Hall) of Bordeaux since the 1830s, was built in the 18th century as a monumental residence for the Archbishop of Bordeaux. It features an austere Louis XVI-style façade and a renowned grand staircase. Refugees fleeing from the north during WW II stayed here while awaiting visas to the Americas.

Palais Rohan

Next door to Palais Rohan is Cathédrale Saint-André (Bordeaux Cathedral of Saint Andrew), a stunning example of Gothic architecture, with construction spanning from the 12th to the 16h century.  It serves as a central symbol of Bordeaux and is located near the City Hall in the heart of the city. Due to being built over 400 hundred years, the cathedral has a heterogeneous mix of architectural styles, featuring different colors of stone on its facade.

Cathédrale Saint-André (Bordeaux Cathedral)

 This cathedral was the site of significant royal weddings, including Eleanor of Aquitaine to the future King Louis VII in 1137. 

The first Pope of Avignon was a bishop of Bordeaux.

Saint Andrew was crucified on a cross and is thus often depicted.

The first Cathédrale Saint-André opened in 1090. The 1200s portal from that time is of the French Gothic style and has statues that were recently cleaned using laser technology.

From here one can begin the Camino de Santiago trek.

Inside St. Andrew can be found in the stained glass.

The 18th-century organ case is one of the largest in France, housing a heavily utilized organ,

 The interior boasts a rich collection of liturgical art, sculptures, and medieval illuminated manuscripts.

I particularly loved the columns.

and the grill work.

The Tour Pey-Berland, built in the 1400s, stands separately from the main cathedral to avoid vibrations from its massive bells damaging the main structure.

Tour Pey-Berland

A gilded statue of the Virgin Mary, Notre-Dame de Aquitaine, sits atop the tower since the 1800s. She is facing the Médoc wine region.

As we walked away we had a great view of the back of the cathedral.

Jacques Chaban-Delmas, a friend of Charles DeGaulle and a former Prime Minister of France, was the mayor of Bordeaux for nearly half a century. 

I just love this picture and what it says about France, the French, and the vibe.

The tram passes directly behind the cathedral. To preserve the historic center, Bordeaux implemented a ground-level power supply system in the 2000s, making it the first city in France with a fully wireless tram in its core

Walking down the street, we had a last glimpse of the Tour Pey-Berland.

Rue Sainte-Catherine, originally part of the Roman way, is a mile long artery known as one of Europe’s longest fully pedestrianized shopping streets. Running from Place de la Comédie and the opera to Place de la Victoire, it serves over 230 shops, houses underground rivers. Sarah told us on a Saturday afternoon it is teen central.

Rue Sainte-Catherine

Sarah pointed out a traditional timber-framed house, a style prominent in the region during the medieval and early modern periods, this one c 1500s.  The facade features exposed wooden beams and masonry that have been preserved to reflect the city’s architectural heritage.

As we once again passed through Place de la Comédie, Sarah told us that prior to the heat wave of the summer of 2025, only 15% of private homes had air conditioning. Now they are irapidly becoming the majority.

Originally built in the 15th century, the Grosse Cloche (Great Bell), is a historic monument and one of the oldest belfries in the country. The structure has served as a gateway, a defensive belfry, and even a prison.  The bell itself, named “Armande-Louise”, weighs 7,750 kilograms and was cast in 1775.  

Grosse Cloche (Great Bell)

The bell only rings six times a year for major celebrations (including Bastille Day and May 8th), plus the first Sunday of every month at noon.

This plaque commemorates the site of Simon Millanges’ printing workshop, where the first edition of Montaigne’s Essays was published in 1580. Millanges was printer to the King. Montaigne preached tolerance and invented the style of essay writing. The plaque features a famous quote from Montaigne: “I do not portray the being, I portray the passing.” It also mentions that Montaigne’s grandfather, Ramon Eyquem, made the pilgrimage to Compostella via the Via Turonensis route.

Along this street, St. James, we found several more independent coffee, books, and books plus coffee shops.

We got a glimpse of the Porte Cailhau, a historic defensive gate built between 1493 and 1496 to commemorate King Charles VIII’s victory at the Battle of Fornovo. 

Porte Cailhau

Sarah pointed out a very old church which, she told us, can be dated to before 1600 by its pointed gables and mullioned windows.

Place de la Bourse was designed between 1735 and 1738 by Jacques Gabriel, and built by his son Ange-Jacques Gabriel, the principal architect of King Louis XV. It was built as the stock exchange, but it now serves as the Chamber of Commerce.

Place de la Bourse

Historically, it served as a symbol of Bordeaux’s wealth and opening up to the world, breaking down the medieval walls of the city, which were mostly destroyed at that time.

In the original plan, a statue of Louis XV was erected on the square, which was destroyed during the French Revolution and melted into a cannon.

The fountain of the Three Graces in the center was added in1869.

The slate roofing and urns on top of the ballustrade were all classically French post Versailles in the 1750s.

During the 1700s the walls and buildings on Quai Richeliu, which is along the Garonne River, were torn down and new ones built of uniform height and style.

On the buildings here can be found mascarons, which are carved faces commonly found above doorways or windows, particularly in Europe, typically featuring grotesque, human or mythological faces intended to frighten away evil spirits.

mascarons

We headed back to Porte Cailhau, a a blend of Gothic and Renaissance styles. It stands at 115 feet high. 

Porte Cailhau

Once through we found ourselves in Place du Palais,  a vibrant, pedestrian-friendly square that was once the site of the 10th-century Palais de l’Ombrière, the former residence of the Dukes of Guyenne and later English kings.

Place du Palais
Place du Palais

It was time for lunch,

which meant time for some wine too, of course.

After lunch the ladies decided it was time to do some shopping. Sarah told us that the French term for window shopping translates literally to window licking; we were ready. We headed back to Rue Sainte-Catherine, which was much more crowded than it had been earlier.

We visited La Galerie des Grands Hommes, a distinctive, circular shopping center in central Bordeaux, which opened in 1991 on the site of a former 19th-century metal market. It is located within the upscale “Golden Triangle.” 

La Galerie des Grands Hommes

We passed both familiar and new to us shops.

Two of our favorite shops were these little flower shops.

Along the way we got a better look at the Porte Dijeaux.

Porte Dijeaux

Once we returned to Place de la Comédie, we realized that it was a “No Kings” protest day in the U.S., and several expats were displaying signs in front of the opera house.

Also in the square, not previously mentioned by me, is Sanna, a monumental sculpture by Catalan artist Jaume Plensa. The seven-metre tall cast-iron head was originally installed in 2013 as part of a temporary exhibition of eleven sculptures throughout the city.  Due to its popularity, the sculpture remained in place permanently following a public fundraising campaign.  The work is designed to create a serene contrast with the hustle and bustle of the surrounding urban landscape. 

Sanna

After a bit of a rest, it was time to head out into the evening for dinner at Bistro 1554.

It was yet another elegant dinner of multiple courses from soup

and ravioli

to meat

and desert.

Having stuffed ourselves, we decided it was prudent to walk it off. We headed to the river for the night views.

The Miroir d’eau (Water Mirror) in is a reflecting pool covering 337,100 sq ft. Located on the quay of the Garonne River in front of the Place de la Bourse.  It was built in 2006 and creates a stunning reflection.

Miroir d’eau (Water Mirror)

The river also beautifully reflects the lights from the bridges.

Even the street lights along the river are beautifully designed.

The following day we were on our own in the city. We headed back to the river.

The street lights were even more beautiful in the daylight.

We passed the Bourse Maritime (Maritime Stock Exchange). Built between 1921 and 1925, it was designed as a replica of the central pavilion of the nearby 18th-century Place de la Bourse.  The building served as a hub for the city’s maritime commerce and is now a significant landmark in the UNESCO World Heritage-listed historic center of Bordeaux. 

Bourse Maritime (Maritime Stock Exchange)

In front of which stands a bronze statue which depicts Modeste Testas (also known as Marthe Adélaïde Modeste Testas), an enslaved African woman who was born in East Africa and brought to Bordeaux in the late 18th century. The monument serves as a memorial to the city’s historical involvement in the slave trade. The statue represents the resilience of enslaved people, with broken shackles depicted at her feet. It was sculpted by artist Kafack F. and inaugurated in 2019.

Marthe Adélaïde Modeste

We made our way to the Sunday market which featured all the usuals for a French market: cheeses,

olives,

colorful autumnal veggies,

patés,

and fish.

The special Bordeaux inclusion here Cannelé.

And very special to this market were oh so many oysters, which we tried on the spot.

Ahead we could see the Jacques Chaban Delmas Bridge.

Off in the distance we could see Cité du Vin, a modern museum dedicated to wine culture from around the world.  The unique architecture is designed to resemble a swirling glass decanter or a knotted vine stock.  We did not make it that far into the city.

Instead we turned inland and explored some side streets.

We found a small local Église Saint-Louis-des-Chartrons (Church of Saint-Louis-des-Chartrons), a Roman Catholic church designed in the Gothic Revival architectural style built between 1874 and 1880.  Situated in the historic Chartrons district of the city. the church is named after and dedicated to Saint Louis, King of France.

Église Saint-Louis-des-Chartrons (Church of Saint-Louis-des-Chartrons)

We went in and looked around.

On our way back to our hotel, we passed a bronze statue of Jeanne d’Arc (Joan of Arc) created by French sculptor Jules Déchin. It was erected in 1950. 

Jeanne d’Arc (Joan of Arc)

We wandered back by the fair.

And did I mention there was, of course because this is France, a carousel.

We took a walk through the public gardens, which were beautiful despite the late season.

And in the garden we found yet another carousel!

We came upon a statue of Louis-Urbain-Aubert de Tourny (1695-1760). In 1743, he became intendant of Guyenne, an old French province which corresponded roughly to the Roman province of Aquitania Secunda and the Catholic archdiocese of Bordeaux. He is the one responsible for the beautification of the quays on the Garonne adding buildings, opening avenues, and creating a public garden.

Louis-Urbain-Aubert de Tourny

Dinner was simply French: oysters, artichokes, and champagne at Brasserie Le Noailles.

The next day we returned to wine tastings. Our morning was spent at Château Marquis d’Alesme, a historic winery located in the Margaux commune or appellation of Bordeaux. 

Château Marquis d’Alesme

The estate, founded in 1585 by François d’Alesme, is classified as a third growth (Troisième Grand Cru Classé) in the official 1855 Bordeaux classification. Marquis d’Alesme was a conseiller in the Bordeaux parliament and first horseman of King Edward.

Château Marquis d’Alesme

Our guide Pascal gave us more history of the estate. Dutch merchant Jan Bekker Teerlink bought the estate in 1809, renaming it Marquis d’Alesme-Becker.

The estate saw a succession of owners, including English firm WH Chaplin & Co and the Zuger family, until it was sold in 2006 to petrochemical industry businessman Hubert Perrodo, who had bought his first estate in 1989 and had elaborate plans of combining several of his Margaux estates. But Perrodo was killed in a skiing accident later the same year as he had purchased this estate.

The estate is currently run by his second child, Nathalie Perrodo. She destroyed pretty much all of the buildings on the estate and rebuilt the entire property. She is half Chinese and has brought much of the Eastern cultures into details of her design. She used local artisans to blend cultures into the decor. Construction commenced around 2016.

The harvesting hall was inspired by a Roman palladium. It has no echo.

In the 2006 sale of the property Mrs. Zuger kept the house and continues to live there today.

Pascal took us up to the top of the vats and explained that here, like most of the wineries we have visited in Bordeaux, gravity is used to fill the tanks and crush the grapes.

The harvest having been recent, the maceration is about done, and they have moved on to mixing and removing solids.

The estate produces 600,000 bottles a year.

The decor on the walls of the barrel rooms is of Chinese influence. Water is on the walls of even years, as above; wind is on the walls of the odd years, as below.

As we climbed to the roof, Pascal pointed out the pair of antique Chinese white marble Foo Dog guardian lion statues, historically positioned in pairs to symbolize protection, strength, and the balance of yin and yang. They are traditionally placed at entrances to protect against negative energy and ward off evil.  One lion (male) typically has its paw on a ball (symbolizing wealth and power), while the other (female) rests a paw on a cub (symbolizing nurture). 

From the roof we had a great view of Mrs. Zuger’s home

as well as the vineyards, which are beginning to change with autumnal colors,

and a traditional church in the distance.

During the reconstruction of the estate, the building which houses the tasting room was moved to its current location from a previous site by artisans stone by stone with attention to correct placement for the correct feng shui.

Above is the original shield of the d’Alesme family.

Inside is packed with antiques and objects of art.

The 14th century pagodas were a gift from the emporer to his parents. There are only 6 of these in the world; the other 4 are in Buckingham Palace.

The photo is from Versailles and represents all the varietal colors of grapes.

We were seated in this magnificent room for the tasting.

Lunch here was different than it has been throughout this experience. Here rather than serving courses, many small plates were served family style to all of the guests seated together.

After lunch we moved on to our last, but certainly not least important, winery: Château Mouton Rothschild. Acquired in 1853 by Baron Nathaniel de Rothschild, Château Mouton Rothschild is a premier Pauillac estate that famously rose to First Growth status in 1973. It had been ranked as a Second Growth in the official 1855 Bordeaux classification. It is now owned by three siblings of the 6th generation of Rothschilds.

Château Mouton Rothschild

Our guide Camille explained that the estate was revolutionized by Baron Philippe de Rothschild, grandfather of the current owners, from 1922, introducing on-site bottling and creating a world-class reputation. He decided to change the labels yearly, hiring an artist for a unique design each year. The estate has been in collaboration with Robert Mondavi at Opus One since 1979.

Baron Phillippe was an Aries, so rams are seen represented frequently both in the art he collected and on the labels.

Mouton means sheep, but it also means little mount; the terroir includes about 25 feet of gravel.

Camille showed us the steel vats

and their tops from which the grapes are added. The tops of the vats are sealed, but there is a one-way valve through which CO₂ can escape.

Unique here is a rail system for the trolleys that move the grapes.

The wood vats are custom made for the winery with windows to show the wine.

The cellar dates from 1926. The clarity of the wine is checked every 3 months using a glass and a candle. Three whipped egg whites are poured into each barrel toward the end of the aging process, then left for 40 days to precipitate sediments.

The old cellar is now used as an art museum to showcase the family’s extensive art collection as well as a museum containing original artist renditions of each year’s label. Unfortunately, we were not allowed pictures in either museum.

We finished the day with a spectacular tasting.

As it was our last day, Jeff posed with our driver.

The next day we all road the train back to Paris where we parted ways. Eric and I continued on the metro to Montmartre, a historic hilltop neighborhood in Paris’s 18th arrondissement. Upon emerging from the metro we were greeted by a statue entitled “La Quatrième Pomme” (The Fourth Apple). Being New Yorkers, we could not resist a pic of “The Big Apple.” The sculpture was created by French artist Franck Scurti and inaugurated in 2011. It serves as a tribute to the 19th-century French philosopher and socialist Charles Fourier, referencing his concept of the “fourth apple” in relation to industrial society.  

“La Quatrième Pomme” (The Fourth Apple)

We walked to Hotel Des Arts and checked in. Both the upstairs lobby

and the one below are both chock full of artwork from local artists. Montmartre is renowned for its bohemian artistic history.

After settling in, we headed out into the late afternoon to explore the neighborhood. As we headed up our street, we spied a windmill above the park at the top of the street.

It is one of the last remaining functional windmills of the many that once dotted the Montmartre hill, but more on them later.

As the sun set, we reached the windmill that is now a part of Le Moulin de la Galette. Originally built in 1622, it was once a working flour mill before becoming a popular 19th-century dance hall.  It served as inspiration for famous artists like Pierre-Auguste Renoir, who painted the scene in 1876, and Vincent van Gogh. 

Le Moulin de la Galette

Today, it operates as a restaurant.

As we continued up the hill we passed several closed art galleries.


We peeked inside a few.

Near the top we entered Place du Tertre, a famous, albeit touristy, square filled with craft shops and artists painting portraits and landscapes.

Place du Tertre

At the very top we found Sacré-Cœur Basilica (Basilica of the Sacred Heart) situated at the summit of the Montmartre butte, the highest point in the city. 

It was time for our reservation, so we headed back past Place du Tertre to Le Poulbot Restaurant.

Inside, of course, more art was on display.

Having been in France at this point for nearly 3 weeks, and not yet having had a bowl of onion soup, it was time.

Ditto for the duck.

And the same for one of my all time favorite deserts: crème brûlée.

On the way back down the hill, we noted that the area was hopping with an active night life.

We had a walking tour booked for the morning. We left our luggage at the hotel and headed to the assigned metro stop at the foot of the hill. We noted that the metro sign does indeed look the same as the one we had seen this summer in Montreal, said to have been gifted from Paris.

Our guide Elise explained that originally Montmartre was a separate village.

The street on which we were standing had a city wall, which was built for the purpose of taxes. Eating and drinking outside the city wall became popular to avoid said taxes. In 1860 with the reconstruction of the city, the wall came down, but it remained less expensive to live in this arrondissement, which attracted artists along with the working class.

Elise took us first to Moulin Rouge cabaret located on the Boulevard de Clichy. She explained that although it had been built in 1889 by Charles Zidler and Joseph Oller, the iconic red windmill was gifted later, in 1899, the same year in which the Eiffel Tower was built. It is famously known for the can-can dance and as the birthplace of modern cabaret, but also historically significant, it was the first building in the city powered by electricity. It had to be outside the city because of how risqué it was considered. But the cabaret has hosted famous patrons including Sigmund Freud, Oscar Wilde, and the Prince of Wales.

Moulin Rouge

Moulin Rouge dancers hold the Guinness World Record for the most simultaneous “demi-grand rond de jambe” cancan kicks, achieving 29 kicks in 30 seconds.  The on-site atelier handcrafted every feather and sequin for the dancers’ costumes. The venue has been managed by the Clerico family since 1955, with the current owner having been inspired by Las Vegas shows to modernize the revue. The venue currently has an incredible 1,500 employees, including a massive team of waitstaff.

Painter Henri de Toulouse-Lautrec, lover of the can-can, became the soul of the neighborhood. He created iconic posters for the venue, featuring stars like La Goulue (Louise Weber). He was addicted to absinthe, which he called the Green Fairy. In one of his paintings, depicted outside the venue, the men are wearing top hats, which is a sign of the wealth of the clientele. There was no stage added until the 20th century, an American musical influence. Since 1957, all show names begin with the letter “F” (e.g., Féerie), a tradition started by choreographer Doris Haug to bring good luck.

Elise pointed out Cafe Petit Moulin which was used as a set for the movie Amelie.

Elise told us that the French use terraces around cafes all year round partly to smoke, but also to people watch. All of the chairs at cafes face outward for the important people watching activity. By law they must allow room for passage of pedestrians.

As we climbed the hill Elise started talking about all of the street art in the neighborhood, some of which are large murals, others not so large.

Louise Michel was a 19th century schoolteacher. In 1871 she actively participated in the events of the Paris Commune, ie the end of the Franco-Prussian War,  both on the front line and in support. The Freedom fighters had unsuccessfully tried to assassinate the president; they were executed by firing squad. Having turned herself in to secure her mother’s release, she was instead deported to New Caledonia, where she converted to anarchist thought. She became an icon for anarchists. For the love of honesty.

We walked by the home of Théo Van Gogh, art dealer and brother of Vincent, who visited here 1886-1888. It was during the evolution of the neighborhood, which Vincent Van Gogh painted often.

Elise also pointed out a building with typical Haussmann architecture, which we have seen throughout Paris and Bordeaux. They were built after nearly 60% of the existing buildings had been demolished. She reiterated that above the commercial space lived the family with the servants at the top, which was generally freezing in the winter and very hot in the summer. The staircases were made very narrow to save on internal space, which is why so many of the elevators in these buildings are so tiny today.

Street art is not confined to paintings and murals. Included can be mosaics or statues, no matter how small,

as well as sketches,

iron works.

and even door knobs.

Most are anonymous. Sometimes we can recognize the same artist’s work.

Elise showed us a cast-iron Wallace fountain, similar to the one we had seen outside the Shakespeare and Co. bookstore. Sir Richard Wallace was a philanthropist and a hygienist who gifted 50 fountains to the city for the municipality; there are now 107. The females portrayed are models of Greeks goddesses who portray kindness, simplicity, charity, and sobriety. Each one is different from her sisters, by the way she bends her knees and where her tunic is tucked into her blouse. Even today they may be the only source of free clean water for the poor and homeless. Today’s modernized fountains have a button instead of a lever, many have sprinklers to cool off residents, and some even have free sparkling water.

Wallace fountain

The Bateau-Lavoir (Washhouse Boat or Floating Laundry) is a famous, historic artists’ collective where Pablo Picasso lived and worked 1904-1907, and is where he famously painted Les Demoiselles d’Avignon in 1907.

The Bateau-Lavoir (Washhouse Boat or Floating Laundry)

The upstairs studio, currently occupied by a 102 year-old woman, was his favorite because the windows are plentiful and face north, which means the light changes very little throughout the day.

studio The Bateau-Lavoir (Washhouse Boat or Floating Laundry)

Around the corner was the home of Iolanda Cristina Gigliotti (1933–1987), professionally known as Dalida, an Italian naturalized French singer and actress. Throughout her international career, Dalida sold more than 140 million records worldwide. She was French by marriage, which lasted only two years. She then had many lovers, three of whom committed suicide; she became known as the black widow. She died in 1987, many believe by suicide.

home of Dalida

Of the approximately 30 windmills built for the city of Paris in the 1600s, only two remain. They had been used as mills (moulin) for flour and spices, also to crush grapes and break stones for plaster. They were in use until the 19th century. One is, as we had seen the previous evening, on the Moulin de la Galette (Mill of the Pancake), now privately owned.

Moulin de la Galette (Mill of the Pancake)

Around 250 AD Saint Denis, patron saint of Paris, was decapitated by the Romans soldiers nearby for the crime of converting citizens to Christianity. Paris was pagan until the 4th century. Legend holds that once beheaded, Saint Denis walked nearly four miles carrying his head before stopping to wash it in this fountain in the Square Suzanne Buisson, the site traditionally believed to be the spot where this miraculous event occurred. The statue depicts Saint Denis holding his own severed head in his hands. The current statue was installed in 1941, but the fountain itself is much older and was historically believed to provide holy water. 

A statue of Dalida was erected in a square dedicated to her 10 years after her death. Her breasts are wiped to shiny because it is believed to touch her breasts brings one good luck, although this makes no sense to me after she buried so many partners. Bocce is played in the square. It is a very popular activity in Paris due to its sociability; it can be a glue to a community.

La Rue de l’Abreuvoir  is widely considered one of the most picturesque and historic streets in Montmartre district of Paris. It is particularly significant to the story of Saint Denis because it is part of the legendary path he walked after his decapitation.

Recently there was an attempt to stop traffic from passing through this area and a call for a ban on parking. This banner is a protest to that proposal.

As we have seen elsewhere, the French love to protest and strike.

There remains one last vineyard in Montmartre. Prior to the Revolution, vineyards here were owned by the church. In 1789 most of them were destroyed. The area became slums until the 1930s when the government took the land back to clean it up. Each year now there is a grape harvesting party to pick the grapes. The wine is sold for €50 and is terrible, but the proceeds go to charity for the neighborhood.

Au Lapin Agile (The Agile Rabbit) cabaret is one of the oldest and most iconic cabarets in Paris, dating back to the 19th century. The venue was a famous gathering spot for artists, writers, and bohemian figures, including Pablo Picasso, who painted it in 1905. One of the artists drew a rabbit, so the name was changed. Sometimes when an artist could not afford his bill, he gave the proprietor a drawing instead. Picasso once gave a piece that later sold for €40 million.

Au Lapin Agile (The Agile Rabbit)

The distinctive sign featuring a rabbit jumping out of a pot was painted by André Gill in 1875. 

The coat of arms of Paris features a white ship (an ancient merchant vessel) on a red field, with a blue upper section containing gold fleurs-de-lis, symbolizing the city’s maritime history and royal ties, often accompanied by the Latin motto Fluctuat nec mergitur(Tossed but not sunk). Adopted in 1358 and officially registered in 1699, this emblem represents the city’s resilience. It can be seen on buildings

and even on lamp poles.

Construction of the Basilique du Sacré-Cœur de Montmartre (Basilica of the Sacred Heart of Montmartre), a Roman Catholic minor basilica, began in 1875, was completed in 1914, and it was formally consecrated in 1919. 

Basilique du Sacré-Cœur de Montmartre (Basilica of the Sacred Heart of Montmartre)

The architecture is inspired by Romanesque and Gothic styles as well as Greek inspired Byzantine styles. It features distinct white travertine stone that helps it stand out against the skyline and, even better, is self-washing.

Basilique du Sacré-Cœur de Montmartre has maintained uninterrupted perpetual adoration of the Blessed Sacrament since August 1, 1885. Day and night, continuous silent prayer is offered for the world, even throughout the World Wars and the COVID-19 pandemic.

The basilica is the second most visited church in Paris after Notre-Dame. As is true for all churches by law in Paris, admission is free. But as our time was drawing short, and we had visited so many cathedrals and churches in France, we chose not to enter. From this high point are stunning views of Paris below.

As we walked back down the hill, we looked back at this magnificent building.

At the base we found locks of love, attestations of the unbreakable bonds of those who came before us.

From this vantage point we had a good view of the Eiffel Tower in the distance.

We passed one last church as we descended the hill: Eglise Saint-Pierre de Montmartre, one of the oldest churches in Paris, with construction beginning in 1133. for Louis VI. 

Eglise Saint-Pierre de Montmartre

We passed back through Place du Tertre one last time

Place du Tertre

and noted the portrait painters trying to make a sale.

We chose to go to the Moulin Galette for our last French meal. Despite it being touristy, it had a special appeal.

inside Moulin Galette

Behind the bar one can look up into the windmill.

We were seated out on the terrace.

There can be found a reproduction of “Bal du moulin de la Galette” (Dance at Le Moulin de la Galette), a famous painting by Pierre-Auguste Renoir. The lady in pink is thought to have been his mistress. The straw hates depicted represent the working class.

We had to have another cup of onion soup before leaving France, with, of course, a glass of champagne

followed by Moules Marinières with pomme frites.

After lunch we collected our luggage and headed to the airport. There we had a final glass of wine to toast our journey.

France: Bordeaux: Graves region: Oct 12-13, Medoc region Oct. 14-17, 2025

We drove to Marseilles, left our car at the airport rental, and boarded our plane to the Bordeaux-Mérignac airport. There we were met by our driver who transported us to Les Sources de Caudalie, a 5 star hotel nestled within the Château Smith Haut Lafitte winery’s vineyards. Our days of self-guided touring had come to a temporary end.

Les Sources de Caudalie

Established in 1999 by Alice and Jérôme Tourbier, daughter and son-in-law of Daniel and Florence Cathiard (owners of Château Smith Haut Lafitte), Les Sources de Caudalie is famous for pioneering “vinotherapy,” combining natural hot spring water with grape extracts. The buildings were designed by Architect Yves Collet using reclaimed, traditional materials, such as 18th-century wood from a nearby châteaux, to blend into the landscape like a traditional Aquitaine hamlet. Les Sources de Caudalie offers a luxurious, nature-focused, “French Paradox” experience: the idea that a diet rich in antioxidants (like red wine) leads to good health. The hotel was designed to feel like a family home rather than a grand palace, focusing on “art de vivre” (art of living), nature, and the vineyard.

Les Sources de Caudalie

Before checking in, we turned around to take in the vineyards. Château Smith Haut Lafitte features a notable collection of monumental sculptures displayed throughout its vineyards and grounds, part of a “land art” trail. The collection includes works by several internationally recognized contemporary artists. “Hospitality” (Leaping Hare) by Barry Flanagan is an iconic bronze sculpture of a leaping hare positioned in the center of the vineyard, presiding over the oldest Cabernet Franc vines. The owners, Florence and Daniel Cathiard, purchased it to celebrate their first vintage release after acquiring the estate in 1990.

“Hospitality” (Leaping Hare) by Barry Flanagan: Château Smith Haut Lafitte

Other sculptures could be seen in the distance. 

Château Smith Haut Lafitte, a prestigious Pessac-Léognan Grand Cru Classé in the Graves apellation of Bordeaux, a wine region on the Garonne River’s left bank, renowned for gravel-based soils, hence the name. Château Smith Haut Lafitte dates back to 1365 when the Bosq family first planted vines on a gravelly hill. Renamed in the 18th century by Scottish merchant George Smith, who exported wine to Britain, it was elevated to prominence by Mayor Lodi Martin Duffour-Dubergier in the mid-19th century.

We checked into the hotel

and were shown to our room.

Fom our room we had a view of the pond behind the main hotel building.

Between the main building and the pond stands this bronze sculpture which depicts two figures carrying a large bunch of grapes, reflecting the area’s rich winemaking heritage. 

We met up with friends Jeff and Carol, with whom we had booked this adventure. It was late in the afternoon, but it was time for our first winery tour.

We made our way across the road to Château Smith Haut Lafitte winery. The name of the winery means “little high hill.”

The reception area to the winery doubles as a gift shop. We were assigned our guide, Hortense.

We climbed the tower, from where we had a view back at the hotel. Hortense told us that the winery covers over 740 acres. The favorite grape grown is the petit bordeaux, a low volume grape varietal. All of the grapes are harvested by hand. The estate uses advanced technology like drones for monitoring and has an eco-friendly “Stealth” cellar for their second wine. They use natural methods like pheromone “mating disruption” for moths and introduce beneficial mites to fight red spiders.

Hortense esplained the history of the winery. In the 18th century Scottish wine merchant George Smith purchased the estate, built the Chartreuse, and gave it his name. In 1842 Lodi Martin Duffour-Dubergier, mayor of Bordeaux, took over and secured its reputation as a high-quality wine producer. In 1958 the property was acquired by the négociant house Louis Eschenauer. In 1990 former Olympic skier Daniel Cathiard and his wife Florence purchased the estate, transforming it into a, “bio-precision” estate with a focus on sustainability, natural fertilizers, and modern, high-tech winemaking. Their home is visible from the tower.

home of Daniel and Florence Cathiard

From this vantage, more of the unique sculptures could be seen. We climbed down to continue the tour.

Château Smith Haut Lafitte is one of only 3 wineries in Bordeaux that make their own barrels, all from French oak. The winery operates its own cooperage to craft custom barrels and uses QR codes on bottles to provide detailed, interactive information to consumers.

Each slat of oak is toasted in the fire.

The numbers on the slats denote the degree of toasting, each level bestowing a different flavor to the wine.

As we toured, I was struck by the art everywhere, even in a small vestibule.

The winery produces 800 barrels a year. The cellar contains over 1000 barrels. The reds stay in the barrel for 18 months, the whites 1 year. These are the whites.

The reds are so marked. Note the foil curtains along the far wall. In a world-first for sustainability, the château installed a system to capture the carbon dioxide released during fermentation and convert it into sodium bicarbonate, which can be used in toothpaste.

Hortense showed us the steel tanks.

She showed us the destemming

and sorting machines

and the wood tanks room.

The Cathiards’ private collection is stored in a hidden underground cellar, accessible only via a trapdoor in the floor of the tasting room.

Finally we entered the bottle room.

Some of the oldest bottles were on display.

Finally it was time for the tasting.

We left the winery as the sun was starting to fade and meandered through the vines.

We went for a closer look at the statues. “Le Veado” was created by Portuguese artist Adália Alberto and is a copy of one in Nazaré, Portugal. The large human head topped by a deer, symbolizes a local Nazarine legend about saving Dom Fuas Roupinho. 

“Le Veado”

The “Venus de Bordeaux,” a monumental bronze sculpture by American artist Jim Dine is a modern interpretation of the classic Venus de Milo, featuring a disintegrating texture that symbolizes the relationship between art, fragility, and wine. 

“Venus de Bordeaux”

We noted the beginnings of autumnal colors on the grape vines and wondered how much more color we would see before our departure in 5 days.

We took the time before dinner to explore the hotel compound. The property resembles a small village with 61 rooms and suites, split among several distinct, rustic, and cozy houses.

The hotel boasts multiple dining options, including the two-Michelin-starred restaurant La Grand’Vigne and the more casual La Table du Lavoir as well as Rouge, a gourmet delicatessen and wine bar.

Rouge

We dined that night at La Grand’Vigne, a two-Michelin-starred gastronomic restaurant. I will not bore you with all the food pictures (believe me I took them all), but will include here some of the most picturesque.

Our wine was decanted,

and the courses began with fish,

and finished with desert.

Prior to breakfast in the morning, we strolled around the pond to get a little exercise before another day of eating and drinking.

As we drove to our first destination, our driver explained wine classifications in Bordeaux. In the left-bank (of the River Garonne ) Médoc, Graves, and Sauternes regions, Grand Cru Classé refers to specific châteaux (estates) ranked in 1855 by order of Napoleon III to showcase the best wines at the Paris World Exhibition.  These 61 châteaux are ranked into five levels: First Growth (Premier Cru) down to Fifth Growth (Cinquième Cru). This classification is based on the reputation of the estate, not just the vineyard, and has remained largely unchanged since 1855 with the exception of the addition of Rothschild in 1972.  In Saint-Émilion a different system for the right-bank region is used; the ranking is reviewed roughly every 10 years. The levels there include Premiers Grands Crus Classés (A and B) and Grands Crus Classés. 

Today’s first winery, Château Haut-Bailly, a Cru Classé of Graves, is a historic Pessac-Léognan appellation estate with roots back to 1461, renowned for its 10 acres of ancient, 120-year-old vines, some of the oldest in Bordeaux. Eloise, our guide there, explained an appellation generally designates the geographic area in which the fruit or other agricultural product was grown. Using an appellation of origin on your label also indicates that the wine meets certain production requirements. In the Bordeaux region there are about 4,500 wineries in 60 appellations.

In 1872, the estate was purchased by Alcide Bellot des Minières, known as the “King of Vignerons” (or “King of Vines”), who famously resisted grafting during the phylloxera crisis. He built the manot house in 1875.

Within their oldest 10 acre plot, the vineyard contains all six major Bordeaux grape varieties (Cabernet Sauvignon, Merlot, Cabernet Franc, Petit Verdot, Malbec, and Carménère) planted together, a rare “field blend” style.

The ultra-modern, eco-friendly cellar, designed to blend into the landscape, features a massive suspended, vegetated roof that acts as a habitat for birds and bats.

The modern facility was unveiled for the 2021 harvest and features a contemporary design.

The facility is designed to enhance wine production using gravity and agroecology (application of ecological principles to agricultural systems) techniques.

The grapes are wheeled in a carrier especially designed for the pupose, dropped into the large steel tank, and crushed by the force of gravity.

Once crushed, the grapes are removed from the steel tank and strained.

Looking down into the tank.

Eloise showed us the barrel room.

She then took us to the tasting building

and into the tasting room.

After our tasting we were taken into the manor house for lunch.

Our private menu

included lobster verbena

pigeon with beetroot

and, of course, cheese,

with dark chocolate for desert.

Having eaten so much lunch, it was difficult to think about tasting more wine. But a desert wine was on the schedule. Château d’Yquem, located in Sauternes apellation of the Graves region of Bordeaux, is the world’s most renowned sweet wine estate, famously ranked as the only Premier Cru Classé Supérieur (Superior First Growth) in the 1855 classification, placing it above all other Sauternes producers.

Production at Château d’Yquem is remarkably low, with the mantra that one vine produces only one glass of wine.  The estate is known to reject entire vintages if the quality does not meet their strict standards.

During the Middle Ages (1152–1453), the estate was owned by the King of England.

The property is currently owned by the luxury goods group LVMH. 

The vineyard had been under the same family control for over 400 years, from 1593 until it was acquired by LVMH in the late 1990s.

The site dates back to a 16th-century fortified farm and has served various purposes, including acting as a military hospital during wartime. 

Our guide Anna explained that the vineyard is situated at the highest elevation in the Sauternes region, comprising approximately 280 acres. The grapes are 70% sémillon and 30% savignon blanc.

Anna walked us past the extensive gardens.

Using an interactive map, Anna explained the geography enabling the sweet wine production. The Sauternes apellation is situated on the Gironde estuary, often referred to as a river, which is formed from the meeting of the two rivers Dordogne and Garonne just downstream of the centre of Bordeaux. Covering around 245 sq miles, it is the largest estuary in western Europe. The location of the appellation on the estuary ensures foggy mornings with high humidity, which allows for growth of the the fungi Botrytis cinerea (noble rot), which dehydrates the grapes and concentrates sugar and aroma. Yquem, the best of the sauterne wines, is known for its ability to age for over 100 years, often improving significantly with age.

Anna took us down the stairs

into the wine cellar. The grapes are in the barrel for two years. Each barrel is only used once. It is often considered the most expensive wine to produce in Bordeaux. The wine is bottled with CO2 in the bottle to improve longevity.

Roses are planted with grapevines primarily as an early warning system against diseases like powdery mildew, as roses are more sensitive and show symptoms first, allowing time for intervention.

Roses also act as natural pest control, attract beneficial insects, and historically helped guide plow horses. 

We were escorted to the tasting room. The blue in the tapestry, Anna told us, was typical of the 15th century.

Finally, we tasted.

We returned “home” after another long day of eating and drinking. We decided to do a sunset walk and further explore the statues on the property. We could not find titles for all of them.

This large stone sculpture titled “Shlomo,” by the artist Boaz Vaadia, is crafted from layered bluestone, a technique Vaadia used to create organic, stratified forms. Boaz Vaadia was known for hand-carving individual stone pieces and stacking them to create figurative or abstract works.

“Shlomo” 

Italian artist Mimmo Paladino’s monumental bronze sculpture is titled “Caduto a ragione” (Fallen to the Ground) .

Caduto a ragione (Fallen to the Ground)

And probably my favorite: “Torsion 2” by Charles Hadcock, a bronze and iron sculpture installed in the vineyard to commemorate the 2009 vintage. Its shape reminded the owners of a vine tendril.

“Torsion 2” by Charles Hadcock

We went all the way out the main gate on our meandering.

Back inside the property, we found a little kitchen garden complete with a dwarf lemon tree.

The next day we split up. We ladies had chosen to take a cooking class while the guys opted for yet another vineyard tour: We headed to the Haut-Médoc region to Château La Lagune. For most of its history, the Haut-Médoc was a vast region of salt marshes used for animal grazing  rather than viticulture. Romans had planted some vines by the first century AD, which stayed for about 4 centuries. The area was called media aquae (in the middle of water) because it is a peninsula where two rivers converge. Media aquae became Médoc. In the 17th century, Dutch merchants began an ambitious drainage project to convert the marshland into a usable vineyard area. Their objective was to provide the British market a wine alternative to the Graves and Portuguese’s wines that were dominating the market. Using technology that was advanced for that time, the Dutch were able to convert enough marshland to allow large estates to form all along the Gironde. Soon the Bordeaux wine regions of Margaux, Saint-Julien, Pauillac and Saint-Estèphe took shape. In Haut-Médoc there are a total of 6 appellations. By the 19th century, the wine region of the Haut-Médoc was one of the most prosperous in France, with wines that had an international reputation that would be unparalleled till the late 20th century.


Château La Lagune

The château building, a single-story Chartreuse style, was built around 1730-1734 by Baron Victor Louis, the same architect who designed the famous Grand Theater of Bordeaux. By 1958, the estate had fallen into disrepair, with barely five hectares of vines remaining in production after a severe frost. It was dramatically rescued and replanted by new owner Georges Brunet. The current owner, Caroline Frey, is a horse lover and former show jumper. Reflecting this passion and a commitment to the terroir, a portion of the vineyard is worked by horses, and the entire 2012 harvest was carried out using only horses. The entire vineyard has been certified organic since 2016 and received biodynamic certification in 2022, highlighting a significant investment in sustainable viticulture practices under the Frey family’s ownership. We were escorted into the 18th century kitchen.

The massive kitchen did not disappoint.

The fireplace not only provided warmth,

it was utilized for cooking. The spit on which large roasts were cooked used a clever system of pulleys and weights to turn the meat.

The stove top was heated using fire wood.

It could also be used for a smokey flavor while cooking.

Our instructor for the day was chef Iris.

Iris first taught us how to make merengue,

then how to pickle vegetables quickly.

We prepped veggies

while the soup simmered.

Next food project was the amuse-bouche.

After filling the cups with mascarpone,

the decorating called for teamwork.

We were proud of our results.

Meanwhile the guys had a vineyard tour

followed by a tasting.

We joined them for a glass of wine before dinner.

Having been told that the chateaux can be rented by a group for a stay, we were invited to tour the mansion . We started in the dining room,

then the parlor,

and the sitting room.

This is one of four bedrooms

each with an en-suite bathroom.

My favorite room, besides the kitchen, was the library.

We checked out the extensive collection in the wine cellar

which included some very old bottles.

Finally it was time to enjoy the fruits of our (and chefs Iris and Katharine, who was in the background) labors.

The table was ready.

We started with the soup

followed by braised lamb and vegetables.

Next was the requisite cheese course before dessert.

Our merengues had come out great!

After such a big meal, and with no scheduled plans for the afternoon, Carol and I decided to tour the Forest of the Senses while the guys rested. Unlike most strictly agricultural estates, Smith Haut Lafitte features a 25 acre open-air museum called the Forest of the Senses, a land-art trail filled with contemporary sculptures. First we had to obtain the key to the gate from the wine shop. The first sculpture we encountered was “Oracle” by artist Jon Isherwood constructed from Fox Hill granite.  The sculpture is designed with multiple vertical segments that evoke a natural, monolithic look while being artistically structured. Isherwood’s work often focuses on involving the viewer’s interpretation through abstract, center-focused designs. 

“Oracle”

“Funky fellow”, a chainsaw carving created from a tree trunk, is situated near the Pharmacie de la Vingne (Pharmacy for the Vines), a dedicated, open-air exhibit showcasing natural, organic remedies used to protect the vineyard. It features eco-friendly alternatives to chemical products, such as horsetail and nettle.

“Funky fellow”

“Upstand” (2009) by Anthony Caro is humanoid sculpture made of metal and concrete that has become a natural habitat for moss and insects. 

Upstand”

This centuries-old cork oak fell onto the neighboring property and left behind a natural statue visitors are encouraged to embrace, according to the signage.

We could not find a title for this magnificent piece.

Twenty three million years ago Smith Haut Lafitte was a beach. These sea fossils have been collected from around the property.

“Gulliver’s Skis” by Cyrille Menei is a nod toward the meeting of the Cathiards as ski champions for the French ski team.

“Gulliver’s Skis”

There was a garden of stone mushrooms

and live goats.

It was at this point we had reached a part of the working farm. It was also at this point that our map indicated the exit, but we could not find it. We tried all of the paths in several directions, but could not find our way to the gate. In exasperation, we climbed the fence.

Such a large property requires a large bug hotel, also known as an insect house or insect habitat, designed to provide shelter for beneficial insects in a garden. It attracts beneficial insects like solitary bees, ladybirds, lacewings, and beetles to help with pollination and pest control. The structure is typically wooden and filled with varied natural materials to accommodate different species.  Common fillings include bamboo tubes, drilled logs, pinecones, bark, and straw, which provide nesting sites for pollinators and hibernation spots for other insects.  The roof should overhang to protect the interior from rain, and nooks and crannies provide year-round refuge. 

bug hotel

Nature at work: a pollinator on a poppy.

We ducked through one las sculpture

as we made our way back to the winery to return the key.

Each day the staff at Les Sources de Caudalie left us a canelé, a traditional French pastry originating from Bordeaux. A canelé features a thick, caramelized, crunchy exterior with a soft, custardy interior. typically flavored with rum and vanilla bean. Traditional preparation involves baking in copper molds lined with beeswax and butter to achieve a glassy, caramelized crust.  The origins of the canelé are somewhat mysterious; the name “canelé” comes from the French word meaning “fluted,” a nod to its shape, but also to the corks used for the wine barrels. The pastry is believed to have been created between the 15th and 18th centuries by nuns in Bordeaux using the egg yolks left over, some say from the whites having been used to starch the priests’ shirts, others say from the egg whites having been used in the clarification process in the wine making.

Canelé

The following day we headed to Saint-Émilion, a prestigious Right Bank Bordeaux wine appellation, renowned for producing red wines dominated by Merlot, often blended with Cabernet Franc. Covering over 13,600 acres, the region is characterized by diverse limestone, clay, and sandy soils, creating varied, structured wines. It features two main AOCs: Saint-Émilion and the superior Saint-Émilion Grand Cru. Saint-Émilion’s 860 wineries produce over 15 million bottles a year.

We headed to Château Troplong Mondot, a prestigious Premier Grand Cru Classé B renowned for its high-altitude, 106 acre vineyard, one of the largest in the appellation. Situated 360 feet above sea level, it offers 360-degree views.

Château Troplong Mondot

The estate was originally built in 1745. The estate takes its name from Raymond-Théodore Troplong, a prominent jurist and President of the Senate under Napoleon III, who expanded the property in the 1850s.

Originally the winery had only 80 acres containing 28 vineyards. Starting in the 1980s then owner Christian Valette reworked and replanted all of the vines over a 25 year period, then, 12 years ago bought about another 20 acres. In 2017, the SCOR insurance company acquired the estate from the Valette family, who had owned it since the 1930s. Due to its elevation, the terroir is unique, with thick clay-limestone soils containing flint and limestone. The limestone absorbs water and the flint absorbs the daytime heat, together allowing for high-concentration, powerful wines.

The majority of grapes had already been harvested, but there were some bunches still on the vine. The wines are primarily from Merlot grapes, 80%, and 20% Cabernet Franc.

Work horses have replaced tractors since 2010 because they are less likely to pack the dirt, which makes for better soil.

We took a safari ride to explore the property

and get a view of the town of Saint-Émilion below.

The property includes a luxurious hotel

and a permculture garden, a regenerative agricultural system that mimics natural ecosystems to create self-sustaining, productive landscapes, focusing on ecological harmony, soil health, and minimal waste.

The ducks eat insects.

The pigs eat the table waste from the restaurant, then become food themselves the following year.

The chickens also eat table scraps.

Some of the chickens were particularly colorful.

We headed into the winery where they were cleaning out the steel tanks.

Once the juice has been drained,

the solids are vacuumed out.

After maceration all of the juices are pressed out of the solid waste which is then recycled to avoid waste taxes. France’s anti-waste law bans the destruction of non-food products and encourages the recycling or repurposing of waste, pushing for circular solutions. France is currently spending approximately €200 million ($216 million) to distill 80 million gallons of surplus wine into pure alcohol for industrial use (cleaning, perfume) to manage oversupply. Instead of a waste tax on disposal, the government is paying producers to remove excess, with a very low excise tax of €0.03 per bottle, the lowest in Europe. 

They were in the process of filling barrels from the tanks.

We made our way to the tasting room.

As is my usual habit, I took notes on the composition and quality of each wine we tasted.

We took a break for a moment to enjoy the beautiful day

before heading into the Michelin-starred restaurant, Les Belles Perdrix.

Once again the presentation matched the quality

Each course was more beautiful and more delicious than the previous.

The greens, veggies, and flowers were all from their own garden.

Even the butter was beautifully presented.

After lunch we were driven down into the village of Saint-Émilion, a medieval town with limestone architecture. The village has 40 full time inhabitants but is visited by over 1.2 million tourists a year. Less than 10% of visitors enter Eglise Collegiale (The Collegiate Church of Saint-Emilion). Founded in 1110 by Archbishop Arnaud Géraud de Cabanac, it served as a home for a college of Canons (Augustinian monks) from the 12th to the 18th century.  

Eglise Collegiale (The Collegiate Church of Saint-Emilion)

It is known for its blend of Romanesque and Gothic styles, with the transept and core dating between the 13th and 15th centuries.

Ancient 12th-century frscoes can be found on the right side of the entrance.

The monaastery had been built outside of the town for religious purposes. The convent was built inside the town for use both for education and as a hospital.

The peaceful, 12th-century cloister was used by monks for prayer.

The outer side of the cloister is now the town’s tourist office.

In the heart of the village is Hôtel de Pavie, a luxury 5-star hotel which features La Table de Pavie, a gastronomic restaurant overseen by renowned chef Yannick Alléno.  

Hôtel de Pavie

bell tower of Monolithic Church of Saint-Émilion

The historic medieval village of Saint-Émilion, originally named Ascumbas (rolling hills), was renamed in St. Émilion’s honor. It has been designated a UNESCO World Heritage Site since 1999.

historic medieval village of Saint-Émilion

 The village has 12.5 miles of tunnels created from mining limestone, which are now used to store wine.

The coat of arms for the town of Saint-Émilion depicts a crowned figure holding a crozier, a lion, and a castle tower, surrounded by fleurs-de-lis. 

The Porte de la Cadène is a 13th-century stone archway that once served as a, defensive gate separating the town’s religious upper district from the secular lower town.

Porte de la Cadène

The Maison de la Cadène, a historic half-timbered house is notable as the only remaining timber-framed house within the village. 

Maison de la Cadène

While the upper timber facade dates to the 16th century, the stone lower section is much older. Maison de la Cadène features a 16th-century corkscrew staircase, a stone tower, and intricate, weathered wooden carvings. 

The Monolithic Church of Saint-Émilion is carved entirely out of a single limestone cliff; it is the largest underground church in Europe. It was dug between the 11th and 12th centuries by Benedictine monks, it was designed to accommodate pilgrims and to house the body of Saint Émilion.

bell tower of The Monolithic Church of Saint-Émilion

The 174 feet high limestone tower was built around 1230. It presides over a cute square which, before the revolution, was the market square. Now it is full of shops and cafés.

The Monolithic Church of Saint-Émilion was a major stop for pilgrims traveling along the Santiago de Compostela route. The chapel was erected in the second half of the 13th century in Romanesque style but later additions and renovations were Gothic. In 1998 the chapel began developing cracks; the building underwent some major repairs and internal supports were placed.

The Monolithic Church of Saint-Émilion

Despite its age, it is still a consecrated site used for religious ceremonies, concerts, and wine-related inductions.

The Monolithic Church of Saint-Émilion

We went underneath to visit where St. Émilion had lived as a hermit the last 17 years of his life: 750-767. Saint-Émilion was a Benedictine monk from Brittany. Despite his desire for solitude, his numerous miracles created quite a following. Miracle #1: While serving as a steward in Brittany, he reportedly stole bread to feed the poor. When confronted by his lord, he claimed the bread in his coat was wood, and it miraculously turned into wood to protect him. His second miracle was his removing bread from an oven with his bare hands. Third, he is credited with restoring the sight of a blind woman on January 6, 767 AD.  Located in his Grotte de l’Ermitage (underground hermitage), his stone seat is believed to help women conceive within a year of praying there. We visited but were not allowed to photograph any of it. In the 17th century, there was a revival of popularity for St. Émilion. In the end of the 18th century most of the monuments and artifacts in the area were confiscated for private possession.

The stained glass was added at the end of the 19th century in medieval style with bold colors.

Despite the massive size: the church measures 125 feet long and 40 feet high, requiring the excavation of roughly 530,000 cubic feet of limestone, it took less than 50 years to carve out the underground church. The catacombs were for priests, monks, the very rich, and babies who were still “pure.” All of this predated the revolution by 1000 years. During the revolution, frescoes were scratched off for saltpeter for gunpowder. Pictures were not allowed inside.

Although Saint-Émilion was a monk, the monks who followed him and established the community initiated the commercial wine production that the region is famous for today.

Our drive back from Saint-Émilion took us through Pomerol, the smallest major Bordeaux appellation (approx. 200 acres) located on the Right Bank, famous for producing some of the world’s most luxurious, Merlot-driven red wines. Unlike other regions, it has no official classification system, features no grand châteaux, and relies heavily on unique blue clay terroir to produce soft, velvety, and intensely aromatic wines. One hectare, or about 2.5 acres, sells for $85 million.

Château Pétrus in the Pomerol appellation is one of the most famous and expensive wine estates in the world, producing wine primarily from Merlot grapes. The estate, managed by the Moueix family, covers approximately 28.5 acres, and is renowned for its unique terroir, specifically a small plateau of blue clay. Château Pétrus produces only 30,000 bottles of wine a year.

Château Pétrus 

The following day we took a break from wineries and travelled to the coast. We drove through Landes forest. Previously a vast, wet, and sparsely populated marshland, the forest was systematically planted with maritime pines starting in the 18th century, with major efforts forced by Napoleon III in 1857 to stabilize the soil. Covering nearly 3 million acres, it is the largest artificial forest in Western Europe. Historically, the forest was tapped for resin (a process called gemmage) to produce turpentine and seal ships. Today, the focus is largely on wood production and paper making.

We arrived at the Dune of Pilat (Pilat comes from the Gascon word Pilhar, meaning a “heap” or “mound”), the tallest sand dune in Europe. We did not know what to expect, but Oh my!

This was like no dune we had ever seen. It is roughly 340 feet high, 1600 feet wide, and stretches for 1.7 miles along the Atlantic coast near Arcachon Bay.  Around 1-2 million tourists visit the site annually, often climbing the steep, sandy slope or taking stairs installed from Easter to November. So up we went.

The dune is in constant motion due to wind and tides, shifting 1-5 meters inland every year and burying the Landes forest in its path. Often called a “sand monster,” it has buried roads, houses, and even portions of the World War II Atlantic Wall.

The forest acts as a buffer, moderating the cold Atlantic influence on the nearby, famous vineyards of Bordeaux.

From the top we had a great 360 ° view which included the forest, Arcachon Bay, and the ocean all at the same time.

While it has taken thousands of years to form, it only became a truly massive structure in the last few centuries. In January 2009, a storm hit the dune with winds reaching 109 mph.

Arcachon Bay produces around 7,000 tons of oysters annually, with 430 acres dedicated to farming them.

Arcachon Bay

Coming down was only slightly easier than going up.

We visited the nearby seaside resort town of Arcachon founded in 1857. The town is unique for its four seasons-based districts, Summer, Winter, Spring, and Autumn, and was once a health retreat for lung ailments.  Our driver left us out on the beachfront of the 19th-century Ville d’Hiver (Winter Town) in front of the Palais des Congrès, a convention center.

Palais des Congrès

We strolled along the promenade on the beach enjoying the art installations

and the bay.

We walked out onto the pier.

Arcachon has a population of about 15,000 which doubles on the weekend.

We left the beachfront and wandered around town. La Maison de Gambetta is known for its distinct floral exterior and outdoor dining area. 

La Maison de Gambetta

Just about every intersection has fountains and plantings.

Gare d’Arcachon (The Arcachon railway station), originally opened in 1857, serves as the western terminus of the railway line from Lamothe and provides connections to destinations like Bordeaux and Paris. 

Gare d’Arcachon

Ville d’Hiver (Winter Town) is a 1270 acres district featuring 300+ eclectic villas designed for wealthy winter residents. Built during the Belle Époque, these extravagant “Arcachonnaise” style homes showcase a mix of styles: Swiss, Moorish, and Gothic, characterized by steep roofs, turrets, and intricate ironwork.

“Arcachonnaise” Villa
“Arcachonnaise” Villa

The ironwork is reminiscent of Paris.

The Casino Partouche d’Arcachon, historically known as the Château Deganne, is a magnificent neo-Renaissance château originally constructed in 1853 and converted into a casino in 1903. 

The Casino Partouche d’Arcachon

Even the local Roc Hotel is in the “Arcachonnaise” style.

The Roc

Unfortunately because it was a Sunday, the very cute shops were mostly closed

as were the galleries.

On the boardwalk was the requisite French carousel.

We left the village and stopped at La Coorniche, a luxury 5-star hotel and restaurant located in Pyla-sur-Mer, near Arcachon. The property was renovated by renowned designer Philippe Starck and features a distinctive Basque-style hunting lodge architectural aesthetic from the 1930s.  Oysters from the bay are their speciality, but they had run out before we arrived, so sad.

La Coorniche

But from the restaurant we did have a view of the bay and the Dune of Pilat.

Dinner was served at another restaurant at Les Sources de Caudalie, La Table du Lavoir (The Washhouse Table).

The next day we checked out of Les Sources de Caudalies and traveled back to Haut-Médoc first to the Pauillac appellation to visit Château Pichon Longueville Baron, immediately adjacent to the famous Château Latour.  According to the Official Bordeaux Wine Classification of 1855, it is classified as a Deuxième Cru Classé (Second Growth).

Château Pichon Longueville Baron

The history of the estate as told on their website: “The estate was founded in the late 17th Century. This period was known as the Grand Siècle, or “great century”, in reference to Louis XIV’s 1661 accession to the French throne. In 1689 Pierre Desmezures de Rauzan, an influential wine merchant and steward of the prestigious Latour and Margaux estates, bought plots of vines close to the Latour estate to create Enclos Rauzan. These vines were part of his daughter Thérèse’s dowry when she married Baron Jacques Pichon de Longueville in 1694, the year in which the Pichon Baron estate was founded. An illustrious estate, with an enduring reputation, was born. It remained in the same family for generations.”

“In 1850 the property was divided in two. Baron Raoul Pichon de Longueville’s section became the Pichon Baron estate. The second section, belonging to his three sisters, became Pichon Comtesse. Baron Raoul was proud of his prestigious property, and in 1851 he commissioned the imposing château (using limestones from St. Emilion) inspired by Renaissance architecture that we know today. This uniquely charming and romantic château, with its two emblematic turrets, has stood proudly at the vineyard’s heart ever since. In 1987 the estate was bought by AXA Millésimes, (a French insurance company) whose aim is to enable great wines from vineyards with a glorious past to achieve their full potential… The comprehensive reconstruction of the fermenting room and cellar, and renovation of the château, began in 1988. Since then, the 19th century château’s image has been reflected in an ornamental pool stretching majestically before it.”

We were met by our guide Marie who explained that the 185 acres are divided into 3 different areas, each for a different wine because of the difference in the terroirs. The terroir closest to the river has a lot of gravel, which is especially good for the premium cabernets. The plots that have a higher sand and clay content are better for the merlots. Most of the vines are over 35 years old. The older vines produce a much lower quantity of grapes but with far better quality. No irrigation is allowed in the appellation, which requires deeper roots which creates better nutrients, and thus a better quality grape.

The destemmer uses an oscillation process to separate the grapes from the stems.

Optical sorters take thousands digital pictures, then use air blowers to separate the good from the bad berries. The bad berries are sent for production of hand sanitizing alcohols.

The vats are filled from the top using gravity to help crush the grapes. Each vat has a different grape varietal of a grape of a different age. The choice of wood v steel vats is only for size. Maceration is first for 5 days cold, then heated for 7 days; warm fermentation at 81°F using yeast that is cloned in their own lab. Malactic fermentation takes place at 70°F for another 5 days. At this point the solids float to the top, called a “cap.” The cap can either be pushed down from above or the fluids can be removed from the bottom and reintroduced through the top to mix the entire contents.

The juice is then mixed for a few hours before being poured into barrels. After 8 months in the barrel, they are remixed then reinserted into the barrels for another 4-10 months, depending on the grape, then possibly blended a second time.

All of the barrels are French oak, but from several different makers.

No pesticides or insecticides have been used on the property since 2001. The product is considered sustainable but not designated organic. Barrels are cleaned using hot water and uv light.

The winery produces 150,000 bottles a year.

It was time to head to the tasting room.

The cork changes about every 30 years, but the label has never changed.

Per my usual, I took notes on the grape contents of the different wines we tasted.

On the way out, we noted the steel gate had the same design as the label.

It was time for lunch at La Maison d’Estournel, a historic, originally private 19th-century residence of Louis-Gaspard d’Estournel, known for his unique architectural style.  It is now a charming boutique hotel in Saint-Estèphe featuring 14 elegant rooms and a restaurant. 

La Maison d’Estournel

We settled in for a delicious multi-coarse lunch

including squash soup

and fish.

After lunch we had some time to explore the property. It has a large, inviting back yard.

More on the elephants later.

Features of the property include a swimming pool,

and an extensive garden

with chickens

and flowers.

The restaurant is situated adjacent to the famed Château Cos d’Estournel winery in the Saint-Estèphe appellation.

Château Cos d’Estournel winery

We were met there by our guide Annaice who explained that cos, the name of the town, means “hill of pebbles,” in Gascon dialect and the name Cos d’Estournel was given in 1810 by Louis-Gaspard d’Estournel, the first owner. He bought basically the entire town except for the property of his direct neighbor.

Due to extensive trade with Asia, in the 1820s Louis-Gaspard built a unique, Asian-inspired palace, featuring pagodas and carved wooden doors, becoming a landmark of the region.

 The estate features a massive carved wooden door from Zanzibar, which is covered in studs that originally protected it from elephants.

The current owner bought the home, now the restaurant in which we ate, in 2000 and the winery in 2016. The winery has no windows because originally it was the wine cellar.

The details of the architecture are fascinating.

Nonconformist and determined to glorify the terroir of Cos d’Estournel, Louis-Gaspard saw every new market, especially India, as an exciting opportunity. Because of Louis-Gaspard’s significant debt locally, the wines of the estate were bottled and sealed with glass stoppers before being shipped to Calcutta, Madras, and Bombay as early as the 1830s, After a long journey, some of the wines of Cos d’Estournel were shipped back to France from India. When the bottles were opened, it was clear the wines had gained in elegance and richness, quite simply improved by sailing from Bordeaux to India and then back again, or so he thought. The advantages of aging wine were not yet appreciated. He began marketing as “back from Indies.”

Louis-Gaspard

To celebrate these Eastern expeditions and his success, Louis-Gaspard brought back exotic elements to the Médoc, including the pagodas and the elephant motif.

Elephants are fundamental symbols at Château Cos d’Estournel, serving as guardian angels, good-luck charms, and a direct nod to the estate’s Eastern heritage. They represent intelligence, strength, wisdom, and longevity, and are found throughout the estate, including in the gardens, cellars, and on the pagodas, and, as we had seen, his private home.

We went inside the original wine production space now turned guest tasting venue.

The inside is chock full of artifacts from the East. This mosaic is from Myanmar.

The doors were originally huge to allow for passage of equipment and wagons loaded with grapes.

A second, even more impressive door from Zanzibar is on the other side of the building not seen from the front.

Louis-Gaspard d’Estournel became known as the “Maharajah of Saint-Estèphe”.

Annaise explained to us that 300-350,000 bottles are produced yearly on the 250 acres.

Because of the location on the hill, the property is windy all the time which prevents frost in the winter and extreme heat in the summer. In the fall, the vines are pruned down to a single branch in a horizontal position. Horizontal growth is desired because grapes being low to the ground protects the grapes from the wind. There are 20 permanent employees of the estate; they are responsible for the pruning. For the 3 weeks of harvest, and additional 120 pickers are employed.

Elephants can be found everywhere.

The bottle collection includes some originals.

Finally, it was time for our tasting.

As we drove through Médoc we passed the historic Château Lafite Rothschild wine estate in the Pauillac appellation. It is one of only five wine-producing châteaux originally awarded First Growth status in the 1855 Bordeaux Classification. References to the property date back to 1234. The estate has been owned by members of the Rothschild family since 1868. The vineyard is renowned for producing some of the world’s most expensive red wines, primarily dominated by Cabernet Sauvignon. 

Château Lafite Rothschild

We checked into Villas Foch in Bordeaux in the late afternoon.


Villas Foch

The lobby was inviting and warm.

We climbed the stairs to our rooms for a bit of a rest before heading out into the evening for a light supper.

We went toward the city center passing through the main square, Place de la Comédie.

Place de la Comédie

After a light dinner we passed again through Place de la Comédie, this time taking note of the Grand Théâtre de Bordeaux, home to the Opéra National de Bordeaux. Completed in 1780, it is a masterpiece of Neoclassical architecture designed by Victor Louis.  The facade features a portico with 12 colossal Corinthian columns, topped by statues representing the nine Muses and three goddesses.  The theater is celebrated for its incredible acoustics and opulent interior, which was restored to its original blue and gold colors in 1991.

Grand Théâtre de Bordeaux

Almost directly across from Villas Foch was a temporary fair, which we could not resist.

It had all the usual rides and games.

We called it a night, but there was more wine touring yet to come. More on the city of Bordeaux in the next post.

France: Provence-Alpes-Côte d’Azur Region: Avignon, Aix-en-Provence, Cassis Oct 9-11, 2025

We left Arles early and headed east. On the way we stopped in Avignon, the “City of the Popes,” having served as the seat of the Catholic Church from 1309 to 1377. We parked near Place du Palais (Palace Square) a historic, lively square dominated by the 14th-century Palais des Papes (Popes’ Palace), the world’s largest Gothic palace. Once created by destroying homes to form a defensive “glacis” for the Popes, this UNESCO site is now a hub for cafes, tourists, and the famous Avignon Festival. We stopped for coffee before embarking on our tour of the city,

Place du Palais (Palace Square)

Because we were parked there and would return at the end of the day, we decided to hold off touring the inside of the huge palace for now and headed instead toward the cathedral.

Palais des Papes (Palace of the Popes)

Near the Palace of the Popes, on the Palace Square, is the seat of the Archbishop of Avignon, Cathedrale Notre-Dame des Doms (Avignon Cathedral). Built and consecrated in 1111, it is believed the Cathedral is not the first church to occupy this spot. It is thought a basilica preceded it only to be destroyed by Saracen raiders in 731. There are different theories about the origin of the name of the church. It might be derived from domus episcopal, meaning “Bishop’s house”, or Rocher des Doms after the enormous rock that rears above the cathedral.

Cathedrale Notre-Dame des Doms (Avignon Cathedral)

The style might be an architectural stew of mostly provencal Romanesque, mixed with Greek, Roman, Gothic and Baroque elements. Some inner chapels were added in the 14th century, during the time of Pope John XXII, second Pope of Avignon. The donated bells are a 35-strong carillon.

Cathedrale Notre-Dame des Doms (Avignon Cathedral)

The cathedral has a great octagonal dome,

From the entrance of the cathedral is a great view of the Palace Square.

The interior of the cathedral has been somewhat recently restored appearing now clean and bright.

The marble papal throne dates from the 12th century. In the chapel of John XXII, there is collection of reliquaries and vestments.

On our way out we noted the now familiar sign that we are on a Camino del Santiago route.

Just below the cathedral stands Musée du Petit Palais (Little Palace Museum). Housed in a 14th-century building, the museum showcases an exceptional collection of early Renaissance paintings and “primitives” from Italy, alongside works from the Avignon school. 

Musée du Petit Palais (Little Palace Museum)

Over the centuries, the building’s role evolved significantly. Initially a fortified citadel during the Western Schism, it fell into disrepair by the early 15th century. Restoration in the late 15th century shaped much of its current form, but it was again affected by nationalization during the French Revolution. In the 19th century, it became a Catholic secondary school, and later a technical school after the 1904 church-state separation. Declared a historic monument in 1910, it underwent major restoration starting in 1961 under architect Jean Sonnier.

What looks like a gargoyle but does not function as a water drain is called a grotesque.

The song goes… “On the bridge of Avignon Everyone is dancing On the bridge of Avignon Everyone dances in a ring” But, actually they danced below the bridge, not on it. The bridge referred to in the song, Le Pont d’Avignon is actually Pont Saint Benezet. Saint Benezet (1165-1184) was an illiterate shepherd who became the patron saint of bridge builders.

Pont Saint-Bénézet (St. Benezet Bridge)

In 1177 Benezet told the bishop he had had a vision wherein he was told by angels to build a stone bridge across the Rhone. The bridge was to be at a point where the force of the river was greatest. The bishop, not wanting to defy Heaven, approved the project and work began. Benezet’s holy mission was confirmed by no less than 18 miracles of healing.

Originally, it was 900 meters long, featured 22 arches, and connected Avignon to Villeneuve-lès-Avignon. It was once a crucial, narrow (only 4 meters wide) route for pilgrims, traders, and the Papal court in the 14th century.

The stone bridge that replaced Benezet’s damaged bridge in 1234 had 22 arches and 21 piers and was 980 yards long. The arches were low and were liable to collapse when the river ran too high. After repeated destruction by the Rhône’s currents and floods, maintenance was deemed too costly, and it was abandoned in the 17th century.

Only one chapel, Saint Nicholas Chapel, and four arches remain of the bridge. Inside were art installations by French artist Jean-Michel Othoniel, more from him later.

From the bridge a portion of the The Ramparts of Avignon, 2.8 miles of intact 14th-century medieval ramparts surrounding the city, can be seen.

The Ramparts of Avignon

The bridge had a protective drawbridge preventing intruders from entering the city.

We reentered the gates of the city and made our way to Place de l’Horloge (Clock Square). At its center is the monumental clock which gives the square its name, but cannot actually be seen from the square. The square is possibly the busiest in Avignon. Cafes and restaurants are frequently overflowing. Street artists emerge with their easels around the square. The Roman forum of Avenio was located where the Clock Square is today. During the 12th and 13th centuries it was known as the Square of the Butchers. This was the place where butchers set up shop on market days. It was partially occupied by the convent of Saint-Laurent, the oldest convent in the city.

Place de l’Horloge (Clock Square)

In the center of the square is Hôtel de Ville (Town Hall), designed by architect Léon Feuchères and completed in 1846, replacing an earlier structure. It serves as the municipal headquarters for the city of Avignon in the Provence region of southern France. 

Hôtel de Ville (Town Hall)

Hôtel de Ville has stood in the heart of the city since the 14th century. Originally serving a different civic function, the building’s tower operated as a belfry before it was transformed into a town hall in the 19th century. This transformation was guided by designs from Joseph-Auguste Joffry, who enhanced the building’s façade with elegant Corinthian columns, a balcony, and a peristyle, reflecting a Classical architectural style, which includes a clock, but not the one for which the square is named.

To see the clock in the tower, which dates back to the 15th century, we had to walk around the building.

On one end of the square we found a carousel. The French clearly like to keep their kids entertained.

On the ground in the center of Place de l’Horloge is a mosaic of the coat of arms for the city of Avignon featuring keys and flanked by eagles.

Rue de la Republique (Republic Street) Republic Street is a prominent quarter mile street in the heart of the city, running from the Clock Square (Place de l’Horloge) to Cours Jean Jaurè, the administrative hub of the city.

Rue de la Republique (Republic Street)

The street’s construction took place in three phases between 1856 and 1867, led by Paul Pamard’s municipality. The first phase (1856-1857) extended from the railway station to Joseph-Vernet Street, elevated to prevent flooding. The second phase (1859-1863) stretched to the Chapel of the Lycée. The final phase, completed in 1867, connected the chapel to Clock Square. Along the way are several historic buildings with interesting architecture.

Built in 1385 with a donation from the Cardinal Pierre de Pres, Église Saint-Pierre (St. Peter’s Church) is in the very center of town, near the Aubanel printing museum, on the cobbled Saint Pierre Square. Here is a perfect example of flamboyant Provencal Gothic architecture. There are six side chapels added in the 15th and 16th centuries. The building’s foundation dates back to the seventh century. An Octagonal bell tower surmounts the church.

Église Saint-Pierre (St. Peter’s Church)

The original renaissance walnut doors are 13 feet high with carvings by Antoine Volard.

Église Saint-Pierre (St. Peter’s Church)

We had trouble finding the entrance and walked around the back only to be surprised at how much larger it is than first appeared from the front.

Église Saint-Pierre (St. Peter’s Church)

The interior of the basilica does not disappoint. It has a multitude of painted vaults, gilded balconies for the choir, renaissance paintings,

Église Saint-Pierre (St. Peter’s Church)

and a stone altar with an altar piece by Umberto Boccioni. The original vestments and hat of Cardinal de Pres hang in a glass covered cabinet on the wall. They carry their age very well

Église Saint-Pierre (St. Peter’s Church)
Pieta St. Peter’s Basilica

Tour Saint-Jean is situated at Place Pie in the historic center of Avignon. Constructed in the 14th century, the tower originally served as part of the city’s defensive walls.  It is a stone tower featuring a clock near the top and Gothic-style window openings. 

Tour Saint-Jean

On its façade is the city coat of arms.

Nearby on Pie Square is Les Halles d’Avignon (Avignon Market Halls), a vibrant marketplace that has become synonymous with the city’s gastronomic culture. The origins of Market Halls trace back to the 16th century when the land, once owned by a man executed as a heretic, was designated for a covered market. Though construction was slow, the market hall was eventually completed in 1624, featuring not just shops but also a guardhouse and a chapel. Over the centuries, the market evolved, with major redevelopment projects taking place in the 19th and 20th centuries. Throughout its history, Market Halls has undergone numerous changes, including a roof redesign in the 1920s and various structural modernizations in the mid-20th century, adapting to the shifting commercial landscape with the advent of supermarkets and the subsequent need for downtown revitalization. A unique feature of Market Halls is the impressive 600 square meters green wall on the north façade, designed by botanist Patrick Blanc, which adds to the market’s distinct allure and serves as a significant city attraction.

Les Halles d’Avignon (Avignon Market Halls)

This covered market hosts around fifty traders offering a diverse range of high quality products including bread, cheese, fruits, vegetables, poultry, pastries, delicatessen items, shellfish, flowers, and both organic and exotic goods. Renowned authors like Peter Mayle and Jean Viard have celebrated the market, solidifying its reputation as a culinary hotspot. Today, Avignon Market Halls is not just a market but a lively community hub where, every Saturday since 2006, chefs and artisans from Greater Avignon engage with visitors through live cooking demonstrations using fresh ingredients from the market. This tradition not only highlights the rich culinary heritage of Avignon but also offers a hands-on experience for food enthusiasts looking to learn and share in the artistry of local cuisine.

Les Halles d’Avignon (Avignon Market Halls)

After lunch in a cafe in Place de l’Horloge we made our way back to the Palace of the Popes through the narrow winding streets of Avignon.

The Palace of the Popes is one of the largest, if not the largest, medieval Gothic structures in Europe.  The popes fled to Avignon in 1309 because Rome had become too dangerous due to political unrest and violent conflicts. The construct served well as a fortress, palace, and papal residence throughout the 14th century, during the Catholic schism (during which there were two popes: one in Italy, one in France) and the “Babylonian Captivity” of the Papacy. Six papal conclaves and seven Popes were maintained in the palace.

The palace is actually two buildings joined together. There is the old palace of Benedict II, firmly ensconced on the rock of the Doms, and the new palace of Clement VI. Clement was known to be the biggest spendthrift of the Popes of Avignon. The palace is probably the best example of International Gothic style.

Built in under 20 years (1335–1352) and covering 15,000 square meters. It served as the seat of Western Christianity during the 14th century.

The papal coat of arms is that of Pope Clement VI. The shield belongs to the Roger de Beaufort family, to which Clement VI belonged. Above the shield is the papal tiara, and behind it are the crossed keys of Saint Peter, symbolizing the authority of the Catholic Church. 

In the cloisters is another installation by French artist Jean-Michel Othoniel. There were many throughout the palace. I have to admit, I was not a big fan of them. I felt they distracted rather than enhanced the experience of the palace.

The walls are covered with remarkable 14th-century frescoes painted by famous Italian artists like Matteo Giovanetti. The floor below is another installation by Othoniel.

Displayed throughout are some original elements of the palace.

Pope John XXII, who lived in the palace, loved wine and helped make regional wines famous, leading to the creation of the nearby Châteauneuf-du-Pape (New Castle of the Pope).

The papal library housed in the palace held over 2,000 volumes. It was a big draw for scholars and humanists.

 Today, most of the palace is unfurnished, focusing on the impressive architecture, though some 14th-century frescoes remain. This lone chest remains.

The papal garden, originally designed in the 14th century, has been recreated using medieval-style landscaping arranged with large rectangular beds planted with Mediterranean species known to have grown there in the 1300s.  

 A decorative fountain is featured in one of the palace gardens.

After exploring the gardens we climbed back to an upper floor of the palace, from which we had a view of the gardens below as well as the high walls surrounding the palace.

The kichen was a very large room with a central chimney situated right next to

the very large banquet hall

with its massive fireplace. The Palace regularly hosts art exhibitions as seen above.

The grand chapel is enormous

as is the side chapel.

Secret, heavily fortified chambers holding the papal treasury were discovered in 1985, still containing bags of silver and gold coins. The Avignon papacy and administration became irrelevant when operations returned to Rome. After the popes left, the building took on many “unholy” roles, including serving as a military barracks and a prison following the French Revolution.

Having had our fill of the Palais des Papes, we got back in our car and headed to our next destination: Aix-en-Provence. Founded by Romans in 123 B.C. as Aquae Sixtiae (a spa town denoted for its thermal baths), it is now famous as the “City of a Thousand Fountains” and the birthplace of painter Paul Cézanne (1839-1906) as evident by the first thing we saw upon emerging from our car.

We checked into our hotel: the Cézanne Boutique Hotel, conveniently located right on the edge of the old city.

Cézanne Boutique Hotel

Tired from our long day, we headed for a delicious dinner at La Petite Ferme (The Little Farm).

In the morning we embarked on the journey of fountains, and other things. First stop: Fontaine de la Rotonde (Fountain of the Rotunda). When Count of Valbelle left Aix-en-Provence in 1779, he gifted the city a generous parting gift: 30,000 livres, which was the currency at the time. The city decided to put that money to work. It took a while in the planning stages, but in 1860 the most iconic splash zone in town got born: the Fountain of the Rotunda. Long known for its love affair with water, from Roman baths to bubbling neighborhood spouts, Aix needed a proper fountain to fortify its reputation. The Rotunda Fountain delivered. Towering nearly 40 feet, it was the first in the city to feature a cast-iron basin.

Fontaine de la Rotonde (Fountain of the Rotunda)

Lions lounge around its edge like they own the place, while bronze children cling to swans mid-ride, adding just the right touch of misdemeanor.

Further up a second bowl rests above the pool, this one guarded by snarling cheetah heads.

Crowning the whole affair is a trio of ladies-each facing a different destiny. “Justice,” by Joseph Marius Ramus, stares down Mirabeau Boulevard toward the courthouse. “Commerce and Agriculture,” by Louis Chabaud, keep watch toward Marseille’s factories. And “Fine Arts,” by Hippolyte Ferrat, gazes toward Avignon. Together, they’re known as the Three Graces.

We headed toward Cours Mirabeau, a famous, wide avenue lined with 17th- and 18th-century mansions that divides the old town from the Mazarin Quarter. The street, originally designed in the 17th century for carriage traffic, is now heavily pedestrianized and is known for its grand plane trees, historic fountains, and numerous cafes and restaurants. It is often referred to as the “Champs-Elysées of Provence” due to its popularity as a social hub.

Cours Mirabeau

At the entrance to Cours Mirabeau stands a statue entitled “Arts and Sciences”, a work of sculptor François Truphème, created in 1883.  The allegorical sculpture group depicts figures representing tension or cooperation between artistic and scientific pursuits. 

Located on the Cours Mirabeau is the Fontaine Moussue (Mossy Fountain), also known as the “Big Green Sponge” due to its unique appearance. Built in 1667, the first on the boulevard, it is is covered in thick moss and vegetation, which thrives on the warm, mineral-rich thermal water that flows through it at 65° F.  The Mossy Fountain has suffered from calcification, which makes the design difficult to see. It is believed that the shapes under the limestone deposits are four children holding a basin for the water.

Fontaine Moussue (Mossy Fountain)

Along the side of the street is a sculpture by American artist Carole Feurman that depicts strength through balance.

Fontaine des Neuf-Canons (Fountain of the Nine Cannons), currently under renovation (but I include it due to its interesting history),  was constructed in 1691, and was named for the nine cannons that shoot water into the basin. The fountain was built to provide water to sheep as they passed through the area. At that time, an easement authorized herds of sheep on transhumance between the commune La Crau and the Alps to come and drink there. The fountain was partially destroyed in 1944 during the liberation of Aix-en-Provence. An American tank had taken away one of the four lobes of the basin, this arm was not rebuilt, and its opposite lobe was, on the occasion of this incident, suppressed.

Fontaine des Neuf-Canons (Fountain of the Nine Cannons)

The Hôtel Maurel de Pontevès, constructed around 1650, originally served as a private mansion.  It currently houses the Tribunal de Commerce (Commercial Court) of Aix-en-Provence.  The entrance is famously flanked by two large stone atlantes statues holding up the wrought-iron balcony.  

Hôtel Maurel de Pontevès

Fontaine du Roi René, features a marble statue of René of Anjou, who was known for promoting learning and art in the region. It was designed by architect Pierre-Henri Révoil and erected in 1819.  The King is depicted holding a scepter and a bunch of Muscat grapes, a variety he introduced to Provence. 

Fontaine du Roi René,

Hôtel de Caumont was originally a private mansion built in the 18th century.  Today, it operates as the Caumont Centre d’Art, a museum featuring art exhibitions and restored period rooms. The property includes a paved Cour d’Honneur (honor courtyard) and private gardens.  It is considered an emblematic venue for the cultural scene in Aix-en-Provence. 

Hôtel de Caumont

Designed in 1715 by Robert de Cotte and Georges Vallon for the Marquess of Cabannes, the residence comes complete with an imposing entrance.

Inside, it’s all aristocratic finesse: curvy decorations and playful ceiling angels,

In the heart of the Mazarin District is the Square of the Four Dolphins, a quiet intersection dressed in 17th-century elegance. The district exists thanks to Michel Mazarin, the city’s archbishop with a flair for demolition. Back in 1645, he got the green light from Louis XIV to knock down Aix’s southern ramparts and replace them with something far more fashionable. Inspired by Italian Renaissance planning, architect Jean Lombard laid out a crisp grid of streets and dropped in a proper square right in the middle. Originally dubbed Saint-Michel Square, the space eventually took its cue from the sculpture at its core. The fountain stars four dolphins coiling around a pedestal, still making a splash. A pine cone is adorned at the top. It was the prototype for the fountain we had seen in St. Remy-en-Provence.

Fountain of the Four Dolphins

The entire neighborhood was built to impress, and it still does.

Mazarin District

As we made our way toward Eglise Saint-Jean-de-Malte (Church of Saint John)

Eglise Saint-Jean-de-Malte (Church of Saint John)

we were impeded by the large crowd lined up to enter the Musee Granet (Granet Museum), which, it turned out, was hosting a large Cézanne special exhibition. Henri Pointier, curator of the Aix museum from 1892 to 1925, was no fan of Cézanne. In fact, he reportedly swore the painter’s work would only hang there “over my dead body.” Wish granted: Pointier died in 1949, and within months, the museum started collecting Cézannes. That same year it also rebranded as Granet Museum, in honor of local artist and major benefactor François-Marius Granet. The museum itself occupies the former priory of Saint John’s Church and still shares a peaceful garden with the neighboring church.

Musee Granet (Granet Museum)

We skipped the crowd and instead headed into the Church of Saint John, the first Gothic Catholic church in Provence. Back in 1270, the Knights of Malta had a hospice and chapel here until it was decided it was too good a spot not to build a full-blown Gothic church. In the 1600s, the church officially joined city life when the ramparts shifted south to make way for the Mazarin district. The Revolution was not kind to the church; it was stripped of its valuables and acted as a military warehouse. Things did not improve until Napoleon came along and handed it back to the faithful.

Eglise Saint-Jean-de-Malte (Church of Saint John)
Interior Eglise Saint-Jean-de-Malte (Church of Saint John)

After its revival, the church slowly rebuilt its art collection. Today there are works like “La Sagrada Familia” by the artist Vincent Roux. Not bad for a church that once doubled as storage. 

“La Sagrada Familia” Vincent Roux

The baroque-style organ is from 2006.

Eglise Saint-Jean-de-Malte sits at the end of Rue d’Italie (Italy Street), which ranks among the oldest in all of France. It traces the route of the ancient Roman Aurelia way, which once linked Rome to Spain, passing right through the Baths of Sextius. Set in the old Mazarin district, Italy Street doesn’t scream grandeur, but its quiet mix of townhouses, shops, and eateries makes it one of the friendliest walks in town.

Rue d’Italie (Italy Street)

While in Aix I became obsessed with the many stunning doors and entryways scattered throughout the city. I will include some of my favorites in this blog, starting with this beauty.

Paul Cézanne was born on January 19th, 1839, in Aix-en-Provence. His father, Louis-Auguste Cézanne, started out as a hatter and worked his way up to banker. His mother, Elisabeth-Honorine Aubert, rounded out the household at 28 Opera street, where young Paul spent his early years sketching.

Maison Natale de Cezanne (Cezanne’s Birth House)

From 1850 to 1870, the Cézannes lived at 14 Matheron street, just a few minutes’ walk from Paul’s first address. Although Cézanne traveled often, especially to Paris, Aix always pulled him back.

Maison Natale de Cezanne (Cezanne’s Birth House)

A religious niche featuring a statue of the Virgin Mary holding the Baby Jesus is located on the home’s corner. These shrines, known as oratories or niches, are commonly found on the corners of buildings throughout Aix-en-Provence.  Historically, they served as comforting icons and protectors for the city, particularly during times of plague or for pilgrims.  

Eglise de la Madeleine (Church of the Madeleine) saw a lot of Cézanne family milestones: Paul’s parents were married there, his sister Marie was baptized in 1841, and his other sister, Rose, tied the knot there four decades later. At one corner of Preachers Square, the Church of the Madeleine originally rose in the 13th century as part of a Dominican convent complex, only to go up in flames in 1383. Rebuilt, it crumbled again in 1465. Finally in 1703, local architect Laurent Vallon gave the church its current form.

Eglise de la Madeleine (Church of the Madeleine)

Preachers Square (Place des Prêcheurs) was named after the Dominican convent near the square. First designed in the 15th century by artist Jean de Paris, it was expanded and beautified around 1640 by architect Jean Lombard. The Preachers Square, now admired for its beauty, was once used for public shaming and executions.

Preachers Square (Place des Prêcheurs)

The Prêcheurs fountain, added in 1748, was crafted by sculptor Jean-Pancrace Chastel. It consisted of a tall obelisk with four lions guarding each corner. The four medallions embedded in the obelisk feature Sextius, the founder of the Roman city, Charles III, Louis XV, and Louis XVIII. The fountain was destroyed in 1793; the restoration did not take place until 1833.

Prêcheurs Fountain

In the square this whimsical, Mary Poppins-reminiscent clock above an 1826 sun dial caught our eye.

The interior hall of the Palais de Justice (Palace of Justice), constructed between 1822 and 1832, features a distinctive neoclassical design characterized by a colonnaded courtyard. 

interior hall of the Palais de Justice (Palace of Justice)

with a central statue of Honoré Gabriel Riqueti, comte de Mirabeau (1749–1791), a prominent orator and leader during the early stages of the French Revolution. 

statue of Honoré Gabriel Riqueti

The Three Elms Square (Place des Trois Ormeaux) was named after its fountain, the Three Elms Fountain, which, in turn, was named for three elms planted in a triangle at each corner of the plaza. There is a legend that the elms magically grew in an area where local soldiers took up arms against the ruler of Aix. Though the square retains its name, the elm trees were removed and replaced with plane trees. The Three Elms Square is surrounded by houses, shops, and restaurants.

Three Elms Square (Place des Trois Ormeaux)

The fountain, made from Calissane and Bibemus stone, stands in the center of the square. The 17th-century fountain has a polygonal base with a central pedestal from which the water flows out of six cannons. The pedestal is carved with a floral motif, and vine leaves with a sublime bunch of grapes at the top.

Three Elms Fountain

The door of the Saphallin Hotel in the Three Elms Square dates to 1672.

Off the square nearby is another gorgeous Rococco style door.

In oratories the statues are often protected by iron bars, as seen here.  Saint Roch is the most frequently depicted saint in these street shrines, followed by the Virgin Mary. 

More stunning doors

This entrance, featuring elaborate baroque architectural details and a carved wooden door, is to the Palais de l’Archevêché, which now houses the Musée des Tapisseries (Tapestry Museum).  It serves as a venue for the international music festival, Festival d’Aix-en-Provence. The building is a historic archbishop’s palace located next to the Saint-Sauveur Cathedral. 

Musée des Tapisseries (Tapestry Museum)

Cathédrale Saint-Sauveur (Aix Cathedral) is a Roman Catholic cathedral built upon the foundations of a 1st-century Roman forum. The site’s first church was reportedly founded by Saint Maximinus, in the first century AD, who, according to tradition, arrived from Jerusalem with relics of Mary Magdalene in a boat generously lent by Saint Lazarus. It is renowned for featuring a mix of architectural styles, including Romanesque, Gothic, and Neo-Gothic, reflecting centuries of construction and renovation. The cathedral we see today took root in the 12th century with a solid Romanesque nave. Then came a second one in 1171, dedicated to Saint Maximinus himself, squeezing in between the original nave and baptistry like a holy architectural remix. The 14th century brought more flair, with a Gothic-style transept added in 1318. Today it serves as the seat of the Archbishop of Aix-en-Provence and Arles.

Cathédrale Saint-Sauveur (Aix Cathedral)

Outside, the façade is a theatrical display of late Gothic drama: pointed arches, slim yellowish buttresses, and twelve Apostles in the niches. The walnut portal doors, carved in 1505, are intricately carved with figures from the Old Testament.

On the roof is a statue of Saint Michael the Archangel vanquishing Satan.

Inside, it’s not just architecture on show. The walls display works by Nicolas Froment, Jean Daret, and Louis Finson, a follower of Caravaggio known for his dramatic flair. One standout treasure is a set of 16th-century tapestries, originally woven for Canterbury Cathedral and brought to Aix long before international art loans became the norm. To achieve visual symmetry in the Baroque nave, a real organ is paired with a second, non-functional “dummy” organ.

The 5th-century baptistry with Roman columns are still holding their ground.

The high altar is supported by bronze figures of the Holy Trinity.

The stained glass windows tell biblical stories to educate visitors, a practice common to medieval times.

Place de l’Hôtel de Ville (Town Hall Square) is where history and art come together in a picturesque standoff. This central square has been keeping civic life scenic since the 14th century, though the current Town Hall, finished in 1678, is the spruced-up version by architect Pierre Pavillon.

Place de l’Hôtel de Ville (Town Hall Square)

Paul Cézanne tied the knot here in 1886.

Towering above the square is the Clock Tower, built in 1510 from white limestone and accessorized with an astronomical clock from 1661.

Clock Tower

It also sports a medieval bell once used to enforce feudal dues.

In front of Aix’s imposing Hôtel de Ville stands a charming Baroque-style fountain dating from 1756

Richelme Square (Place Richelme) is widely known as the oldest and one of the most beautiful squares in Aix-en-Provence. The centrally-located square is surrounded by buildings with gilded facades and looming trees that cast comforting shadows. During the daytime, Richelme Square hosts a food market that has been around since the 14th century. The Boar Fountain (Fontana del Porcellino di Aix) is a primary feature of Richelme Square. The giant bronze boar is fashioned after a 17th-century statue in Florence, Il Porcellino (Italian “piglet”). The Boar was first displayed at the Town Hall then moved to Richelme Square in the 1980s.

The Boar Fountain (Fontana del Porcellino di Aix) in Richelme Square (Place Richelme)

Another magnificent entrance.

Place et Fontaine d’Albertas (Albertas Square) is a small, historic square created between 1745 and 1746 by the d’Albertas family. Back in the 16th century, Jean Aga, an adviser to the Parliament of Aix, decided to part ways with his residence, handing it off. A few generations later, the house’s square got sold to the d’Albertas clan, who had traded the hills of Alba, Italy, for Provence way back in the 14th century. Skipping forward to 1724, and Henri d’Albertas, royal adviser and apparent fan of urban upgrades, hired city architect Laurent Vallon to give his home a stylish overhaul. Not content with curb appeal alone, Henri bought the houses across the street and promptly flattened them for the greater architectural good. Henri died before completion, but his son Jean-Baptiste continued the project handing the design to Laurent’s son, Georges Vallon. Georges, now city architect himself, drew inspiration from the grand squares of Paris and created a petite but polished plaza in front of the family residence. Today’s Albertas Square is framed by four nearly identical mansions, all with Parisian-style façades and balconies.

Place et Fontaine d’Albertas (Albertas Square)

At the center of the square stands the Albertas Fountain, a cast-iron chalice anchoring the square. The decorative railing encircling the basin was forged by students from the local School of Arts and Crafts, their style merging seamlessly to the architect’s.

Albertas Fountain

The Église du Saint-Esprit (Church of the Holy Spirit) is a Roman Catholic church built in the 18th century. The Hôpital du Saint-Esprit, a hospital of the Order of the Holy Ghost, and several houses were torn down to make way for the construction of a new church. It was designed by architects Laurent and son George Vallon and built from 1706 to 1728.  The bell tower of Église du Saint-Esprit can be seen down the narrow street. 

bell tower of Église du Saint-Esprit

The tower features a distinctive 15th-century wrought-iron steeple, known as a campanile, housing the church bell, which was typical in Provence at the time. 

Across the street from Eglise du Saint-Esprit  is Tour des Augustins, a clock tower erected in 1510 on Roman foundations and the only remaining part of a former Augustinian convent. It features two clock faces: a traditional upper face and a lower astronomical clock added in 1661. It served as a belfry representing local government power.

Tour des Augustins

Inside is a little statue of Pope John Paul II.

The Fountain of the Augustins (Fontaine des Augustins) is situated in Augustine Square, the old center of Aix. The mini square, where the fountain stays, is surrounded by restaurants and cafes with plenty of outdoor seating.

Augustine Square

The fountain was built twice. The first fountain was built in 1620 near Espariat Street, about 95 meters from its current location. The second iteration came in 1820 when the old fountain was dismantled and a new one, designed by Aix architect Beisson, was built. In the days gone by, the water from the basin was used for steam locomotives in the nearby train station. The central element of the fountain, a Roman column originating from the demolished Palace of the Counts of Provence, was added later. The palace was located in the spot where the courthouse now stands. A 12-sided copper star sits atop the column. At its base, four cannons spill into a large, circular basin.

Fountain of the Augustins (Fontaine des Augustins)

Collège Mignet (Mignet College) sits on Cardinal Street in Aix’s refined Mazarin district and owes its name to 19th-century historian François-Auguste Mignet. Originally approved as a royal college in 1603 by King Henri IV, it started off under the scholarly gaze of the Jesuits. When they were disbanded in 1773, the Doctrinaire Fathers stepped in, until they too were shown the door during the Revolution. It reopened during the Napoleonic shuffle, briefly bore the monarchical badge as “Bourbon College,” and eventually landed in city hands by 1878. By then, it had been housed in not one but two former convents: Benedictine and Ursuline, stitched together to form its current façade. That architectural patchwork still stands today, with parts declared historic monuments, including the Benedictine entrance and a grand staircase.

Collège Mignet (Mignet College)

As for the alumni list, it reads like a name-dropper’s dream. You’ve got scientist Jean-Baptiste Baille, composer Darius Milhaud, literary giant Emile Zola, and of course, Paul Cézanne-who managed to graduate in 1858 with the teacherly praise of “quite well.” Zola and Cézanne were such close friends back then, they were dubbed “The Inseparables,” though only one of them went on to revolutionize the art world.

Collège Mignet (Mignet College)

We had circled our way back to the beginning: Fontaine de la Rotonde.

Across the street on the side opposite Cours Mirabeau stands a Statue de Paul Cézanne (Statue of Paul Cézanne). Sculpted by Dutch artist Gabriel Sterk, the statue was gifted to the city in 2006 for the centenary of Cézanne’s death. Cézanne stands over 6 feet in height and is in his usual work jacket, boots laced for walking, hat pulled low over his brow, like he is halfway between a hike and a painting session. Backpack slung and walking stick in hand, he could be sizing up a canvas or just deciding where to eat.

Statue de Paul Cezanne (Statue of Paul Cezanne)

Born in Aix in January 1839, Cézanne left his brushstrokes all over the history of modern art. Though often grouped with the Impressionists, he didn’t quite follow their rules; he preferred geometry to fleeting light and was more about structure than shimmer. His style helped bridge the classical with the abstract, laying the groundwork for post-impressionism and even cubism.

Statue de Paul Cezanne (Statue of Paul Cezanne)

After a full day of touring, it was time for a typical French activity: wine in a cafe.

We bought some madeleines for after dinner consumption.

The next morning we decided we had tired of the cities and were ready for a port town. Having arrived by train in Marseilles, which we found unpleasantly large, we chose Cassis as our day’s destination. Described by author Virginia Wolf as “little paradise” in the 1920s, Cassis is a charming, historic fishing port known for its stunning calanques (limestone inlets), high cliffs, and white wine. It serves as a Mediterranean getaway with rich, ancient history. Fun fact: Stone from the Cassis quarries was used to build the foundation of the Statue of Liberty in New York.

Cassis is dominated by Cap Canaille, one of the highest maritime cliffs in Europe, rising 1,293 feet above the sea.

Adorning the port is a modern interpretation of the Venus de Milo statue, specifically titled “La Vénus à la flamme” (The Venus with the Flame) created in 2024 in Cassis to celebrate the Olympic Games. 

“La Vénus à la flamme” (The Venus with the Flame)

We visited the beach which was plenty full on this warm day in mid-October.

We had wondered why the parking had been so difficult. We discovered that today Cassis was hosting a triathlon. People were pouring into town.

Overlooking the harbor stands the Statue of Calendal. It depicts Calendal, a humble anchovy fisherman who is the hero of a famous poem by Frédéric Mistral.  The original statue created in 1930 was destroyed in 1944, and the current monument was inaugurated in 2000. 

Statue of Calendal

The harbor was packed with boats and yachts of all sizes.

On the pier at the entrance to the port stands the Phare de Cassis (Lighthouse of Cassis). It is constructed from stone and features a distinctive green lantern room at the top. 

Phare de Cassis (Lighthouse of Cassis)

In Baragnon Square, dedicated to the city of Cassis, is a monument inaugurated in 1913 to commemorate the city’s connection to the Marseille Canal.  The structure serves as both a memorial and a decorative fountain.  It was donated to the city by Pierre Baragnon and Paul Revoil, whose names are inscribed on the monument. 

We strolled through the little park.

And paused in front of the monument with inscribed names of fallen soldiers from World Wars I and II. The memorial honors soldiers who died for France in Indochina, Morocco, and other theaters of war.

There were cafes in every square

on every street,

even those streets barely passable on foot.

We saw a dive boat gearing up to go out. In 1991, diver Henri Cosquer discovered the Cosquer Cave near Cassis, a submerged cave containing prehistoric cave paintings from 27,000 to 19,000 years ago.

The flags are flying in front of the capitainerie (harbor master’s office). 

capitainerie (harbor master’s office)

We stopped for a long, leisurely lunch which included a local speciality: panisses, chick pea dough deep fried.

A 13th-century castle sits on the cliffs overlooking the town,

which is now a private guest house.

Back in Aix-en-Provence, as we headed into the old part of the city for dinner, we found yet another carousel. What is with the carousels in France? I had to look up the history. Carousels are a common and beloved sight across France, particularly in Paris and other towns like Arles, Avignon, and Aix, due to their deep historical and cultural roots in the country. The word “carousel” is derived from the French “carrousel” (from Italian/Spanish “carosello,” meaning “little battle”), which referred to elaborate equestrian tournaments and parades held by the French nobility in the 17th century. The most famous of these was held by Louis XIV in 1662 in the area of Paris now known as the Place du Carrousel.  These events led to the development of mechanical devices that simulated the experience. After King Henri II died in a jousting accident in 1559, carousels (or manèges) were adopted as a safer way for knights to practice their skills, such as spearing rings, using stationary wooden horses. After the French Revolution, carousels became more accessible to the public, allowing common people to briefly experience the feeling of nobility associated with riding on elegantly dressed horses. This made them widely popular. The late 19th and early 20th centuries were the “golden age” of carousels, with mechanical advances and elaborate craftsmanship, including figures carved by renowned French artisans like Gustave Bayol. These artistic and often unique creations have a lasting appeal. Today, these colorful merry-go-rounds serve as a source of simple amusement and a link to a romanticized past.

Near the carousel we saw some street art we had not previously noticed.

As the sun set, highlighting the beautiful autumnal colors, we savored the Fontaine de la Rotonde one last time.

France: Provence-Alps-Côte d’Azur Region: Arles, Nimes, Pont du Gard, St. Remy-en-Provence October 5-8, 2025

Bright and early in the morning we headed to the train station and caught a train to Marseilles.

From there we rented a car and drove to Arles, first in the wrong direction, but we figured it out, don’t ask. We arrived at our AirBnb, a very unassuming apartment in Arles’s old city.

our AirBnb in Arles.

By the time we got settled in there was little left to the day. We headed to the main square in town for a delicious Moroccan meal.

We wandered out through the old gate: Porte de la Cavalerie (Cavalry Gate), a medieval gateway that marked the northern entrance to the old city. The structure consists of two crumbling round towers that date back to the 12th century. The gate is named after the nearby Bourg-Neuf district, later known as “Cavalry,” where the Knights Templar was established. 

Porte de la Cavalerie (Cavalry Gate)

Just inside the gates is the historic center of Arles with several restaurants. At the end stands Amédée Pichot fountain.

Built in 1868, this monument honors the French historian and author Amédée Pichot.  It features a central medallion made of enamelled earthenware tiles and is designed to resemble a leaning fountain.The structure includes commemorative inscriptions in both Latin and Provençal.

Amédée Pichot fountain

The light was starting to wane as we headed back to our apartment, but our eyes were caught by a church up on the hill: the tower of the Église Notre-Dame-de-la-Major (Church of Notre-Dame-la-Major). We had to go investigate.

Tower of the Église Notre-Dame-de-la-Major (Church of Notre-Dame-la-Major)

Situated at the top of the Hauture hill, this historic church’s construction, originally in the 5th century, was rebuilt on this site starting in 1152 AD. The tower features a stone spire topped by a statue of the Virgin and Child, along with a prominent clock face. 

This historic Catholic church was originally consecrated in 452 AD. It had been constructed on the ruins of a Roman temple. The structure exhibits Gothic architectural elements.

Église Notre-Dame-de-la-Major (Church of Notre-Dame-la-Major)

We took a peak inside. The architecture prominently features a Romanesque style with a vaulted nave. The interior includes a central aisle leading to the altar, flanked by stone arches and rows of wooden pews.

interior Église Notre-Dame-de-la-Major (Church of Notre-Dame-la-Major)

We climbed all the way to the top of the hill. It was worth the effort; the view over Arles as the sun was setting was beautiful.

It had been a long day, and our light was fading fast, so we decided to save our touring of Arles for a market day. In the morning we headed for nearby Nîmes. Dubbed the most Roman city outside Italy, Nîmes, a small city in Southern France, is steeped in history that harks back to the days of the mighty Roman Empire. The name itself holds clues to the city’s origin, reflecting Celtic roots and connection with the local god, Nemausus, associated with a healing spring. The hill of Mount Cavalier, once a preRoman Celtic fortified settlement, served as the birthplace of the city. Nîmes truly flourished during Roman times becoming a Roman colony, Colonia Nemausus, before 28 BC, where veterans of Julius Caesar’s legions were granted land. Eventually, this regional capital had a population of 50,000–60,000. Several monuments from that era are still in place and have earned Nimes its nickname, the “French Rome”. Over the centuries, Nîmes faced the challenges of history, including Visigoth rule in 472 and later, the Umayyad conquest in 725. The city witnessed turmoil and transformation but retained its Roman heritage.

One of the prominent landmarks in Nîmes is the Charles-de-Gaulle Esplanade, a vast open space that offers a perfect starting point for exploring the city. We parked in the heart of the city near the Fontaine Praier situated on the Esplanade Charles de Gaulle. This monumental marble fountain was inaugurated in 1851.  It was designed by the French sculptor James Pradier and architect Charles Questel.  The central statue allegorically represents the city of Nîmes, crowned by a miniature replica of the Roman Maison Carrée monument. 

Fontaine Pradier

Le taureau des arènes” (The bull of the arena), a sculpture created by contemporary Georgian artist Djoti Bjalava, was inaugurated during the Feria des Vendanges (grape harvest festival) in 2005. It represents the city’s strong bullfighting traditions and heritage.

Le taureau des arènes (the bull of the arena)

The Palais de Justice (Courthouse), built between 1838 and 1846, serves as the main court building for the city and the Gard department.  It is designed in a neoclassical style, inspired by classical Greek architecture. 

Palais de Justice (Courthouse)

The Arena of Nîmes is a magnificent Roman amphitheatre. Erected around 100 CE, shortly after the renowned Colosseum of Rome, this arena stands as one of the world’s most exceptionally preserved Roman amphitheatres. With its remarkable dimensions, the Arena of Nîmes measures 436 feet in length and 331 feet in width. Its grand outer facade soars to a height of 69 feet and boasts two stories adorned with 60 arcades. Among the 400 Roman amphitheatres known to exist, it ranks among the 20 largest. In ancient times, this grand structure had the capacity to accommodate a crowd of 24,000 spectators. The arena served a dual purpose, functioning as a venue for public events and theatrical performances while also hosting gladiator battles that captivated the masses. Presently, the Arena of Nîmes continues to play a central role in the city’s cultural life. It hosts two annual bullfights as part of the Feria de Nîmes. Additionally, the arena serves as a captivating backdrop for various public events, including reenactments of antiquity such as “The Great Roman Games” and concerts. “

The Arena of Nîmes

At the entrance to the arena stands the statue of Christian Montcouquiol, known as Nimeño II, proudly, earning it the name “Hero”.

“Hero”

Opened in 2018, the Museum of Romanity is strategically situated along the historic site of the old Roman ramparts, directly facing the iconic 2,000-year-old arena. The museum’s inception was driven by a series of remarkable archaeological discoveries made between 2006 and 2007. The ultra-modern building resembles a “folded glass toga.” But we had too much to see in the city, so we did not explore inside.

Museum of Romanity

Maison Carrée (Square House) stands as a remarkable testament to Roman architecture and religious devotion in the city. This ancient Roman temple is celebrated as one of the best-preserved examples of Roman temples within the former Roman Empire’s territory. It served as a mid-sized Augustan provincial temple dedicated to the Imperial cult, specifically as a caesareum. The Maison Carrée embodies elements of a Tuscan-style Roman temple as described by Vitruvius, a Roman writer on architecture from the same era, albeit with the use of the Corinthian order. The presence of this extensive porch distinctly highlights the temple’s frontal aspect, setting it apart from the designs of ancient Greek temples. The Maison Carrée has had a profound influence on architecture throughout history including the inspiration of the design by Thomas Jefferson of the Virginia State Capitol in the United States.

Maison Carrée (Square House)

In Place d’Assas (square of Assas) is a fountain, known as La Source de l’Étoile (The Source of the Star), designed by the French artist Martial Raysse and inaugurated in 1989 as part of the modernization of the square. 

La Source de l’Étoile (The Source of the Star)

The fountain has a long narrow waterway to which is attached a large head which represents Nemausus, the masculine deity associated with the city of Nîmes. 

Nemausus

We crossed a small stream and entered Jardins de la Fontaine (Fontaine Gardens). The layout of the gardens was part of an 18th-century project to enhance the beauty of Nîmes and is framed by the remnants of the ancient city walls.

gate Jardins de la Fontaine (Fontaine Gardins)

Originally, the site was home to a sacred spring venerated by the people long before the Romans arrived. In fact, the source of the Fontaine played a significant role in the founding of the city centuries before the Gallo-Roman era.

Created in 1745 by order of King Louis XV to organize the area around the original Roman spring of the city. the Fountain Gardens is one of the earliest public parks in Europe. The architecture includes statues, waterways, and fountains nestled at the foot of Mont Cavalier.

The central feature is a nymphaeum (water monument) dedicated to the nymph Nemausa. 

Nemausa

Near the gushing spring of “La Fontaine” sits the Temple of Diana, a remarkable 1st-century ancient Roman structure, which stands as a testament to the architectural and historical richness of the region. This structure was built during the reign of Augustus and is closely associated with an Augusteum, a sanctuary dedicated to the veneration of the emperor and his family, with a central focus on a nymphaeum.

Temple of Diana

Although traditionally referred to as the Temple of Diana, its basilica-like floor plan raises questions about its classification as a temple, and there is a lack of archaeological or literary evidence to support its dedication to Diana. Some suggest that this building may have served as a library instead. During the 2nd century, its façade was reconstructed, and in medieval times, it found use as a monastery, which contributed to its preservation over the years.

Temple of Diana

We then climbed Mont Cavalier to Tour Magne (Magne Tower), a remarkable Gallo-Roman monument that stands as a sentinel over the Gardens of the Fountain. It holds the distinction of being the most impressive remnant of the extensive Roman wall that once encircled the city. In Roman times, due to its structural integration into the city’s defensive wall, it likely served dual functions as a defensive fortification and as a watchtower or signal tower. Its considerable height in the Roman era was also a potent symbol of Roman authority and might, asserting its dominance over the cityscape.

Tour Magne (Magne Tower)

Castellum Aquae (Water Castle) is an intriguing Roman site that played a vital role in the city’s water distribution system during antiquity. This unassuming structure once served as the critical point where the city’s water supply, brought in from the aqueducts, was collected and subsequently dispersed throughout Nîmes. Constructed during the middle of the first century AD, Castellum Aquae stood as an engineering marvel of its time, functioning in conjunction with the renowned Pont du Gard aqueduct (more on this below). The water would embark on an impressive journey of approximately 31 miles, traveling over the Pont du Gard, before reaching this distribution hub. The structure features round apertures, through which lead pipes conveyed the water to various fountains and public baths, ensuring that Nîmes’ inhabitants had access to this precious resource. At the rear of Castellum Aquae, a sluice gate was employed to control and regulate the flow of water. This level of hydraulic engineering showcased the Romans’ mastery of aqueduct systems and their understanding of how to efficiently manage water resources.

Castellum Aquae (Water Castle)

This green door is the entrance to Les Halles de Nîmes, a famous large indoor market featuring over 100 stalls selling fresh produce, local products, and other goods. But alas, as it is a morning market, it was no longer open by the time we arrived.

Les Halles de Nîmes

Porte d’Auguste (Augustus Gate), which can be traced back to the 1st century BCE, as indicated by an inscription. was a crucial component of the extensive Roman wall that surrounded the city of Nîmes and served as one of the primary entrances to the city.

Porte d’Auguste (Augustus Gate)

This gate boasts four semicircular arch passages, consisting of two large central ones for vehicular traffic and two smaller lateral passages designed for pedestrians. In its original form, the gate was flanked by two semicircular towers. 

Porte d’Auguste (Augustus Gate)

The Augustus Gate derived its name from Emperor Augustus, who played a pivotal role in fortifying the town. Near the gate is a modern copy of a statue of Augustus.

statue of Augustus

Saint-Baudile Church is a large Neo-Gothic church built in the 19th century. It is known for its two prominent tall spires that dominate the skyline.

Saint-Baudile Church

Nîmes Cathedral is a significant Roman Catholic church dedicated to the Blessed Virgin Mary and Saint Castor of Apt, a local patron saint. Throughout its history, Nîmes Cathedral has served as the seat of the Bishops of Nîmes. The cathedral is believed to occupy the site where the former temple of Augustus once stood. Its architecture is a blend of Romanesque and Gothic styles, showcasing the diverse historical influences that have shaped Nîmes over the centuries. Unfortunately it was undergoing extensive renovations which precluded us from visiting.

Nîmes Cathedral

Place de l’Horloge (Clock Square), with its blend of shops and café terraces, is popular meeting place for both locals and visitors. We stopped for a snack and a drink.

Place de l’Horloge (Clock Square)

The history of this monument is closely intertwined with Nîmes itself. In 1410, the city’s residents sought and obtained permission from the King to erect a clock tower with a public-use bell. Prior to this, the citizens relied on the bell of the Cathedral for timekeeping and as a warning signal during times of conflict or war. This shared use of the steeple led to disputes, including the canons’ refusal to allow a sentinel on the church’s belfry. The conflicts persisted until an agreement was reached to transfer the bell to the city. The decision was facilitated by a trade-off: the city agreed to ban foreign wines from entering Nîmes, while the canons provided the bell. In return for their cooperation, wines produced in the canons’ vineyards outside the Nîmes region were granted entry into the city.

The original clock tower faced the threat of ruin over the years. However, in 1752, it was reconstructed and adorned with an octagon-shaped wrought iron bell tower. This elegant structure not only tells the time but also serves as a symbol of Nîmes’ rich history and culture.

The official seal of the city of Nîmes depicts a crocodile chained to a palm tree. This symbol commemorates the victory of Emperor Augustus’ soldiers in Egypt, many of whom settled in Nîmes after their campaign. These brass markers are often used to designate walking trails or historical sites throughout the city. 

Also found on bollards, this symbol originates from a Roman coin minted to commemorate the victory of Julius Caesar’s legions in Egypt. The palm tree symbolizes victory, while the crocodile represents Egypt. 

We noted this colorful carousel. Little did we appreciate how many we were to see in the coming days.

A statue of the French author, poet and statesman Alphonse de Lamartine (1790-1862), seated and writing, is located in the Square de la Couronne. Alphonse de Lamartine, was a leading figure in the 1848 French Revolution and was instrumental in the foundation of the Second Republic.

statue of Alphonse de Lamartine

Église Sainte-Perpétue et Sainte-Félicité is a Roman Catholic church constructed between 1852 and 1864 in the Neo-Gothic architectural style. The structure is known for its intricate facade and tall bell tower.  The church is dedicated to Saints Perpetua and Felicity, early Christian martyrs.

Église Sainte-Perpétue et Sainte-Félicité

And finally we found ourselves back where we had begun. The creation of Charles-de-Gaulle Esplanade dates back to the first half of the 16th century when Consul Jacques d’Albenas wanted to provide the city with a platform for artillery exercises . The space then laid out south of the Crown Gate also served for the official reception of dignitaries visiting the city. While some improvements were made in the 17th century, it was only in the 19th century that the esplanade became a true promenade. In 1841, the Nîmes city council decided to develop Avenue Feuchères and the esplanade, including aligning it with the current Boulevard de la Libération. New semi-circular walkways were then lined with groves of trees, flowers, and balustrades. These improvements were completed in 1861 with the inauguration of the monumental Pradier Fountain.

Charles-de-Gaulle Esplanade

We drove to nearby Pont du Gard is one of the best preserved ancient Roman aqueduct bridges.

Pont du Gard

Built in the first century AD to carry water over 31 miles to the Roman colony of Nemausus (Nîmes), it crosses the river Gardon near the town of Vers-Pont-du-Gard in southern France.

Gardon River

Vers-Pont-du-Gard is a small village famous for its local yellow limestone quarries, which provided the stone used to build the Roman aqueduct.

Vers-Pont-du-Gard

The stones, or blocks, sticking out from the Pont du Gard are not unfinished, but were intentionally left by Roman engineers to support wooden scaffolding and lifting machinery during the 1st-century construction. These protruding blocks, often found on the arches, facilitated maintenance and allowed for secure, temporary work platforms

The bridge has three tiers of arches made from limestone and stands 160 ft high. The aqueduct formerly carried an estimated 11,000,000  gal of water a day over 31 miles to the fountains, baths and homes of the citizens of Nemausus (Nîmes). The structure’s precise construction allowed an average gradient of 0.39 in 598 ft. It may have been in use as late as the 6th century, with some parts used for significantly longer, but lack of maintenance after the 4th century led to clogging by mineral deposits and debris that eventually stopped the flow of water.

After the Roman Empire collapsed and the aqueduct fell into disuse, the Pont du Gard remained largely intact with a secondary function as a toll bridge. For centuries the local lords and bishops were responsible for its upkeep, with a right to levy tolls on travellers using it to cross the river. Over time, some of its stone blocks were looted, and serious damage was inflicted in the 17th century. It attracted increasing attention starting in the 18th century, and became an important tourist destination. A series of renovations between the 18th and 21st centuries, commissioned by local authorities and the French state, culminated in the year 2000 with opening of a new visitor centre and removal of traffic and buildings from the bridge and area immediately around it. Today it is one of France’s most popular tourist attractions.

We returned to Arles late and enjoyed yet another delicious meal in the old town square.

We were amused to find the communist party headquarters In Voltaire Square.

Our next adventure was to a town in the middle of the Little Alps: Saint-Rémy-de-Provence, a town, which has been inhabited since prehistory, famous for its Roman history, medieval streets, and as the birthplace of Nostradamus. But Saint-Rémy-de-Provence is visited primarily for its association with artist Vincent van Gogh.  The 11th-century Saint-Paul de Mausole monastery, famous for housing Vincent van Gogh in 1889, was originally founded as a Benedictine priory. We followed a Van Gogh self-guided tour through the town and its immediate surrounds.

The tour began at Porte Saint-Paul, a stone gate that is part of the original 14th-century walls that once encircled the city. The archway, one of the few remaining gates of the medieval wall, leads into the old town center

Porte Saint-Paul

Place Jules Pellissier, a sunlight-dappled Provençal square where ancient plane trees shelter café-goers. 

Place Jules Pellissier

City Hall (Hôtel de Ville) of Saint-Rémy-de-Provence, situated at the top of Place Jules Pellissier, was formerly an Augustine convent until the 17th century when it was repurposed for civic life. After the revolution it became the town hall. It flies both the French and city flags.

City Hall (Hôtel de Ville)

The central emblem features a shield surrounded by a decorative wreath and crowned, indicating its original noble or religious significance.

In the center of Place Jules Pellissier stands the The Fontaine de Quatre Dauphins (Fountain of Four Dolphins), modeled after a similar one in Aix-en-Provence. It was the centerpiece of the former convent garden. The dolphins symbolize purity and abundance. The fountain was dedicated by Louis XVII in 1814.

Fontaine de Quatre Dauphins (Fountain of Four Dolphins)

Around the square are several cute shops and cafes.

Musée Estrine, originally known as the Hôtel Estrine, was constructed in 1748 and originally served as the residence for the representatives of the Princes of Monaco. The museum is now dedicated to the life and works of Vincent van Gogh.

Musée Estrine

Fontaine Nostradamus features a bust dedicated to Nostradamus, the famous 16th-century French astrologer and physician born in this city. Originally built in the Middle Ages for drinking water, the fountain was redesigned in the 18th century, with the current bust of Nostradamus replacing an earlier one of King Louis XVI. It is now receiving a TLC restoration.

Fontaine Nostradamus

Place Favier showcases Renaissance-era building styles, including the Hôtel de Sade nearby. Formerly known as the “Place aux Herbes” (herbs market square), it was renamed in 1849 in honor of Doctor Favier (1773–1862), a local physician celebrated for his lifelong dedication to treating the poor. The square is characterized by its large, shady plane trees, a 15th-century arch connecting residential buildings, and a distinctive crenellated round tower that adds to its medieval charm. Today, it remains a tranquil spot popular for its outdoor cafés and a quiet escape from the busier market streets.

Place Favier

The Hôtel de Sade embodies the power of the de Sade family, ennobled by the Pope in the 14th century. Currently the “archaeological museum” of the Glanum site, the Hôtel de Sade is a building that has undergone constant architectural evolution since the 4th century AD when it was originally Roman baths.

The Hôtel de Sade

The Alpilles Museum is housed in the Mistral de Mondragon mansion, a former Renaissance private mansion. Classified as a historical monument since 1862, the building is built around an admirable interior courtyard.

Alpilles Museum

The Collégiale Saint-Martin (Collegiate Church of St. Martin) is a historic Catholic church known for its blending of traditional: a 14th-century Gothic bell tower with the neoclassical: a 19th-century neoclassical façade. In 1132 it was built for the local parish.

Collégiale Saint-Martin (Collegiate Church of St. Martin)

But in 1331 it was elevated to a collegiate church by Pope John XXII. In 1818 there was a partial collapse of the bell tower which was rebuilt in 1821, from which time the bell tower has become a symbol of resistance and perseverance.

Collégiale Saint-Martin (Collegiate Church of St. Martin)

Nostradamus (Michel de Nostredame), a famous 16th-century physician and clairvoyant was born in this house on December 14, 1503. Nostradamus grew up in this region and later became famous for his book Les Prophéties, a collection of 942 poetic quatrains allegedly predicting future events. The building is now a private residence, but tourists frequently visit the exterior to see the commemorative plaque and green door. 

birthplace of Nostradamus

The former Hôpital Saint-Jacques (Saint-Jacques Hospital), a historic structure made of stone, was originally built within the town’s ancient fortifications in 1046. 

Hôpital Saint-Jacques (Saint-Jacques Hospital)

As we left the town’s historic center we passed something we had never seen on a public city street: a condom vending machine.

Outside of the city center sits Notre Dame de Pitié chapel. Built, according to historical records, around 1525 with a single nave, the Notre Dame de Pitié chapel was enlarged with two side aisles between 1650 and 1670, and then with a porch in 1685. Notre Dame de Pitié chapel now hosts contemporary art exhibitions.

Notre Dame de Pitié chapel

Outside of the historic city center is where Vincent Van Gogh spent his time. After a break down in Arles, Van Gogh voluntarily committed himself from May 1889 to May 1890 to Saint-Paul de Mausole, a 12th-century former monastery and active psychiatric hospital. He was given two rooms, one for use as his studio. During his stay he was quite prolific, painting nearly150 works.

Saint-Paul de Mausole nursing home

At this point on the self-guided walking tour we were instructed to note scenes which were inspiration to Van Gogh’s paintings, many of which were drawn while he had a day pass from the psychiatric hospital. He painted many cyprus trees. Their tall stance pointing heavenward symbolize spiritual seeking.

Some of the scenes are marked with plaques showing the Van Gogh painting inspired by the locale.

Van Gogh’s famous “Almond Blossoms” was painted for his brother after the birth of his brother’s first child, offering him joy during a dark time in Van Gogh’s life. Flowering trees were special to van Gogh; they represented awakening and hope.  Olive trees represent peace, endurance and reconciliation, triumph and humility.

Just on the outskirts of Saint-Rémy-de-Provence can be found “Les Antiques,” ancient Roman monuments located at the entrance to the archaeological site of Glanum.  These monuments represent some of the best-preserved remnants of Gallo-Roman architecture in France. 

“Les Antiques:” Mausoleum of the Julii & a Triumphal Arch

On the left is an 18-meter-high Mausoleum of the Julii dating back to 30-20 BC, built by the three Julii brothers in honor of their ancestors. The reliefs around the base symbolize eternal life.

Mausoleum of the Julii dating back

On the right is a Triumphal Arch from 20 AD, which served as the gateway to the city of Glanum. The carvings on the arch show Roman generals, their prisoners, and local fruits, which are symbols of power and prosperity.

Triumphal Arch

We drove a short distance to Carrières des Lumières, a unique multimedia art center located in Les Baux-de-Provence, France. It is a former limestone quarry transformed into an exhibition space where artworks are projected onto massive rock walls, pillars, and the floor. The immersive experience covers thousands of square meters, allowing visitors to walk through digitized paintings and art history. Different art shows are hosted throughout the year, featuring famous artists and themed exhibitions. When we arrived they were showing the works of Henri Rousseau (1844-1910), a French post-Impressionist painter in the Naïve or Primitive manner. 

Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality.  Rousseau’s work exerted an extensive influence on several generations of avant-garde artists.

Next up were the works of Claude Monet (1840-1926), a French painter and founder of Impressionism who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it.

During Monet’s long career, he was the most consistent and prolific practitioner of Impressionism’s philosophy of expressing one’s perceptions of nature, especially as applied to plein air (outdoor) landscape painting.

Monet is best known for his paintings of water lilies in his garden in Giverny, which occupied him for the last 20 years of his life. Words and pictures can barely capture the awe inspiring experience of Carrières des Lumières.

Back in Arles for the night we dined at the Smoking Pig restaurant, so delicious.

Smoking Pig

Smoking Pig

Finally it was market day in Arles. We were pleasantly surprised at the wide assortment of goods on display. One side of the market were dry goods including everything from clothing

to shoes and jewelry,

to cleaning and repair job hardwares,

and entertainments including DVDs and music.

The food side had not only the usual breads and cheeses, but also varieties of olives

dried mushrooms,

spices,

dried fruits,

and fresh fish.

We bought and injoyed treats for breakfast. At the edge of the market was a little Monument to the Dead of the Resistance, which honors those who died during World War II.

Monument to the Dead of the Resistance,

After breakfast it was time to further explore Arles. First stop was the Arènes d’Arles (Arles Amphitheater), a premier 1st-century (circa 90 AD) Roman monument renowned for its excellent preservation. When built it helped make Arles a major Roman colony in Gaul.

Arènes d’Arles (Arles Amphitheater)

As a UNESCO World Heritage Site, it features a 3-story structure with 60 arches, showcasing both Roman engineering and classical Greek influence, and has two tiers with seating for 21,000 spectators. Originally built for gladiator battles, it now hosts bullfights and concerts.

Arènes d’Arles (Arles Ampheiheater)

Following the fall of the Roman Empire, it was turned into a fortified village. Over 200 houses and four defensive towers were built within its walls; three of these towers are still visible today.

Arènes d’Arles (Arles Amphitheater)

From the top of the seating is a spectacular view of Arles and the Rhone River below.

view from Arènes d’Arles (Arles Amphitheater)

Also from this vantage point Luma Arles tower, a cultural center designed by architect Frank Gehry completed in 2021, can be seen.

Luma Arles

Theatre Antique d’Arles (Ancient Theater of Arles), is one of the earliest monumental structures built in the city following its Roman colonization, around the late 1st century BC under Emperor Augustus. Designed to showcase drama, poetry, and public entertainment, the theatre could once welcome more than 8,000 spectators who gathered to enjoy performances celebrating Roman culture and civic unity. Although much of its original grandeur has faded over the centuries, the structure remains an essential reminder of Arles’s role as a thriving provincial center in the Roman Empire.

Theatre Antique d’Arles (Ancient Theater of Arles)

Like many ancient sites, the theatre suffered significant dismantling during the Middle Ages, when its stones were reused to construct churches and fortifications. Even so, several remarkable features endure, including the remnants of the seating area and the circular orchestra in front of the stage. However, the most alluring of elements is a pair of elegant marble columns still standing behind the stage — a stunning fragment of what was once a richly decorated stage backdrop. These columns became known as the “Two Widows,” much like two wives awaiting their lost husbands.

Theatre Antique d’Arles (Ancient Theater of Arles)

Today, the Ancient Theater blends heritage with living culture. From the end of June to the end of August, it hosts the Arles and Costume Festivals, the International Photography Meetings and the Peplum Film Festival. You are more than welcome to enjoy them just like the Romans once did — under the open Provençal sky.

remnants Theatre Antique d’Arles (Ancient Theater of Arles)

Place de la Republique (Republic Square) serves as the city’s elegant and historic centerpiece. Paved with cobblestones and framed by impressive architecture, the square beautifully reflects Arles’s layered past. At its center rises the Arles Obelisk. Around it stand several of Arles’s most remarkable landmarks: the Church of Saint Trophime, the Town Hall, and the Arles St. Anne Church.

Place de la Republique (Republic Square)

Obelisque d’Arles (Arles Obelisk) was carved from a single block of granite. The monument dates to the 4th century AD, when it originally adorned the Roman circus of Arles, a grand arena once used for chariot races. After the fall of the Roman Empire, the obelisk was lost to time, later rediscovered in fragments during the 17th century and re-erected in 1676. Interestingly, unlike other Roman monuments, the obelisk lacks inscriptions.

Obelisque d’Arles (Arles Obelisk)

Cathedrale Saint-Trophime d’Arles (St. Trophime Cathedral) is one of the greatest masterpieces of Romanesque architecture in Provence. The cathedral was built between the 12th and 15th centuries on the site of an earlier church. For centuries, it served as the seat of the archbishops of Arles and as an important stop along the pilgrimage route to Santiago de Compostela, contributing significantly to its artistic and religious prominence.  The church was downgraded from a cathedral to a parish church in 1801, but raised to a minor basilica by Pope Leo XIII in 1882.

Cathedrale Saint-Trophime d’Arles (St. Trophime Cathedral)

The most celebrated feature of Saint Trophime is its magnificent Romanesque portal, sculpted around 1180. The façade depicts the Last Judgment, with Christ in Majesty surrounded by apostles, angels, and symbolic creatures — a stunning display of medieval craftsmanship. The detailed carvings make the portal one of the finest in France, unfortunately currently covered in scaffolding. .

The interior of the Church of Saint-Trophime features a high, stone-vaulted nave with banded barrel vaults typical of the southern Romanesque style

interior Cathedrale Saint-Trophime d’Arles (St. Trophime Cathedral)

while the choir section features flamboyant Gothic style additions. 

The Cathedral of Saint-Trophime houses a significant collection of 17th and 18th-century Aubusson tapestries within its treasures. These, along with other Aubusson works from the period, often feature intricate scenes—ranging from pastoral landscapes and “verdure” (foliage) to biblical scenes like this Nativity.


Aubusson tapestr
y “Nativity

the Church of St. Trophime has a beautifully intricate pulpit.

In a side aisle of the former Benedictine abbey church is another stunning pulpit crafted from stone and features intricate carvings. The base of the pulpit is sculpted with figures resembling a bull and a lion. 

In another side chapel the baptismal font can be found.

The cathedral houses fine sculptures from the 12th century, particularly within its cloisters, more on those later. 

Town Hall and Cryptoporticus of Arles was completed in 1676, during a period when Arles sought to reaffirm its civic prestige. Designed in an elegant Provençal classical style, its harmonious façade and well-proportioned clock tower stand proudly on Republic Square, symbolizing the authority of the city’s magistrates.

Town Hall and Cryptoporticus of Arles

Inside, its grand staircase is crafted using stones recovered from ancient Roman buildings.

As a stylish bonus, the staircase also features a replica of Venus of Arles. The original ancient Greco-Roman sculpture was deemed to be a great gift for King Louis XIV, hence it was moved to the Versailles Palace itself.

Venus of Arles

Directly beneath Republic Square and the Town Hall lies the Cryptoporticus of Arles. Constructed around 30 BC during the Roman colony’s early development, this network of semi-subterranean vaulted galleries once supported the ancient forum above.

The structure likely served multiple roles, including storage, administrative functions, and stabilization of the civic center built on uneven terrain.

Eglise Sainte-Anne d’Arles (Arles St. Anne Church) was originally constructed in the 12th century as the Church of Notre-Dame-la-Principale, The Church of Saint Anne once served as a parish church closely linked to the neighbouring cathedral. Over time, its role shifted dramatically. In the 17th century, the building was repurposed as a seminary, later becoming a burial site for prominent canons of Saint Trophime. It was also during the 17th century that the church received its current name. Consecrated on the feast day of Saint Anne, the dedication was far from coincidental: the church once safeguarded revered relics of Saint Anne, including a vermeil bust.

Eglise Sainte-Anne d’Arles (Arles St. Anne Church)

Although no longer functioning as a church, Saint Anne retains its solemn Romanesque character. The simplicity of its façade and the solid lines of its architecture bring back ideas of medieval craftsmanship.

The Cloister of Saint Trophime in Arles is one of the finest examples of Romanesque and early Gothic architecture in southern France. Built between the 12th and 14th centuries, it adjoins the Church of Saint Trophime, which was once the cathedral of Arles. The cloister served as the residence and contemplative space for the cathedral’s canons, providing a serene environment for prayer, study, and reflection.

Cloitre Saint-Trophime (St. Trophime Cloister)

Unusually, the cloister connects to the church’s choir by a staircase of twenty-five steps — a rare arrangement, as cloisters are typically accessed from the nave or transept. 

The cloister itself was built during the 16th century as part of a larger monastic complex. It served as a vital site for religious practice and remains a symbol of medieval monastic life in France. 

What makes the Saint Trophime Cloister particularly exceptional is its remarkable sculptural decoration. Each gallery is adorned with intricately carved capitals and reliefs depicting biblical narratives, saints, and symbolic motifs that illustrate the transition from Romanesque to Gothic art. Visitors can observe this evolution firsthand: the older northern and eastern galleries feature rounded Romanesque arches, (to the right below) while the later southern and western galleries display the pointed arches characteristic of the Gothic style (to the left below). We were impressed with the number of art students, not just in the cloister but throughout the city.

The Corner Pillars (Piers) at the gallery intersections feature large-scale, high-relief figures and narrative panels. On the North-West Corner (St. Trophime) the primary focus is Saint Trophime, the first bishop of Arles, depicted between Saint Peter and Saint John. 

The smaller paired columns feature “historiated” capitals (capitals that tell a story). 

The eagle represents the authority of the Holy Roman Emperor, while the accompanying heraldic elements signify the city of Arles.

After thoroughly exploring the cloisters, we wandered down Rue de la Republique (Republic Street), one of the principal thoroughfares in Arles and a natural route for anyone exploring the heart of the city. Its origins align with 19th-century urban modernization, when Arles redesigned parts of its medieval street network to create a grander, more functional promenade leading directly to Republic Square. The wide, straight layout contrasts with the surrounding maze of narrow historic alleys. Lined with shops, cafés, bookshops, and boutiques, the street also features handsome 19th-century façades and subtle architectural details that highlight Arles’s evolution from an ancient Roman colony into a modern Provençal city.

Rue de la Republique (Republic Street)

The 17th-century doorway of the Hôtel de la Lauzière, framed by two distinctive twisted columns with Corinthian capitals, demonstrates the upward mobility and architectural influence of wealthy families in Arles during the Classical period. The portal is a notable example of French Mannerist architecture. 

Hôtel de la Lauzière

Place du Forum (Forum Square) stands on the site of what was once the vibrant political and commercial heart of the Roman city of Arelate. Established in the 1st century BC during the urban expansion under Emperor Augustus, the Roman forum served as a grand public space lined with temples, administrative buildings, and arcades where citizens gathered to debate politics, conduct business, and participate in public life. Although the ancient structures have mostly disappeared beneath centuries of urban development, the square remains an important reference point for understanding the early formation of Arles.

Place du Forum (Forum Square)

Today, Forum Square preserves only a small but striking architectural fragment from its Roman past: the “Two Columns.” These Corinthian shafts, built into the corner of a later building, provide a reminder of a former temple dedicated to the Roman Emperor Augustus.

“Two Columns”

In the center of the square stands a statue of Frédéric Mistral (1830–1914), a renowned French writer and Nobel Prize laureate, who was instrumental in reviving the Provençal language and literature.  

statue of Frédéric Mistral

The square also carries cultural significance through its association with artists such as Vincent van Gogh, who painted scenes of the neighborhood during his time in Arles.

We made our way to the Thermes de Constantin (Baths of Constantine). Built in the early 4th century AD during the reign of Emperor Constantine the Great, they formed part of a larger palatial complex overlooking the Rhône and served as a place where citizens could enjoy bathing, relaxation, and social interaction, a staple of Roman urban culture. Although only a portion of the baths survives today, what remains offers a vivid impression of their original scale and function.

Thermes de Constantin (Baths of Constantine)

The best-preserved section includes the caldarium, or hot room, recognizable by its thick walls and semi-domed architecture that once supported an elaborate heating system known as the hypocaust, which circulated warm air beneath the floors. Fragments representing the frigidarium and tepidarium (the cold and warm rooms) recall the ritual progression of Roman bathing. The brick arches, vaulted ceilings, and traces of marble decoration highlight the sophistication of Arles as a Roman colony and the comfort and luxury that bathers could enjoy nearly 1,700 years ago. The Baths of Constantine are among the best-preserved Roman baths in France, 

Thermes de Constantin (Baths of Constantine)

Art museum Musee Reattu (Reattu Museum) dates from the late 18th century when Jacques Réattu, a prominent Arles-born painter and Grand Prix de Rome laureate, acquired the former Commandery of the Knights of Malta and transformed part of the building into his residence and studio. After his death in 1833, the property and his artistic collection remained in the family until the mid-20th century, when the City of Arles purchased the estate and opened the museum in 1965. It was too nice and too late in the day to go inside.

Musee Reattu (Reattu Museum)

The coat of arms next to the door is that of the knights of Malta.

Knights of Malta coat of arms.

As the day lingered we found tranquility by the Rhone.

Rhone River

Ruins of the Pont aux Lions (“Bridge of Lions) spanning the Rhône River are the remains of a railway bridge built in 1868 that crossed the Rhône River.

Ruins of the Pont aux Lions (“Bridge of Lions)

  The bridge was destroyed by Allied bombing on August 6, 1944, during World War II to disrupt German transport routes. The remaining structure on the eastern bank now serves as a historical monument and viewpoint overlooking the river. 

Ruins of the Pont aux Lions (“Bridge of Lions)

This location is a frequent sight on river cruises traveling through the Provence region.

It is also the site where Van Gogh created “Starry Night over the Rhône,” a precursor to his famous “Starry Night,” which he painted while in the hospital in St. Remy.

According to writings by Gauguin, a friend and contemporary of Van Gogh’s, “Starry Night” was a turning point for Van Gogh as he “let go” from reality and embraced the abstract.

Van Gogh rented four rooms nearby in the “Yellow House,” also a subject of one of his paintings. Vincent had finally found a place at the Yellow House where he could not only paint but also have his friends come to stay.

Yellow House

His plan was to turn the yellow corner-building into an artists’ house, where like-minded painters could live and work together.

Finally we had come to where we had started: the twin towers that served as defensive city fortifications during the Middle Ages.

France: Paris Oct. 2-4, 2025

We landed in Paris in the early hours of the morning. As anyone who has visited Paris knows, the city is divided into districts known as arrondissements. Our hotel, Europe St. Severin, was in the 5th arrondissement, so we headed there to check-in and leave our luggage.

Europe St. Severin

First thing we did was hit a cafe to enjoy some people watching while caffeinating ourselves for a day of shaking the jet lag. Then we headed toward the Seine for a stroll. There we found a pianist entertaining the crowd.

We crossed the Pont d’Arcole, Paris’s first iron bridge, originally completed in 1856.  It connects the Hôtel de Ville on the Right Bank to the Île de la Cité, providing close views of monuments like Notre-Dame. This location is part of the banks of the Seine, which have been listed as a UNESCO World Heritage site since 1994. In the background, the architecture of the Île de la Cité is visible, which also includes the historic Pont Neuf nearby.

Pont d’Arcole

We had some time to kill before meeting friends for lunch, so we strolled around the 4th arrondissement. There we passed Hôtel de Ville, the city hall of Paris, France. It has been the headquarters of the municipality of Paris since 1357.

Hôtel de Ville

 The original building was constructed beginning in 1535, but was burned down during the Paris Commune; the current structure was built starting in 1872. It is an exquisite example of French Renaissance architecture. 

Hôtel de Ville

A bronze statue of Étienne Marcel, the provost of the merchants of Paris in the 14th century. The bronze statue dates back to the late 19th century.

Étienne Marcel

On the other side, the building’s facade features large banners with artwork by Shepard Fairey, an American street artist. The artwork and banners, which include text like “RESPECT” and “RESIST”, are part of an exhibition titled “From Paris to Belém: 10 years of global action for the climate”. The exhibition commemorates the 10th anniversary of the COP21 and the Paris Agreement on climate change. The exhibition combines science, urbanism, and art to showcase how cities worldwide are addressing climate change. 

Hôtel de Ville

Just behind the Hôtel de Ville (City Hall) in Place Saint-Gervais we found Jardin du Souvenir, (Garden of Remembrance, also referred to as the November 13 Memory Garden), a permanent memorial dedicated to the victims of the November 13, 2015 Paris attacks. 

Jardin du Souvenir

Jardin du Souvenir is designed as a peaceful, living space that transforms pain into a shared memory, open 24/7 for the public to visit, reflect, or simply rest. The design incorporates elements that represent the six different attack sites, using fragmented stone to evoke the event’s brutality while plants symbolize life and renewal.

Jardin du Souvenir

At the top of the Jardin is the Church of Saint-Gervais-Saint-Protais. The current church was built between 1494 and 1657, on the site of two earlier churches; the facade, completed last, was the first example of the French baroque style in Paris. The facade is notable for displaying the three classical orders of columns: Doric at the bottom, Ionic in the middle, and Corinthian at the top. 

Church of Saint-Gervais-Saint-Protais

Within the the 4th arrondissement lies the Marais district, known for its medieval architecture, charming streets, and vibrant Jewish heritage. We did not explore the entire neighborhood, but we did love this little gem.

We were amused by the high tech public facilities.

Heading to our meeting place on the Île de la Cité (the island in the middle of the Seine in the middle of Paris on which Notre Dame is located), we also passed the Palais de Justice (Palace of Justice), a historic courthouse which is a major judicial center and has been the seat of the French justice system since medieval times. 

Palais de Justice 

Finally it was time to meet up with Jay and Phyllis. We found them in the plaza of Notre Dame standing by the bronze equestrian statue titled Charlemagne et ses Leudes (Charlemagne and His Guards). The statue, completed in 1878, depicts Charlemagne, King of the Franks and the first Emperor of the Holy Roman Empire, on horseback. 

Charlemagne et ses Leudes

We sat, had another coffee, enjoyed a catch-up, and engaged in the most Parisian activity; people watching.

Having been to Paris before, we had decided against most of the touristy stops. But Notre Dame had burned in April, 2019 and has been rebuilt in the interim, so we all decided it deserved a revisit. Constructed between 1163 and 1260, it is a masterpiece of French Gothic architecture, which includes features including rose windows for light from God and flying buttresses to get closer to God. 

Notre Dame Cathedral

The three portals on the western façade of the cathedral each contain the architectural feature known as a tympanum depicting intricate biblical scenes within a pointed Gothic arch. 

The 14th-century stone sculpture known as “The Virgin of Paris,” located on the central portal of the cathedral depicts the Virgin Mary holding the Child Jesus, is a symbol of hope, faith, and resilience for Catholics.  The sculpture miraculously survived the devastating 2019 fire.

The Virgin of Paris

The rose window exterior contains a sculptural group which constitutes the Galerie de la Vierge (Gallery of the Virgin), depicting the Virgin Mary and Child flanked by two angels. 

Galerie de la Vierge (Gallery of the Virgin)

Inside was the usual throng of tourists.

Hung high above the chapels in the nave are Matisse designed works from 1946, inspired by a trip he took to Tahiti in 1930.  While originally paper cut-outs, these versions are tapestries woven by the Beauvais workshop. These artworks are part of a diptych that explores themes of light and nature. The two originals titled Polynesia, the Sea (bottom) and Polynesia, the Sky (top) are currently part of the art collection at the United Nations headquarters in New York. 

 Polynesia, the Sea (bottom) and Polynesia, the Sky (top)

The North Rose Window, built in 1250, is a masterpiece of Gothic architecture, featuring vibrant, detailed stained glass that depicts religious scenes and stories. This iconic window survived the April 2019 fire. 

North Rose Window,

Part of the extensive restoration of the cathedral following the 2019 fire includes this ceiling boss depicting the Virgin Mary holding the Child Jesus. 

The 14th-century choir screen, originally functioning to provide silence for the canons during church services by separating the choir area from the ambulatory, also survived the 2019 fire.  The larger sculpted walls span both the north and south sides of the choir.  Since the fire they have undergone extensive cleaning and restoration. 

The carved and painted sculptures depict scenes from the life of Christ, I have included here a close-up of “The Last Supper.”

The Last Supper

 Our Lady of Guadalupe is recognized as the patroness of Mexico and the Americas. She is a venerated Catholic icon representing a symbol of religious faith and unity. The original image is believed to have miraculously appeared on Juan Diego’s mantle (tilma) in Mexico in 1531 as a sign to the local bishop.  

Our Lady of Guadalupe

The cenotaph (tomb) of Cardinal Louis-Antoine de Noailles, located within the Chapelle Saint-Louis, features a sculpture of Cardinal Noailles kneeling in prayer. It was sculpted by Louis-Pierre Deseine around 1806, though some sources attribute it to Victor Geoffroy-Dechaume in the 1860s.  Cardinal Noailles served as the Archbishop of Paris from 1695 until his death in 1729. 

cenotaph of Cardinal Louis-Antoine de Noailles

The cenotaph of Cardinal Jean-Baptiste de Belloy, honoring the Archbishop of Paris who served from 1802 until his death at age 98, is situated in the Saint Marcel Chapel inside the cathedral.  It was sculpted by Louis-Pierre Deseine in the early 19th century.

cenotaph of Cardinal Jean-Baptiste de Belloy

The choir organ, the smaller of the cathedral’s two organs and the one typically used for daily services, underwent extensive cleaning and restoration after the fire. 

choir organ

The high altar, consecrated in 1182, has been a central feature throughout the cathedral’s history and survived the 2019 fire. Following the cathedral’s restoration, a new, modern bronze altar was consecrated in December 2024 for its reopening. 

The high alter contains the white marble Pietà sculpture by Nicolas Coustou, representing the Descent from the Cross.  Commissioned by Louis XIV and completed in 1727, this grouping, along with accompanying statues of Louis XIII and Louis XIV, largely survived the French Revolution and the 2019 fire.  

The 19th-century pulpit designed by Eugène Viollet-le-Duc as part of its gothic revival restoration also survived the fire

One could spend days exploring all the beautiful artwork within the cathedral, but we were running out of steam after our overnight flight. But once outside, we needed to note a few more of the cathedral’s attributes. Gargoyles are functional sculptures designed to divert rainwater away from the cathedral’s masonry to prevent water damage. These figures often take the form of grotesque mythical beings, fantastical animals, or devils, reflecting Gothic architectural traditions. 

 Many of the gargoyles seen today were added or heavily restored during the 19th-century restoration of the cathedral. 

During the 2019 fire, the cathedral’s spire collapsed onto the roof, and the flying buttresses threatened to collapse, threatening the entire building. The iconic spire has been completely rebuilt following its destruction in the 2019 fire and was officially unveiled in February 2024. The new spire is an exact, 315-foot replica of the 19th-century design by architect Eugene Viollet-le-Duc. The 16 copper statues of the apostles and evangelists that adorned the spire’s base were miraculously removed for restoration just days before the 2019 fire. They were restored and returned to their positions on the new spire in mid-2025.

A new golden rooster weathervane, designed by chief architect Philippe Villeneuve, sits atop the spire. The original rooster survived the fire and has since been restored. The original rooster is now being displayed at the Cité de l’architecture et du patrimoine. It is currently featured as a centerpiece in the permanent exhibition titled ‘Notre-Dame de Paris, from builders to restorers’. The new rooster contains relics, including fragments of the Crown of Thorns, as a symbol of hope and resilience.

On our way back to our hotel, we passed through Square René Viviani, an intimate garden is located in the 5th arrondissement, directly across from the Seine River and Notre-Dame with a beautiful view of the cathedral.

Square René Viviani

It was finally time to actually check in to our room and have a bit of a rest. The Europe St. Severin is extremely well located and very cute and clean,

Hotel Europe St. Severin

but the room was one of the tiniest into which we have ever squeezed.

After a well deserved rest we set out for dinner. We caught a cab and arrived early, so we strolled around a bit. What really caught my eye were the many sizes, shapes, and forms of the Parisian wrought iron balconies from the quite ornate

and intricate

to the simple

and the very simple

and even different ones on different levels of the same building, but more on that later.

After a most delicious and filling and beautifully presented dinner at Drouant,

we decided to walk back; after all, what is more romantic than Paris at night? And she did not disappoint. We first passed the Louvre, which was eerily quiet without the throngs of pedestrians. This, of course, was two weeks before the jewel heist at the Louvre. The glass structure in the center is the Louvre Pyramid, a modern addition designed by architect I.M. Pei that serves as a main entrance, inaugurated in 1989. 

Louvre Pyramid

In the Louvre plaza the equestrian statue of King Louis XIV can be found. This statue is a lead copy of the original marble sculpture created by the Italian artist Gian Lorenzo Bernini, which is now housed inside the Louvre Museum. The sculpture depicts the king in the guise of an ancient Roman emperor, associated with figures like Hercules, to project an image of power and a conquering hero. The original statue was commissioned by Louis XIV in 1665 but was not well-received by the king and subsequently altered to depict the Roman hero Marcus Curtius. 

King Louis XIV

Standing across from the Louvre, in the Place du Carrousel, is the Arc de Triomphe du Carrousel, smaller than the more famous Arc de Triomphe de l’Étoile, which is located at the other end of the Champs-Élysées.  Arc de Triomphe du Carrousel was commissioned by Napoleon and built between 1806 and 1808 to celebrate his military victories was designed to be the grand entrance to the Tuileries Palace. The monument is part of the historical axis of Paris and is decorated with sculptures and a quadriga (chariot with four horses) at the top. The Eiffel Tower can be seen in the distance peeking from behind.

Arc de Triomphe du Carrousel

We reached the Seine where we had a view across from the Institut de France building, also magnificently lit at night. The building is the seat of the Académie Française (French Academy) and other academies that make up the Institut de France. The distinctive dome and neoclassical architecture are prominent features of the Parisian skyline. 

After breakfast at Europe St. Severin, we joined our walking tour of the Latin Quarter, the 5th arrondissement, and our home for the few days. We had been instructed to meet at the Saint Michel Fountain, which had been built in 1869 as a tribute to Saint Michel. But when we got there we found a billboard for Samsung. Sanna our guide for the morning, who originated in Finland, explained that the city of Paris requires all major construction to be covered by a billboard for aesthetics, but also for cost management. The cost of renovating the fountain is estimated at €2.3 million; the revenue generated from the ad: €5 million.

Sanna went on to explain to us that in the 1850s a grand-scale construction and urban renewal in Paris was led by Baron Georges-Eugène Haussmann, under the commission of Emperor Napoleon III. It was felt by Napoleon III that the walled medieval streets were too narrow for both carriages and pedestrians. The buildings prior to that time were often made of flammable woods. Also, there was so much excrement due to the emptying of chamber pots from windows, as there was no sewage at the time, and horses defecating in the streets, that high heels were needed to walk in the streets. This massive project, known as the Haussmanian renovation, involved demolishing large parts of the old city to create wide boulevards, parks, and new infrastructure, and the construction of new buildings in the Haussmanian style.  Napoleon III, nephew of Napoleon Bonaparte, also felt that the narrow medieval streets lent themselves to barricades, as were utilized during the revolution, and widening the streets would make barricades much less practicable. Here in the Latin Quarter, some of the older, narrower streets were left intact.

Haussmannian style is a distinctive architectural aesthetic characterized by uniform, stone-faced buildings with a height of 5 stories (absolutely none higher than 9 stories) with symmetrical ornate façades, mansard roofs with dormer windows, specific street-width regulations, and a distinctive look of slanted zinc roofs and wrought-iron balconies. Cigarette balconies, ie those in front of windows with no space to walk out onto, are purely aesthetic. The typical building is commercial on the ground floor. The first floor is for the public or shared spaces of a wealthy family showcasing high ceilings and intricate balconies. The next level up is generally used privately by the family. The upper-most floors(s) were for the servants and staff. In the days prior to electricity, the upper floors had to be climbed via stairs and were generally more uncomfortably warm in the summer months. Sometimes (as in the building below) there is a floor between the commercial and residential spaces for the clerks of the business to perform their duties.

Sanna took us to see Shakespeare and Company, an English-language bookshop. The bookshop was founded by American George Whitman at 37 rue de la Bûcherie, Kilometer Zero, the point at which all French roads begin. Constructed in the early 17th century, the building was originally a monastery, La Maison du Mustier. Since opening in 1951, it’s been a meeting place for anglophone writers and readers, becoming a Left Bank literary institution. When the store first opened, it was called Le Mistral. George changed it to the present name in April 1964—on the four-hundredth anniversary of William Shakespeare’s birth—in honor of a bookseller he admired, Sylvia Beach, who’d founded the original Shakespeare and Company in 1919. Her store at 12 rue de l’Odéon was a gathering place for the great expat writers of the time—Joyce, Hemingway, Stein, Fitzgerald, Eliot, Pound—as well as for leading French writers. Beach ran a publishing house and allowed the artists to live upstairs. Beach published Ulysses by James Joyce there. Because of its political influence, the original store had been forced to close by the Nazis during WWII. George Whitman endeavored to carry on the spirit of Beach’s shop, and it quickly became a center for expat literary life in Paris. Allen Ginsberg, William Burroughs, Anaïs Nin, Richard Wright, William Styron, Julio Cortázar, Henry Miller, William Saroyan, Lawrence Durrell, James Jones, and James Baldwin were among early visitors to the shop.

Shakespeare and Company

The green fountain in front of Shakespeare and Company is a Wallace fountain, one of several public drinking fountains named after, financed by, and roughly designed by Sir Richard Wallace (1818–1890), an English francophile philanthropist. At the time most of the poor had to pay for water. Moreover, most of the water provided by vendors was drawn from the Seine river and was likely to be dirty, as run-off from streets and many of sewers drained into it. Hence it was safer to drink beer or other alcoholic beverages, which were almost as cheap as water. The temptation to take to liquor was strong among the lower classes, and it was considered a moral duty to keep them from falling into alcoholism. To this day, the fountains are a considerable source of free drinking water for the needy as well as any passer-by. Not only did the fountains accomplish Wallace’s philosophy of helping the needy, but they also beautified Paris.

Wallace fountain

Église Saint-Julien-le-Pauvre (Church of Saint-Julien-le-Pauvre) is one of the oldest religious buildings in Paris, with construction on the current structure beginning in 1163. Saint Julien was the patron saint of hospitals and travelers. This site in the Latin Quarter was chosen in the 12th century because it was the intellectual center of Paris at the time. Originally a Roman Catholic church, it was assigned to the Melkite Greek Catholic community in 1889 and serves as their parish church. The building blends Romanesque and early Gothic architectural styles. 

Église Saint-Julien-le-Pauvre (Church of Saint-Julien-le-Pauvre)

We revisited the Square René Viviani in which stands the oldest tree in the city: “false acacia,” which is a black locust tree brought back from North America and planted in 1601 by royal botanist Jean Robin and is over 400 years old. Despite being damaged during World War I, it continues to bloom annually and is a popular landmark which has become a symbol of the city and a testament to its longevity and resilience. One who touches it is said to have good luck for the remainder of the day.

Sanna next led us to Rue Saint Jacques (St. James Street) and explained that this is a route along the famous pilgrimage Camino del Santiago (St. James in Spanish, home to the Santiago Cathedral) as evident by the Camino scallop-shaped symbol embedded in the pavement.

Above the street on the side of a building facing the scallop is a picture painted and gifted by Salvador Dali in 1966 as a homage to his motherland Spain: a sundial on a face in the shape of a scallop.

Across the avenue stands Église Saint-Séverin (the Church of Saint-Séverin), known for its Flamboyant Gothic architecture, with construction spanning the 13th to 15th centuries, beginning in 1230, then rebuilt and enlarged in the 17th century after a fire.

Église Saint-Séverin

The church took its name from Saint Séverin of Paris, a devout hermit who lived at the site in the 6th century, and died in about 540. At the end of the 12th century, due to the popularity and growing size of the theology school attached to the cathedral of Notre Dame de Paris, the students and teachers were relocated to the Left Bank. The University of Paris was founded in 1215. The fame of the university and its teachers attracted students and scholars from across Europe, and a larger church was required. Thus, beginning in a 1230 construction began on a new church and Saint Severin became the university’s parish church.

It features unique architectural elements, including a column sculpted in the form of a palm tree,

and notable historic stained glass windows some of which are from the 14th century

and some from the 1970s.

Flamboyant is a late Gothic style characterized by its highly ornate, flame-like window tracery and swirling, curvilinear designs, as can be seen on the outside of the stained glass window.

The curls actually take on the shape of flames.

As we stood outside the church Sanna told us that originally there had been a cemetery next to the church which had become so over crowded with bodies that local perfumeries and food shops complained of the odor. Louis XVII had the bodies removed, boiled down for candle wax, and then had the bones removed to the limestone quarries, which are now the catacombs of Paris.

In Roman times France was called Gaul. The Romans defeated the local Parisii tribe in 52 BC under Julius Caesar’s command. After conquering the Gallic tribes and founding the Gallo-Roman city of Lutetia, the precursor to modern-day Paris, they established settlements on the left bank of the Seine, which would eventually become the Latin Quarter. The Romans remained for about 400 years, and the area was developed with Roman-style infrastructure. One of the many structures left by the romans are the baths. The entrance to the baths was underground. Over 16 miles of aqueducts were built to carry the water to the city. Wood fires were burned under the floors to heat the water for hot baths and steam rooms. There is a museum to visit the baths, but, having ourselves visited several in Spain, we just took a look from the outside.

Sorbonne Université’s (Sorbonne University) legacy reaches back to the Middle Ages in 1257 when the College of Sorbonne was established as a constituent college of the University of Paris, one of the first universities in Europe. In 1971, the University of Paris, including its humanities and science faculties, split into several interdisciplinary universities. Some, including the University of Paris-Sorbonne, retained the name Sorbonne and premises in the historic centre of the University of Paris. The Sorbonne is one of the most famous and sought after universities in Europe. Marie Curie was its first female professor after her husband was killed in a horse and carriage accident. Historically the students at the Sorbonne speak Latin, giving the quarter its name.

Sorbonne Université’s (Sorbonne University)

A bronze statue of the 16th-century Renaissance author and philosopher Michel de Montaigne, who invented essay-style writing is located in the Sorbonne quarter. It is popular for students to rub his right foot for good luck before exams.

Michel de Montaigne

Pantheon means all gods in Greek. The edifice in the Latin Quarter of Paris was built between 1758 and 1790 at the behest of King Louis XV, who intended it as a church dedicated to Saint Genevieve, Paris’s patron saint, whose relics were to be housed in the church but Louis XV died before its completion. Construction was completed in 1790, a year after the Revolution, at which time France was against religion. The Pantheon was turned into a mausoleum and now contains the bodies of many famous Parisians including Marie Curie, who with her husband Pierre, in 1903 was the first woman to win the Nobel prize. When Pierre was run over by a horse and carriage, his bones were so brittle from radiation exposure that he had too many broken ones to repair. Also buried within are writers Alexander Dumas and Victor Hugo. The mausoleum is also the final resting place for Voltaire and Rousseau, philosophers who had apposing ideas about whether men are born with evil. In 2021 Emmanuel Macron interred Josephine Baker, an American-born French dancer, singer, and actress, here due to her aid during World War II.

We crossed the street to visit Saint-Étienne-du-Mont Church. Its construction was begun in 1492 but was not completed until the 1862 resulting in its mix of Renaissance and Gothic (note the rose window) architectural styles. 

Saint-Étienne-du-Mont church

The ornate façade includes the famous purple-blue wooden doors and a relief which depicts the stoning of St. Stephen.

entrance Saint-Étienne-du-Mont church

The church is famous for its unique, finely carved stone rood screen or jubé, an ornate, typically medieval, masonry partition that divides the nave (where the congregation gathers) from the chancel or choir (where clergy conduct services), the only surviving one of its kind in the city. 

interior Saint-Étienne-du-Mont church

Saint-Étienne-du-Mont Church houses the shrine of Saint Geneviève, the patron saint of Paris. It is believed that Genevieve’s prayers saved Paris from being destroyed by the Huns under Attila in 451. As Attila and his army advanced toward Paris, the people were prepared to flee in panic. Genevieve, through a “prayer marathon” of fasting and supplication, persuaded the inhabitants to stay, assuring them of divine protection. Attila’s army unexpectedly changed course, bypassing Paris and marching on Orléans instead, saving the city. During a subsequent blockade and siege of Paris by King Childeric I’s Frankish forces, the city faced starvation. Genevieve bravely led a convoy of eleven barges through enemy lines to Troyes to gather grain and bring food back to the starving citizens. She also successfully interceded with Childeric, and later his son, King Clovis I, persuading them to release prisoners and show mercy to the people. Her intercession was invoked long after her death. The most famous instance was during the 1129 “burning fever” (ergot poisoning) epidemic that swept Paris. After her relics were carried in a solemn procession, the epidemic ceased immediately, and those who touched the shrine were healed. This miracle solidified her status as the city’s primary protector.

The majority of Genevieve’s original relics were destroyed during the French Revolution, but this shrine contains small surviving pieces and the rock upon which her original tomb rested. 

Chapel of St. Genevieve houses a 19th-century altar with a statue of the saint created by Achille Valois in 1823. 

Chapel of St. Genevieve

The mural L’Arbre Bleu (The Blue Tree) painted by Belgian artist Pierre Alechinsky is located on a building at the intersection of Rue Descartes and Rue Clovis.  Created in 2000 as part of the “Les Murs de l’An 2000” initiative by the City of Paris, it accompanies a poem by Yves Bonnefoy written on the adjacent wall. 

L’Arbre Bleu (The Blue Tree)

Sanna concluded our walking tour with some anecdotes about Ernest Hemingway, a frequent visitor to the Latin Quarter, living here for a time with his wife. Author of “The Sun Also Rises,” he was one of the most important characters of the Lost Generation. He left Paris in 1928 to cover the Spanish Civil war as a correspondent. He also covered the Normandy invasion. Ernest Hemingway famously “liberated” the Ritz Paris bar on August 25, 1944, arriving with armed Resistance fighters to reclaim his favorite haunt from the Nazis, only to find they had already fled. He celebrated by running up a massive tab for 51 Dry Martinis, solidifying his legend at the hotel. The Ritz bar now has a devoted stool with his name on it. Upon his return to Paris in 1956 he found suitcases filled with his writings and notes which he had left in the 20s. He committed suicide before the publication of his final novel. A quote from Ernest Hemingway’s memoir “A Moveable Feast” is: “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.”

Upon completion of the tour, we returned to visit the Pantheon, but it was closed for renovations. The large sign hanging between the columns reads: ‘French justice will no longer be a justice that kills.’

It had started to drizzle, so we headed back to our hotel for a rest. We were so happy our new neighborhood was in the Latin Quarter.

It was still raining later when we decided to head out again. We challenged ourselves into navigating the metro system, which we managed successfully. We noted the entrance to the metro, which did indeed resemble the one we had seen in Montreal over the summer, purportedly a gift from Paris.

We strolled along the Champs-Élysées, ok not really strolled; it was raining and we walked briskly. We made our way to the Arc de Triomphe standing at the center of the Place Charles de Gaulle. It was commissioned by Napoleon in 1806 to honor the victories of French troops and honors those who fought and died for France in the French Revolutionary and Napoleonic Wars.

Arc de Triomphe

The Arc stands 162.5 ft high and beneath lies the Tomb of the Unknown Soldier, featuring an eternal flame that has burned since 1923. The surface of the arch is covered in carvings listing major French victories and the names of military leaders. 

“La Résistance de 1814” (The Resistance of 1814), located on the south pillar, is a sculpture depicting a winged figure representing the nation protecting a family while a soldier prepares for battle. Created by French sculptor Antoine Étex, the high relief commemorates the French resistance to Allied armies during the War of the Sixth Coalition. 

“La Résistance de 1814” (The Resistance of 1814)

For dinner we joined friends at Le Jardin Saint-Germain for another delicious meal.

In the morning the sun was shining; we decided to do a little touring on our own. We headed toward the Luxembourg Gardens first passing the Place de la Sorbonne, featuring the Sorbonne Chapel, a part of the University of Paris founded in 1253.  The chapel, ordered by Cardinal Richelieu, is a 17th-century architectural masterpiece and houses his tomb. The start of the fall colors were gorgeous.

Place de la Sorbonne

Upon entering the Luxembourg Gardens we were struck by the number of statues, over 100 throughout the property. This monument is dedicated to Charles Marie René Leconte de Lisle, a prominent French poet and writer from the 19th century.  The sculpture, created by Denys Puech in 1898, features a winged muse embracing the poet. 

monument dedicated to Charles Marie René Leconte de Lisle

 “Le Faune dansant” (Dancing Faun) bronze statue was created by Eugène-Louis Lequesne and unveiled in 1850. 

 “Le Faune dansant” (Dancing Faun)

“L’Acteur Grec” (The Greek Actor), a popular bronze sculpture, depicts an ancient Greek actor and is famous for its lively, almost selfie-taking pose. 

“L’Acteur Grec” (The Greek Actor)

The Medici Fountain was commissioned around 1630 by Marie de’ Medici, the widow of King Henri IV and regent of King Louis XIII.  The fountain is designed in a grotto style with sculptures depicting the mythological scene of Polyphemus surprising the lovers Acis and Galatea.  The fountain was moved stone-by-stone in 1862 during Baron Haussmann’s urban restructuring. Known as one of the most romantic spots in the city, it is a renowned example of Baroque garden architecture. 

Medici Fountain

The Luxembourg Palace currently serves as the seat of the French Senate, the upper house of the French Parliament.  It was originally built between 1615 and 1645 for Marie de’ Medici to serve as a royal residence.  The building was designed by architect Salomon de Brosse and was heavily inspired by the Pitti Palace in Florence, Italy. 

Luxembourg Palace

The gardens were created in 1612 by Queen Marie de’ Medici to emulate Florence’s Boboli Gardens, and to escape her home in the Louvre, but her son, Louis XIII, later forced her to leave.

Known for its calm atmosphere, the park hosts classic pastimes like sailing remote-controlled boats (a bit reminiscent of Central Park), playing chess, bocce, and traditional puppet shows.

The nearly 60 acre garden is a premier Parisian spot blending French formality with English-style landscapes. It features over 100 statues—including a replica of the Statue of Liberty, historic fruit orchards, the hidden Medici Fountain, and iconic green chairs for relaxing. 

Despite the lateness of the season, there were still plenty of blooms on the numerous plants.

White marble lion statues were sculpted by Jean-Baptiste Henraux as a royal attribute of power within the gardens. 

This statue is part of the “Reines de France et Femmes illustres” (Queens of France and Illustrious Women) series: twenty statues of famous French women situated on the terrace of the Luxembourg Gardens, commissioned by King Louis-Philippe I, which features prominent women from French history.  Featured here is Anne-Marie Louise d’Orléans, known as the “Grande Mademoiselle,” the Duchess of Montpensier, a major figure in French political and social life during the 17th century and one-time owner of the Luxembourg palace. Her statue was sculpted by Camille Demesmay in the 1800s.

Anne-Marie Louise d’Orléans

Here we found the statue of Marie de Médicis herself, sculpted by Louis-Denis Caillouette and completed around 1847. 

Marie de Médicis

 One of the first queens represented is the Statue de Sainte Clotilde (Statue of Saint Clotilda), a Frankish queen who lived from approximately 475–545. She was sculpted by Jean-Baptiste-Jules Klagmann in 1847. The queen is portrayed in regal attire typical for her time, with her arms crossed, resting her right elbow on a small column. 

 Statue de Sainte Clotilde (Statue of Saint Clotilda)

There were many queen statues, but I had to include Paris’s patron saint: Sainte Geneviève (419-522) sculpted by Michel-Louis Victor Mercier. 

Sainte Geneviève

And finally, I include Valentine de Milan (1370–1408), Duchess of Orléans and daughter of the Duke of Milan, sculpted from white marble by Jean Pierre Victor Huguenin in 1846, not for her but for the beautiful autumnal tree behind her.. 

 

Valentine de Milan

During the French Revolution, the palace was transformed from a royal residence into a crowded prison for aristocrats. After the Revolution, it became the residence of Napoleon Bonaparte, serving as his home when he was First Consul. During World War II, the palace and gardens were occupied by the German Luftwaffe (air force).

The current security is high.

As we had meandered through the gardens, an orchestra had set up in the band stand and now began to play. We rested and enjoyed the music for a while.

As we left the gardens, a sign reminded us that France is celebrating the 150th year of the senate of the republic.

Outside the garden, and actually throughout Paris, the police force is prominent and heavily armed, not surprising considering the history of terrorist attacks in the city in recent years.

We decided to further explore the 6th arrondissement, also known as the Saint-Germain-des-Prés district. One of France’s six national theaters, the Odéon-Théâtre de l’Europe was inaugurated in 1782 and is known for its elegant neoclassical facade and rich history. It is deeply integrated into the cultural landscape of Paris. The banners on the building announce the “New Season” (Nouvelle Saison), highlighting an international cast of directors and performers. 

Odéon-Théâtre de l’Europe

The popular Maison Sauvage restaurant is highly regarded for its distinctive, seasonally changing floral facade. It is a traditional French cafe frequently enjoyed by locals and tourists on its corner terrace. 

As we strolled around the Saint-Germain-des-Prés district we enjoyed the many galleries

and interesting shops.

This unassuming façade is actually L’Hotel, a 5-star hotel featuring a small indoor pool, a hammam, and a stylish ground-floor bar. It is known as the world’s first boutique hotel and was the last home of Oscar Wilde, who died there in 1900. The plaque on the left commemorates Oscar Wilde, and the building was formerly known as Hôtel d’Alsace. 

L’Hotel,

We stumbled upon the Académie nationale de médecine (National Academy of Medicine). The academy focuses on advising public authorities on matters regarding medicine, pharmacy, and veterinary sciences. The institution was created in 1820 by King Louis XVIII to study issues related to public health and medicine. 

Académie nationale de médecine (National Academy of Medicine)

Nextdoor is the École des Beaux-Arts (School of Fine Arts), specifically the Cour Bonaparte. While primarily a working school, it also functions as a museum and holds exhibitions. Founded in 1648, it is one of the world’s oldest and most prestigious fine arts schools. Many renowned artists, including Degas, Renoir, and Valentino, trained here. 

École des Beaux-Arts (School of Fine Arts)

As we entered the 7th arrondissement, behind the Académie nationale de médecine we found the Université Paris Cité Faculty of Medicine (formerly known as the Centre universitaire des Saints-Pères of Paris Descartes University) which houses the Faculty of Medicine for the university and is a major center for medical education. The institution is renowned for medical sciences, biomedical research, law, and other disciplines.  The site is part of the historical legacy of the University of Paris institutions. 

Université Paris Cité Faculty of Medicine

The façade of the building has a series of stone reliefs. This one is entitled “Nymphs of the Miraculous Sources” which depicts mythical figures associated with healing and water.

“Nymphs of the Miraculous Sources”

We continued toward the Seine, across which the Louvre can be seen. The complex was originally built as a fortress in the late 12th century before becoming a royal palace. 

We crossed one of the the Pont du Carrousel to Guichets du Louvre, ornate monumental gates and arched passageways on the south side of the palace, connecting the Seine quays to the Cour Napoléon. Built by architect Hector Lefuel between 1861 and 1870 (during the Second Empire), these grand entrances were designed to open up the palace and allow easy traffic flow into the complex.  Before the Napolean III 19th-century expansion that created these passageways, this area was filled with a maze of smaller, medieval streets and buildings. Today, the Guichets are a major access point, allowing buses, taxis, and traffic to pass through the palace complex rather than driving around it.

Guichets du Louvre

The Guichets du Louvre feature elaborate, decorative stonework and sculptures, reflecting the lavish style of Napoleon III’s expansion of the Louvre. “Genius of the Arts Astride Pegasus”, created by sculptor Antonin Mercié in 1877, depicts Apollo riding the mythical winged horse, Pegasus.  Emperor Napoleon III’s coat of arms is also featured in the pediment above. 

“Genius of the Arts Astride Pegasus”

The Pavillon Mollien is named after Mathieu Mollien (1758–1850), a French politician and peer who served as the Minister of Treasury under Napoleon I. Designed by architect Hector Lefuel, this section was built to match the opulent, heavy style of the new Louvre expansion in the 1850s. It was famously photographed by Gustave Le Gray to capture the intricate details of its facade. The facade features a prominent stone composition called L’Art et la Science (Art and Science) by sculptor François Jouffroy, completed in 1857. It features allegorical winged female figures representing these two disciplines.

Pavillon Mollien 

The Cour Napoléon (Napoleon Courtyard) is the central, iconic courtyard of the Louvre Palace. Before the iconic glass pyramid was built in the 1980s, the Cour Napoléon was used as a, somewhat undignified, parking lot for the Louvre. While named after Napoleon Bonaparte, the courtyard as we know it was largely completed by his nephew, Napoleon III, in the 1850s, who finally connected the Louvre to the Tuileries Palace. During the 1980s construction of the underground lobby beneath the courtyard, workers discovered an abandoned, hidden set of rooms containing over 25,000 historical items, which were then incorporated into the new exhibition spaces.

Cour Napoléon (Napoleon Courtyard)

Serving as a historic gateway marking the axis between the Louvre Museum and the Tuileries Gardens is the Arc de Triomphe du Carrousel, formerly the entrance to the now-destroyed Tuileries Palace. Commissioned by Napoleon Bonaparte in 1806 and completed in 1808, this arch was built to celebrate his military victories. The top features a quadriga, which is a copy of the famous Horses of Saint Mark from Venice, originally stolen as plunder.

Triomphe du Carrousel

Triomphe du Carrousel was modeled after the Arch of Septimius Severus in Rome and serves as a monumental entrance to the Tuileries Palace. 

Triomphe du Carrousel

We ambled into the Tuileries Gardens and there found the marble sculpture “Caïn venant de tuer son frère Abel” (Cain after killing his brother Abel) which depicts the biblical figure Cain in deep despair and sorrow after murdering his brother, Abel.  The statue was sculpted by Henri Vidal in 1896. 

“Caïn venant de tuer son frère Abel” (Cain after killing his brother Abel)

Theseus Fighting the Minotaur (Thésée combattant le Minotaure) was created by French artist Étienne-Jules Ramey in 1821 and presented at the 1827 Paris Salon. The statue depicts the Greek mythological hero Theseus overpowering the Minotaur, a creature that is half-man and half-bull.  It has been positioned on a pedestal within the Tuileries Gardens since its acquisition by the French state. 

Theseus Fighting the Minotaur (Thésée combattant le Minotaure)

Created in 1892. “Le Centaure Nessus enlevant Déjanire” (Nessus the Centaur Abducting Deianira) by Laurent Marqueste depicts a scene from Greek mythology where the centaur Nessus carries off Deianira, the wife of Heracles. 

“Le Centaure Nessus enlevant Déjanire” (Nessus the Centaur Abducting Deianira)

After all of our walking, it was time for tea. We waited on a significant line for the historic Angelina café, renowned for its ornate Belle Epoque interior and traditional French pastries. Founded in 1903, the café is famous for its elegant, gilded decor featuring murals and mirrored walls. 

Angelina café

It is particularly celebrated for its signature thick hot chocolate (“Chocolat Africain”) and classic desserts like the Mont-Blanc. 

We ordered the high tea; it did not dssappoint.

As we strolled along Rue de Rivoli we passed the entrance to the historic Librairie Galignani, renowned as the first English bookstore opened in continental Europe. Founded by the Galignani family, the bookstore has a heritage dating back to publishing efforts starting in 1520, with the Paris location established in the early 19th century. The shop is now known for its wide selection of both English and French books, with a particular specialty in fine arts.

We also passed L’Atelier Parfum, a French high perfumery with multiple boutiques in Paris and points of sale worldwide.  This establishment specializes in niche, artfully crafted fragrances using high-quality, natural, clean, and vegan ingredients. 

As it was very late in the day, we stopped along the Seine to enjoy the views and watch the tour boats sail by.

Costa Rica: Central Pacific Coast: Puntarenas Province, Quepos; Manuel Antonia January 23-25, 2026; Pacific South: Osa Penninsula, Corcovado January 26-28; Provincia de Alajuela, Río Segundo, Costa Rica January 28-29

We left Monteverde on our first sunny morning since arriving in Costa Rica. Our drive was long to reach the Pacific, but we made a few stops along the way. The first was at Puento Rio Barranca, a very touristy spot to view the American crocodiles. This is an American crocodile, a species found across the Neotropics. They are the most widespread crocodile species in the Americas, found in freshwater rivers, lakes, estuaries, and saltwater habitats.  American crocodiles can grow over 20 feet long.  

American crocodiles

We also made a stop to take a picture of a couple Scarlet Macaws, large, vibrant parrots native to the humid evergreen forests of the Americas. They are easily recognizable by their brilliant red, yellow, and blue plumage.  Their powerful beaks allow them to crack even the hardest nuts. These two were either fighting or mating, hard to distinguish from our vantage point.

Scarlet Macaw

As we neared or destination we saw a large crowd on the side of the road. Our driver pulled over when we noticed everyone taking pictures of this adorable 3-toed sloth who appeared to be posing for the pics.

three-toed sloth

We arrived at the Parador Resort in the late afternoon.

The resort is so large, after check-in we were driven by golf cart to our room. We settled in and immediately saw another pair of Scarlet Macaws. These birds can be up to 32 inches long, with their long, flowing tail making up more than half that length. 

We spent the remainder of the afternoon exploring the resort with its interesting mix of old Spanish style

and Caribbean charm. We had a very late lunch by the pool.

On our way back to our room we spied an yellow-headed caracara. The yellow-headed caracara is a bird of lightly treed open landscapes, like savanna with palms and scattered trees, ranch lands and pastures,  and the edges of forests. In elevation, it mostly ranges from sea level to 3,300 ft. 

yellow-headed caracara

The next morning, after breakfast in the lovely dining room

we were driven to Manuel Antonio National Park by our driver and Roberto, our guide for the day. Along the way Roberto told us that the park was established in 1972, when the local community, encouraged sought to conserve the natural environment by prohibiting development and destruction planned by a then large banana industry. They also protested the beach restrictions imposed by foreign owners on locals. The park has a land area of 4,900 acres and 63,340 acres of water. The park is crossed by a network of trails equipped with universal accessibility facilities, rest areas, and scenic overlooks.

While waiting on line for entrance to the park, we saw a juvenile black hawk drying and warming its wings in the early morning sun. Black Hawks are apex predators in the jungle and particularly like crabs and fish. They are commonly found in Costa Rica’s coastal mangroves, rivers, and wetlands. Adults, weighing roughly 2.5 pounds, are known for their broad wings, short tail with a white band, and yellow legs, while juveniles have a brown-streaked appearance. 

The entrance search was thorough; the preserve is quite careful., especially regarding food and plastics. Once through the security, but still waiting for entrance to the park, we saw a  green iguana, a large, arboreal (tree-dwelling) lizard native to tropical regions of Central and South America, as well as the Caribbean. They are herbivores, primarily eating leaves, flowers, and fruits. 

green iguana

Roberto identified this one as a male due to his crest, and he is in breeding colors, which can turn orange or reddish during mating season to attract a mate. Males can grow to over 6.6 feet in length. 

 Manuel Antonio is a gallery forest, ie a forest restricted to the banks of a river or stream. We entered the trail.

Our first sighting inside the park was a smooth helmeted iguana, also known locally as the helmeted basilisk. They are arboreal, meaning they live in trees, and are active during the day (diurnal). They are New World lizards found in tropical forests, ranging from southern Mexico to northwestern Colombia. Adults can grow to be up to 14 inches (35 cm) long. 

helmeted basilisk

The prominent, helmet-like crest on their head is a distinctive feature. 

We found two White-lined bats, small, insectivorous bats identified by two distinct white stripes along their backs. They are commonly found in lowland forests, often roosting in groups on tree trunks or abandoned buildings, and are known for their unique hovering flight and complex vocalizations. They help keep the mosquito population down by eating as many as 3,000 mosquitoes (roughly a third of their body weight) a night.

Very common here in the park are Halloween moon crabs. They are primarily herbivores, feeding on leaves, fruits, and flowers.  It is a species of terrestrial crab found in the coastal tropical eastern Pacific from Baja California to Peru. The crab is recognizable by its distinct coloration: a purplish-blue shell (carapace), red legs, and white or yellowish main pincers.  They are common among mangrove roots, where they typically build their burrows, which help develop the soil. 

Halloween moon crab

Roberto pointed out that the discoloration of the water in the river is not pollution but rather minerals, especially large quantities of calcium.

I was particularly drawn to this plant, a Beefsteak Heliconia, native to Central and Northwest South America. The plant is known for its large, pendent (hanging) inflorescences that resemble a beefsteak, which can grow up to 2 feet in length. These inflorescences consist of many blood-red bracts (modified leaves) arranged in two rows. 

Beefsteak Heliconia

This is a common basilisk, known locally as the Jesus Christ lizard because of their ability to run across the surface of water to escape predators. This ability is due to specialized skin flaps on their back feet that expand upon striking the water, creating enough surface tension to support them for a brief period. 

Jesus Christ lizard

They are found in Central and South American rainforests near rivers and streams. They can reach up to about 3 feet in total length. This is a female because she is lacking a crest on her head.

We saw another male green iguana, this one has a different mating color.

green iguana

This tree is in the beginning stages of being strangled by the strangler ficus vines.

The Chung Palm, referred to as the “porcupine palm”, is a spiky-trunked palm found in rainforests. It is characterized by extremely sharp, long black spines covering its trunk and leaves, which act as a defense mechanism with spines sometimes reaching up to 8 inches long. The spines are often used to produce fiber for baskets, hats, and, traditionally, fishing nets.

The spiky palm produces a type of date seen below in the hanging bunch at about 4 o’clock.

There was a crowd gathered trying to get pictures of the 3- toed sloth. The 3- toed sloth incubates for 9 months; the cub stays with its mom for only 6 months. Compared to 2 toed sloths, 3-toed sloths are smaller, diurnal (vs the nocturnal 2-toed), possess distinct dark facial markings resembling a smile, and have a more restricted diet of leaves.

We spied an agouti hiding in the brush. We did not see him nearly as well as we had seen the one in Arenal. More agouti fun facts: they are famous as the only animals capable of cracking open tough Brazil nut pods. They are highly agile, capable of jumping up to 6 feet high, and are generally monogamous.

Roberto showed us a Fer-de-lance, a highly venomous pit viper species found in Central and South America. He reiterated what every guide has told us, “Always stay on the path.” Due to its potent venom and tendency to live near human habitations, it is important to watch your step in areas where these snakes are present. It is one of the largest and most dangerous venomous snakes in its habitat and is responsible for 80% of all bites in costa Rica, but most commonly the bites occur to those harvesting on banana, coffee, or chocolate plantations. 

Fer-de-lance

The venom can cause significant hypotension and renal failure in severe cases. Anti-venom is produced using horses. Guides do not carry anti-venom. Some people are allergic to the ani-venom, so it can only be used by a doctor in a hospital setting.

We started to leave the gallery forest and enter the mangrove forest. Here the water is brackish: a mixture of salt and fresh water. These white mangroves are notable for their areal roots.

While the black mangroves breath via spikes from the underground upward. Mangrove wood is highly water resistant; in past years it was popular for making furniture. But mangrove gardens are an important ecosystem producing 10 times more oxygen per area than the rain forest. In Costa Rica cutting down a mangrove is a crime equivalent to murder with a minimum sentence of 6 years in prison.

Roberto showed us a Tucum palm whose leaves contain a strong fiber used for making fishing nets, ropes, and hammocks.  This genus of palms is native to Mexico, South and Central America, and the Caribbean. The fruits are ovoid and ripen from green to bright yellow or orange. The fruit pulp is edible and described as sweet with a grape flavor. 

He also pointed out aptly named monkey brushes, which are actually chestnuts from the the Guiana chestnut tree,   a common nut-bearing tree in Costa Rica, often called the Provision tree. Thriving in wetlands, it produces large pods with edible seeds that taste like peanuts or chestnuts when roasted. 

Guiana chestnut aka monkey brush

Another small crowd piqued our curiosity; we found them photoing this sleeping White-nosed Caoti. These highly social, diurnal, and omnivorous members of the raccoon family are found from Arizona to Colombia. Known for their long, flexible, white-tipped snouts and striped tails, these creatures live in female-led bands, utilize double-jointed ankles to climb down trees headfirst, and are skilled foragers.

White-nosed Caoti

We saw many more Halloween crabs. These nocturnal, 2-4 inch burrowers are not true marine crabs, relying on high humidity to breathe while acting as colorful, mostly herbivorous scavengers. If injured or threatened, they can regrow limbs during their molting process. They are not ideal for group housing in captivity, as they can be very territorial and fight with each other. After shedding their exoskeleton, they will eat their old shell to regain nutrients. With proper care, they can live for about 8-10 years.Despite returning to the water to spawn, they are land crabs and cannot swim.

Halloween crab

We stopped to note an albino tree frog, amphibians known for their ability to climb and live in arboreal environments. 

albino tree frog

Their coloration can vary widely, often changing to match their surroundings for camouflage. 

The Dutchman’s Pipe is a spectacular, fast-growing, evergreen, woody, tropical, climbing vine. Native to the humid forests, it features large, heart-shaped leaves and unique, massive, pipe-shaped, maroon-white flowers that can grow up to 30 cm long, often emitting a carrion-like scent to attract flies.

The Dutchman’s Pipe

At this point we had been teasingly asking Roberto, “where are all the monkeys?” We had been in Costa Rica and not seen one. Granted they do not like to come out in the rain any more than we do, but it was a warm sunny day. Surely they must be hungry.

Roberto using the cell phone to take a picture through the scope

Roberto no sooner insisted that this is where they are most commonly found, and sure enough a family of howler monkeys were first heard, then spied in the trees above. Howler monkeys tend to live in family groups of 15-20 with a single alpha male. They are herbivores. They are primarily arboreal, living in Central/South American treetops, rarely descending to the ground, and using their 5x body-length, prehensile tails as a fifth limb.

Howler monkeys

Roberto found the alpha male.

We no sooner finished filming the howler monkeys, and the white-faced capuchin monkeys made an appearance. They are highly intelligent, social primates found in Central and South American forests, recognized by their black bodies and white-faced “cap.” Known for using tools like stones to crack nuts, they are incredibly social, living in troops of 15–30, and are famous for their varied diet, including fruits, insects, and small vertebrates. 

white-faced capuchin monkey

Suddenly they sere everywhere all around us.  Their long tail is semi-prehensile, often carried coiled up, and used for balance or to help anchor them while feeding.

Roberto told us that bamboo is not native to Costa Rica but was brought here many years ago for making furniture. It is now invasive.

Further along the trail we found a pair of wax-tailed grasshoppers. They are known for their distinguishing long, white, hair-like structures which are are wax plumes projecting from their abdomens produced from plant nutrients they consume. They are small, sap-sucking insects found in tropical and subtropical regions. The exact function of these plumes is unknown, but entomologists believe they may serve a defensive purpose, possibly distracting predators. The insects feed by inserting their mouthparts into the phloem of plants to consume the sap. 

wax-tailed grasshoppers

Ultimately we saw so many monkeys and took so many pictures, I will only include some of my favorites here like this guy scratching his head.

After a snack of fresh fruit inside a caged enclosure (roof of which is seen above) to keep the food from the monkeys, we chose not to relax on the beach; too little time, too much to see. We hiked a small extension and were rewarded first with this chestnut-backed antbird. These birds primarily live on insects, with frogs and lizards as occasional additions to their diet. It is a passerine bird found in humid forests in Central and South America, specifically in Colombia, Costa Rica, Ecuador, Honduras, Nicaragua, and Panama. They are known to be monogamous and a pair will defend their territory year-round. 

chestnut-backed antbird

The even bigger reward came in the sighting of a tamandua, one of two species of anteaters found in Costa Rica. They are found in tropical and subtropical forests and grasslands from southern Mexico to the edge of the northern Andes. They primarily forage for ants and termites, using their long, tubular snouts and sticky tongues to feed.  These animals are semi-arboreal, meaning they spend a significant amount of time in trees, aided by their partially prehensile tails. 

We also found a beautiful female arrow-shaped orbweaver. This species of spider is known for its unique and beautiful appearance and for building spiral, wheel-shaped webs. It plays a beneficial role in the ecosystem by helping to control insect populations.  The female has a distinctive, arrow-shaped abdomen, often with a bright red or orange color, and is harmless to humans. 

arrow-shaped orbweaver

We did pass by the beach, one of the most popular to visit in all of Costa Rica.

Roberto had us pose in front of the national park sign as he told us each national park in Costa Rica has a unique animal figure: this one has a monkey, seen behind Eric’s head.

The blue flags are part of the “Bandera Azul Ecológica” (Ecological Blue Flag) program. This is an award in Costa Rica for beaches, marinas, and boats that meet stringent environmental, safety, and accessibility criteria. 

Roberto explained that the extended part of the beach to the right in the picture below (and is the extension seen at one o’clock in the above trail map) is called a tombolo: a narrow strip of land (isthmus) connecting an island to the mainland. Formed by wave refraction and longshore drift, these depositional features create a “tied island”. They represent a sensitive, evolving coastal microclimate.

Near the beach were so many more monkeys.

But of all my monky pictures, the following is my favorite. I actually took a video of a momma breastfeeding her baby while climbing from tree to tree; this is a still from that video.

Out on the rocks were dozens of pelicans.

The males are those with the white heads; the females have grey heads.

The “death tree” in Costa Rica is the Manchineel, often called “little apple of death.” It is considered the world’s most dangerous tree, with all parts, including its milky sap and small, green apple-like fruit, containing potent toxins that cause severe skin blisters, blindness, and intense, potentially fatal respiratory distress if ingested. There are signs not to touch, and yet, Robertos tells us, many ignore the sign. It is the one below leaning out over the beach with people sitting under its furthest branches.

Manchineel

The Guayabón tree is a large, fast-growing tropical hardwood native to Central and South America, often reaching heights of 30 to 45 meters.It is known for its smooth, tan-colored bark and strong, durable wood used in construction and furniture. It was planted here in the park in the beginning as an attempt to reforest the land after the banana plantations were removed, generally considered pioneer species in disturbed habitats. However, Roberto informed us, the fauna here in the park have yet to figure out a use for the tree.

Guayabón

The African oil palm is not native to Costa Rica; it is native to West Africa. However, it is the primary source of palm oil. and has been brought here to replace the bananas as a significant commercial crop. It can quickly grow up to 60 feet tall. 

African oil palm

Trametes versicolor, also know as turkey tail mushrooms owing to its shape being similar to that of a wild turkey’s tail feathers, are often used in Eastern medicine. They contain an abundance of physiologically bioactive compounds, most notably β-glucan polysaccharides, which are responsible for antioxidant, neuroprotection, hypolipidemic effects, immune-modulating effects, and anticancer effects.

turkey tail mushrooms

A black spiny-tailed iguana, also known as the black iguana generally is predominantly black, but the back may show black bands on a grayish background. This species is native to Mexico and Central America. Adult males can reach up to 18 inches long, with an additional 18 inches for the tail. They are primarily herbivores, eating leafy greens, flowers, and vegetables, but younger iguanas may also consume small insects. This species is known to be highly gregarious and territorial, often living in colonies with a strict social hierarchy.  They are the fastest runners among lizards, clocking in at over 21 mph.

black iguana

On our way out of the park we spotted this owl-eye butterfly. It was unusual to find one at mid-day as they are crepuscular, meaning they are most active during dawn and dusk. Adults primarily feed on the juices of rotting fruit, such as bananas, papayas, and mangos. 

We left the park happy with our many finds

then headed back to the resort to spend the remainder of the day at the adults-only swimming pool.

A resident sloth was also taking an afternoon snooze.

The next day’s adventure was a boat tour of the estuary of Damas Island. We were picked up by our guide Warner at 6:30 am because we had to arrive at the estuary at high tide or it would not be deep enough for the boat. As we drove Warner informed us that prior to the 1920s the local town of Quepos was a mangrove forest until a banana company came in and plowed it under. Currently if it rains excessively, the entire town floods and crocodiles can be spotted in the streets. In the 1960s a Panama fungus began killing the banana trees. Since then African palm trees have mostly replaced the bananas. There are currently 160,000 acres cultivated for palm oil in the region. When we boarded the boat, I failed to take a photo; I have included a stock photo here instead.

The estuary contains over 1300 acres of mangroves. The first area of the river is brackish water and is home to many species of birds. The first we saw was this yellow crown night heron. Adults have a distinctive black and white face pattern, a pale yellow or white crown, and red eyes. Their body plumage is primarily gray, sometimes appearing with a slightly bluish-violet tint. They are stocky, compact herons with thick necks and a black bill. Unlike the Black-crowned Night Heron, the Yellow-crowned Night Heron is found exclusively in the Americas. 

yellow crown night heron

All around us were many black vultures. They are large, entirely black birds, including their featherless heads and necks. Black vultures are scavengers that primarily feed on carrion (dead animals). They often soar in flocks and are known for having a shorter, broader tail compared to turkey vultures. In flight, they display distinctive silvery-white patches on the undersides of their wingtips. 

black vultures

Warner showed us a female Ringed Kingfisher, the largest kingfisher found in the Americas. They are known for their loud and raucous calls.  Females have a blue-gray breast band and a chestnut or rufous belly, separated by a narrow white border. The bird has a shaggy crest and a very large, heavy bill. They are commonly found along rivers and streams, where they hunt for fish from a prominent perch.  

Ringed Kingfisher

Juvenile yellow crown night herons have streaked brown and white plumage, which helps them camouflage. It takes approximately three years for them to fully acquire their adult plumage. 

Juvenile yellow crown night herons

We found another Jesus Christ lizard. At speeds of 5 feet per second. Native to Central American rainforests, these lizards can travel 15+ feet on water, are excellent swimmers, and can dive for up to 30 minutes. 

Jesus Christ lizard

And another juvenile yellow night crown heron, this one not hiding in the brush so we could see its full height. Yellow crown night herons are specialized crab-eaters with highly acidic stomachs that dissolves shells. Unlike most night herons, they are active both day and night, using their stout bills to crush prey. They are known for their unique, sometimes tool-using, hunting techniques. 

juvenile yellow crown heron

Yellow-crowned Night Herons are meticulous groomers that spend significant time maintaining their plumage, which is essential for waterproofing and protection against parasites. Their grooming routines are often intensive, particularly during the breeding season when they need to display pristine plumage to attract mates.

Great Egrets are common in the estuary. It is a large, all-white bird, approximately 3 ft tall with a wingspan of about 4.5 ft. Key identifying features are its bright yellow bill and entirely black legs and feet. It is a widespread and common species found across the globe, including the Americas, Europe, Africa, Asia, and Australia. During breeding season, the bill can become more orange, and it develops long, lacy plumes on its back. 

Great Egret

There are about 120 species of bats in costa Rica. Warner pointed out a row of Proboscis bats, also known as the Brazilian long-nosed bat. They are found in Central and South America, typically along rivers and streams. Unlike most bats, they are active during the day and can be found in colonies of up to 100 individuals. 

Proboscis bats

They are small, measuring about 6 cm (2.4 inches) in length, and feed on small insects caught in flight over water. They roost in well-lit areas, often on tree trunks or branches.

Proboscis bats

As we continued along the river Warner explained that there are four distinct species of mangrove in the estuary, with varying methods of extruding salt from their system. The tallest, most upright is the white mangrove. It extracts salt through glands in the leaves. The salt then accumulates on the leaves giving them a white appearance.

white mangrove

The yellow mangrove is shorter and bushier. It too has glands in the leaves that extract salt, but it then kills the leaf which turns yellow and ultimately falls from the tree.

yellow mangrove

The Red Mangrove is the fastest growing. Red mangroves manage high salinity through a two-part exclusion and storage mechanism: utilizing ultra-filtration in their roots to block salt uptake, and storing excess salt in older leaves, which then turn yellow and fall off. Unlike white and yellow mangroves, they do not have specialized leaf glands to excrete salt. They are typically found in the most seaward, high-salinity zones.

Black mangroves also manage high salinity by absorbing saltwater and excreting excess salt through specialized glands on their leaves. Visible salt crystals often coat the leaves, especially during the dry season.

Black mangroves

Black mangroves also use pneumatophores  (snorkel-like roots) to breathe in anaerobic mud.

pneumatophores

An important aspect of a mangrove forest is the maturation of crocodiles. Crocodiles are cannibals; they will eat their own young. The baby crocodiles hide in the tangles of the roots of the mangrove forest where the large adults cannot penetrate.

Termites do not eat green wood; they do not harm their host tree. They only eat dry dead wood. Warner taught us that inner, honeycomb-like “carton” material of a termite nest is often dry, lightweight, and fibrous, making it excellent fire starter if one is camping or lost in the woods.

We saw yet another green iguana.

Green iguana

One of the women on the boat was anxious to see a silky anteater, also known as the pygmy anteater. Found in southern Mexico, and Central and South America, it is the smallest of all known anteaters, measuring 14-18 inches and weighing 6-14 ounces. It is nocturnal, arboreal, and has a semi-prehensile tail used for gripping branches. Warner found us one, albeit curled up sleeping.

pygmy anteater

The baby green iguana is great at camouflage.

A Eurasian Whimbrel, a type of wader in the sandpiper family, is a medium-sized bird, identified by its distinctive long, down-curved bill used for probing in mud and sand for prey.  The plumage is mottled brown, with a striking crown pattern marked by a dark stripe down the center.  

Eurasian Whimbrel

Whimbrels are migratory birds, breeding in Alaska.  They are fairly gregarious outside of the breeding season. Over 300 species of birds commute from Alaska and Canada to Costa Rica this time of year.

Eurasian Whimbrel

We made it out to Damas Island before turning back.

Damas Island

We found an Anhinga, also commonly known as the snakebird or darter. When swimming, they often keep only their head and long, S-shaped neck above the water, which makes them look like a snake. Anhingas are large waterbirds found in the warmer regions of the Americas, inhabiting swamps, mangroves, and lakes. They are known for their unique hunting style, diving underwater and spearing fish with their sharp, dagger-like bills. Unlike many waterbirds, their feathers are not fully waterproof, which allows them to achieve neutral buoyancy for diving but requires them to perch with outstretched wings to dry their plumage afterward. 

 Anhinga

After the boat ride we were treated to a delicious typical Costa Rican breakfast of eggs, rice and beans, and fried plantains. On our return to the resort we pulled over to take pictures of a macaw perched atop a dead tree stump. Warner explained that macaws often nest and lay eggs inside dead trees. They are generally found in pairs. They can live up to 70-80 years and remain monogamous as long as their mate is alive. But if the mate dies, they will find a new one. They had become endangered in Costa Rica in the 1970s when owning them as pets became illegal. Since then their population has increased by 280%.

We dropped a couple at their lodgings and there found a tree frog warming itself in the sun. They possess specialized, adhesive, toe pads that allow them to cling to, and climb vertical surfaces like glass or, waxy leaves

Tree frogs sink their large eyes into their skull to help push food down their throat.

Once back at the resort we spent the afternoon again lazing by the pool. Eric sent up his drone to take a picture of the resort.

Parador Resort

In the morning we were driven to a boat landing where we were joined by a fun couple from Tennessee and staff of our lodge including the dive master Rafael. Our luggage was stored in huge dry-bags and loaded onto the boat.

And off we sailed.

Along the way the captain pulled close to shore so Rafael could point out the pootoo bird, a type of nocturnal bird known for its incredible camouflage, mimicking broken tree branches or stumps during the day to avoid predators. At night they hunt insects using their large eyes for low-light vision. 

poootoo bird

When we arrived we had to remove our shoes and climb to shore via the beach. The captain was expert in avoiding the rocks.

First activity was washing all the sand off our feet in the lovely foot-bath provided.

We were welcomed to our new home: the Corcovado Wilderness Lodge.

We immediately took note of the blue eco flag, making us feel good about the choice of lodgings..

But glancing up the path, we were a bit disturbed by the steepness of the path but were quickly reassured that a limo was coming for us.

While waiting for its arrival, we enjoyed the beautiful surroundings. The  Traveler’s Tree, also known as the Traveler’s Palm, is native to Madagascar; it thrives in warm, humid tropical climates and can grow quite large with a sturdy trunk.  

Traveler’s Tree

It is famous for its large, fan-shaped arrangement of leaves that look similar to a banana tree.  The common name derives from the anecdote that thirsty travelers can obtain water collected within its leaf sheaths. 

Traveler’s Tree

A native to Central America and most warm, humid tropical climates is the t Parrot’s Beak, Parakeet Flower, or, more commonly, False Bird-of-Paradise. It is in the Heliconia family, a family of plants I am truly starting to love.

False Bird-of-Paradise

A last look at the beach and,

our carriage arrived. The tractor was for all the luggage and staff.

We rode in the little jeep.

On the ride up to reception we saw a caoti sleeping in a tree.

We were checked in

and fed lunch before being taken to our cabin.

We have stayed in a lot of places around the world. This was one of the most beautiful rooms anywhere ever.

And what a view!

While we relaxed for a bit, Eric sent up the drone for some pics.

We hung out and enjoyed a peaceful sunset.

Having had such a late lunch we had a late, light dinner before heading to bed early. We were scheduled for an early morning snorkel. After breakfast in the morning, we joined Rafael and some other guests for our briefing. Unfortunately it poured rain during the entire briefing which scared away one of the couples. The rest of us jumped on the limo and headed for the beach. It was a bit of a rough 45 minute crossing to Caño Island where we joined a bunch of other boats.

Unfortunately the snorkeling was not great. With the turbulent sea, there was too much stirred up silt to see a lot. After about 45 minutes we gave up, and the boat took us to the island’s beach for a fresh fruit snack. The beach was teeming with tourists.

It was also crawling with tiny hermit crabs.

After a respite the boat returned for us.

On our second snorkel we were blessed by visits from four sea turtles. Unfortunately I do no have an underwater camera, so no photos of them. The journey back to the lodge was not nearly as tumultuous as the journey out. We arrived back in time for another late lunch. We spent the afternoon lounging and exploring the property.

The central resort area had two dining areas: one for breakfast and another for evening drinks or dinner some nights.

It was all beautifully landscaped with ornamentals including this stunning Bamboo Orchid, a ground orchid that prefers full sun, high humidity, and well-drained soil. It has slender, reed-like stems that resemble bamboo and can grow up to 6 feet tall and cattleya-like fragrant flowers that that are typically light pink to white with a vibrant magenta or purple lip. 

Bamboo Orchid

Another interesting flower was this Crinum Lily, characterized by large, strappy green leaves with burgundy or purple variegation and showy, fragrant white flowers with spidery petals and pinkish-red anthers.  This plant thrives in full sun to partial shade and prefers consistently moist to wet soil, making it suitable for bogs or water gardens.  All parts of the Crinum plant are poisonous if ingested, and the sap can cause skin irritation. 

Crinum Lily

At the start of the path between the road and our cabin we found a Golden Silk Spider, also commonly known as a golden silk orb-weaver or banana spider.  These spiders are large with orange and brown bodies and distinctive black and yellow markings. They are famous for constructing very large, strong webs that have a golden sheen in the sunlight. 

golden silk orb-weaver

We were visited right outside our cabin by a Rough Green Snake. They have bright green skin that provides excellent camouflage against leaves and branches. These snakes are typically non-venomous, harmless to humans, and are excellent climbers that spend most of their time in trees and bushes.

Rough Green Snake

Rough Green Snakes primarily feed on insects, spiders, and other small invertebrates.

Rough Green Snake

After another early breakfast the following morning, we embarked on our last hike in Costa Rica. We told our guide Jose and the other two couples hiking with us that despite two weeks in Costa Rica we had only seen one of the supposedly ubiquitous toucans, and that was from a distance. We requested all to keep a careful eye out for us. We were advised that the trail was quite muddy from the previous day’s rain, so we donned boots.

As we descended the path toward the beach, the first thing Jose pointed out to us was this Garlic Tree,  a massive, long-lived, endemic tree found in Costa Rica’s tropical forests, particularly in the Osa Peninsula. Known for its strong garlic odor emitted from its yellow flowers, it is a key component of the rainforest ecosystem, often pollinated by bats.

Garlic Tree

Once down on the beach our search for birds began. First sighting was a male Black-throated Trogon, a medium-sized bird with a brilliant metallic green back, head, and upper breast. These birds are typically found in the understory of humid forests in Central and South America. The male has a black face and throat, a prominent blue or pale eyering, and a bright yellow belly. 

male Black-throated Trogon

Through the scope from the back, he looks like a completely different bird. Its long tail is distinctive, featuring a dark blue-green top side and intricate black-and-white barring underneath. 

male Black-throated Trogon

The female black-throated Trogons often have more muted coloring like brown or grey. These birds are often seen perching midway up trees, waiting to catch insects or forage for fruit. 

female black-throated Trogons

Next we found a Gray-headed Chachalaca, a medium-sized bird belonging to the Cracidae family. They have brownish-gray plumage on their back, a paler chest, a small head, and a long tail. 

Gray-headed Chachalaca

Chachalacas are typically found in the treetops of humid forests and second-growth habitats in Central America and northwestern Colombia

They are social, often seen in small flocks, and known for being very noisy, especially at dawn and dusk.  Their diet consists primarily of fruits, seeds, and occasionally insects. 

We then found a bananquit, a very common species in the Caribbean. They are small, about 4 inches long, with a yellow chest, black upperparts, and a bold white line above the eye. These birds are nectarivores, often piercing the base of flowers to steal nectar, and they also eat fruit. 

bananquit

A bit far away (not my best picture) we saw a White-tipped dove, a plump, shy, ground-dwelling bird found from South Texas to Argentina, known for its distinct, hollow “ooo-wooooo” call that sounds like blowing over a bottle. Unlike other doves, they are surprisingly aggressive, often chasing rivals while foraging. They are year-round residents with a 9-year lifespan, often feeding on fallen fruits and seeds.

White-tipped dove,

All around on the ground, very active, was a group of Great-tailed Grackles , the one I caught on camera was a male, distinguished by his iridescent black feathers and long, prominent tail. They are highly social, adaptable birds frequently seen foraging in urban areas, parks, and near farms. Their diet is highly varied, consisting of grains, insects, lizards, and small mammals. They are common year-round residents in South and Central America, including the Caribbean.

Great-tailed Grackles

The Common Black Hawk is a striking, stocky, and largely black raptor often found near water in the southwestern U.S., Mexico, and Central America, characterized by its bright yellow legs, broad wings, and a distinctive single white band on its tail. They specialize in hunting crabs, fish, and frogs, frequently wading in shallow water to catch prey.

Common Black Hawk

Flitting about and tough to catch on camera was this Social Flycatcher, a species common in the Americas. Known for its bright yellow underparts, dark wings, and a distinctive white stripe above the eye, it is frequently found in open woodlands, forest edges, gardens, and near human habitation. It is highly social, often foraging in groups and nesting in colonies. It primarily eats insects caught in flight but also feeds on berries and small fruits. 

Social Flycatcher

Nearby we found its cousin, a Grey-capped Flycatcher, a small passerine bird from the tyrant flycatcher family. Unlike similar flycatchers like the Social Flycatcher, this species lacks a strong, striped head pattern.  It features a distinctive grey head, a white throat, and bright yellow underparts. They are often found in pairs or small groups near forest edges and gardens. 

Grey-capped Flycatcher

One of the women in the group was asking about these funny shaped flowers strewn all over the beach. Jose told us they are from the Pseudobombax septenatum tree, often referred to as a barrigón. The tree is native to tropical regions in Central and South America. These flowers are temporary, lasting only a few days before falling. These flowers typically appear when the tree is deciduous, making the flowers highly visible.. but the tree was pretty barren looking 

barrigón flower

The next bird we spied was a Blue-gray Tanager, a common South American songbird also found in parts of the Caribbean. They are known for their pale gray and bluish plumage and often feed on fruit. This species is very adaptable and frequently seen in gardens and urban areas. 

Blue-gray Tanager

For variety we focused a moment on a butterfly, specifically a Banded Peacock butterfly, with dark brown or black wings with distinct white bands and red markings near the body.  Their wingspan typically measures between 2.0 and 2.75 inches. 

Banded Peacock butterfly

The Banded Peacock butterfly are commonly found in moist areas, such as near rivers, in subtropical climates. They are native to Central America, Mexico, and southern Texas.

Banded Peacock butterfly

Brunellia costarincensis, a plant native to Costa Rica, but more commonly found at higher elevations, is a harbinger of the dry season.

Brunellia costarincensis

Coyol palm, a species of palm native to the tropical regions of the Americas, is widely known for producing a traditional alcoholic beverage called taberna, made from the fermented sap of the tree. Locally taberna is called cyol wine and is a common drink of the campesinos (peasants). It is said if one gets drunk the night before on coyol wine and goes to work in the sun, one is drunk again by the afternoon.

Coyol palm

We saw yet another Jesus Christ lizard. I have said enough on them already.

The seed pod of the Mucuna vine, commonly known as a velvet bean or sea bean, have a dense, velvety covering of hairs that can cause severe skin irritation if touched. Mucuna plants are found in various tropical environments, including jungles in Central and South America. They grow on woody vines in tropical and subtropical regions. 

seed pod of the Mucuna vine

This next beauty is a male Scarlet-rumped Tanager, one of which we had seen in Arenal. Their diet consists mainly of fruits and arthropods. These birds are commonly found at forest edges, clearings, and second-growth areas in Central America. 

Scarlet-rumped Tanager

A spiral ginger features a striking red, cone-shaped inflorescences comprised of overlapping bracts. The stems grow in a distinct spiraling pattern. These plants thrive in tropical environments and are often grown for their ornamental beauty. 

spiral ginger

Often called the insulin plant, the spiral ginger provides significant medicinal benefits, including blood sugar regulation for diabetics, anti-inflammatory, and antimicrobial properties. Traditionally the spiral ginger has also been used locally for cramps both gastrointestinal and those suffered by women, eg period or postpartum cramps. The flower emerges from the bracts.

Banana plants, which are actually the world’s largest herbaceous flowering plant, are not trees, as they lack woody stems and are composed of tightly packed, succulent leaves. They grow up to 25 feet tall from an underground corm, with leaves that can reach 9 feet in length. They can grow up to 5 feet in a single day. The fruit grows in clusters or bunches on a stalk that emerges from the center of the plant.   The green bananas shown are the female flowers that have been fertilized; the purple bud at the bottom contains male flowers that typically do not develop into fruit. 
Banana blossoms (the purple bud) are edible and often prepared like artichokes in many tropical regions. After fruiting, the main stem dies, but the plant produces new, genetically identical pups (shoots) from the underground root system.

Hiding in the trees we can barely make out a Black-hooded Antshrike, a fascinating, skulking bird endemic to the Pacific coast of Costa Rica and Panama. Despite their striking appearance, they are notoriously difficult to spot, preferring to stay hidden in dense undergrowth. They are known for being very sluggish foragers, sometimes pausing for up to 30 seconds to scan for prey. They move slowly through vine tangles and dense vegetation, often in the lower to mid-story of the forest. Like other antshrikes, they have a heavy, slightly hooked bill (similar to a true shrike) used to probe and tear apart dead leaves to find insects. Their song is described as a loud, accelerating, dry “chuckle” that rises in pitch and ends with a longer, raspy note. They occasionally follow army ant (Eciton) swarms to catch insects, spiders, and other arthropods that are flushed out by the ants.

Black-hooded Antshrike

I just had to include this next picture because I so love the beach vibe.

There were lots of coconuts fallen from the trees scattered along the path. Many were growing new trees. Jose told us the roots develop downward first before the leaves pop out. Coconut trees, often called the “tree of life,” can live up to 100 years, growing up to 100 feet tall while producing 50–180 coconuts annually. Technically a drupe rather than a nut, coconuts can float thousands of miles to propagate. Nearly every part of the plant is usable, from food and water to crafting, building materials, and fuel. The leaves look solid is this baby,

baby coconut plant.

but as the tree grows, the leaves separate into the fronds which we are used to seeing.

We had hiked to the Rangers’ station where we signed in, paid our park entry fee, and were checked for food and plastics. The flag of Costa Rica flies out front.

There we found yet another male Jesus Christ lizard. I include him because he has such an impressive crest.

Jesus Christ lizard

The beach at the station is beautiful. We all had to take off our shoes and socks (and yes, even the boots because of the depth) to cross a small river to continue our hike on the other side.

Once our feet were dried and clad, we found a Red Passion Flower, a vibrant vine native to Central and South America. It is easily recognized by its bright red flowers with long petals and a central white filament structure. The flower is designed to attract pollinators such as hummingbirds and butterflies. 

Red Passion Flower

The passion flower thrives as an understory vine in rainforests, often growing along the ground or climbing up surrounding vegetation. It produces small, edible fruits similar in size to a grape. 

Red Passion Flower

We found a Black-hooded Antshrike sitting on her nest. They build a “roomy” open cup nest made of fine rootlets and fibers, which they attach with spiderwebs to horizontal branches

Black-hooded Antshrike sitting on her nest

The beach is full of  beach almond trees providing shade over the sandy shore.  Beach almond trees are highly valued for their ability to thrive in sandy soil and tolerate salt spray, making them ideal for coastal environments. These trees are commonly found in tropical coastal areas, known for their large, sprawling branches and wide leaves.

beach almond tree

The trees produce fruits containing an edible seed, often referred to as “Indian almond” or “tropical almond”.

Beach almond seed

Macaws love to eat the beach almonds.

Jose pointed out some Tent-making bats, identifiable by the white stripes on their faces.  These bats are typically found in tropical and subtropical regions of Central and South America.  They are nocturnal mammals that primarily feed on fruit and nectar. 

Tent-making bats

Tent-making bats are known for chewing the midribs of large leaves, causing them to bend downward and form a “tent” for shelter. 

Tent-making bats

A herd of wild pigs was crashing through the forest. We could only get glimpses of them through the trees. But one stopped and poked his nose toward us. Jose warned us to stay quiet because they can be known to be aggressive. Wild pigs in Costa Rica are not true pigs but a distinct family (Tayassuidae) that split 40 million years ago. Known as “skunk pigs” for their pungent scent glands, they are social creatures vital to forest health, often spotted in national parks like Corcovado. We did not get close enough to get a whiff.

skunk pig

So little was in bloom in the forest this time of year that I was drawn to every bit of color. A vine common to the tropical environment is the Fridericia rego plant.  The purple, tubular flowers are characteristic of this genus.

We spied another golden silk orb-weaver spider. While they are large, they are generally not dangerous to humans; their bites are typically mild and only cause localized pain. They are typically found in forests and wooded areas throughout tropical and subtropical regions, including the Caribbean.

golden silk orb-weaver

We made our way back to the ranger staton for a break. Outside the building is a magnificent Red Ginger, a vibrant tropical plant commonly used in landscaping. that is not native to Costa Rica. This perennial features showy, bright red bracts that hold small white flowers. They thrive in warm, moist climates, preferring well-drained soil and partial shade. 

 Red Ginger

The Tropical Kingbird is a highly visible,, and vocal resident in Costa Rica, easily identified by its bright yellow belly, grayish head, and forked tail. They are known as fearless “tyrant flycatchers” that aggressively defend their territory from larger birds like hawks and owls.

Tropical Kingbird

While primarily insectivores, the Tropical Kingbird also feed on small fruits, particularly during cooler weather. During breeding season, they perform “butterfly-like” flight displays and emit soft calls to maintain their pair bonds.  Females build open-cup nests, often in the canopy or mid-story, and are solely responsible for incubation. They are thriving in Costa Rica, with a global population estimated at 200 million, often increasing in areas where forest has been cleared for agriculture.

Jose pointed out the fruit pods of a Pachira aquatica, commonly known as a Money Tree or Guiana Chestnut. The large, reddish-brown pods contain seeds that are edible when roasted, boiled, or fried.The Money Tree is a tropical wetland tree native to Central and South America and, in many cultures, believed to bring good luck, prosperity, and wealth, often sold as an indoor houseplant. 

Money Tree or Guiana Chestnut

Our final find of the hike was a male Orange-collared Manakin, a small, plump bird, approximately 10 cm in length, with a distinctive bright orange throat and collar contrasting with a black head, back, and wings.  This species is endemic to the forests and secondary growth of Costa Rica and western Panama. They primarily feed on small fruits and berries found in the forest understory. Orange-collared Manakins are known for their elaborate courtship displays; the male often creates a snapping sound with its wings during mating rituals. 

Orange-collared Manakin

As we crossed the beach toward lunch, Jose found a macaw munching on beach almonds., a great find. But alas, the tour was over, and we had yet to find a toucan.

After over 6 hours of hiking, we were famished and downed a hearty meal at the facility on the beach. We then lounged in the afternoon. We looked at the adults-only pool, which had very cold water,

and instead opted for the larger, warmer family pool. While we relaxed there we were entertained by a family of howler monkeys that were romping through the trees. Unfortunately they were too mobile and obscured to catch their images.

On our final morning as we descended to the beach for our return trip, a caoti was walking along the road in front of us.

We took a boat ride to Drake Bay. From there we were driven to the Drake Bay airport.

Drake Bay airport

When we checked in for the flight, first our luggage was weighed, then our backpacks were weighed, then we were weighed with our backpacks! They are very strict about the amount of weight allowed on the plane.

The flight to San Jose lasted about 45 minutes.

We landed at the domestic terminal where we were handed our luggage directly off the plane before being escorted inside.

We were to fly home in the morning. We checked into our hotel for the night and found a casino across the street. Of course Eric had to investigate. And yes, there is a poker room, but no one was there playing.

We headed to dinner at dusk and heard the squawking of parrots. We had heard many during our hike in the forests, but had yet to catch one in a frame. We had been in the country for 2 weeks and had no parrot pics, and here on our last night right by the airport were hundreds coming in for the night. We watched and took videos for several minutes. They were White-eyed parakeets, medium-sized green parrots native to South America. They are known for the white bare skin around their eyes. They typically inhabit tropical and subtropical forests and are often found in small flocks. They feed on a diet consisting mainly of seeds, fruits, and berries

White-eyed parakeets

What a fitting final picture for our trip to Costa Rica.

White-eyed parakeets

One of the many things we loved about Costa Rica is their unofficial national slogan: Pura Vida, and you hear it everywhere.  It is used daily as a versatile, all-purpose phrase for greetings/farewells (hello/goodbye),  affirmation (everything is good), gratitude (thank you/you’re welcome), and as a way to downplay stress or misfortune. In 1956, a Mexican film titled “¡Pura Vida!” graced Costa Rica’s screens and became an instant hit. The film portrayed an eternally optimistic character who often used the phrase, even in challenging situations. Costa Ricans quickly embraced “Pura Vida” in the same spirit. The meaning of pura vida, of course, is “pure life,” and it’s come to symbolize the simple, cheerful outlook and lifestyle of what is often called the happiest country in the world.

Costa Rica: Alajuela Province, La Fortuna, Arenal Conservation Area, Costa Rica January 16-18; Guanacaste Province, Monteverde Cloud Forest Preserve, Costa Rica January 19-22, 2026

Our trip to Costa Rica started with a delay of over an hour due to a flat tire on the plane requiring us to deplane after having already settled into our seats. We arrived in San Jose as the sun was setting and still had a drive through the Friday night traffic; it would take over three hours to reach La Fortuna, San Carlos in the Alajuela Province: our destination for the night. On our way out of town our driver pointed out 3 active volcanoes in the region and a coffee plantation. Costa Rica is a rugged, rain-forested Central American country with coastlines on the Caribbean and Pacific. Though its capital, San Jose, is home to cultural institutions like the Pre-Columbian Gold Museum, Costa Rica is known for its beaches, volcanoes, and biodiversity. Our first destination was the Arenal Conservation Area. It started raining while we were on the road. We were very happy to have a driver who knew the roads well as the visibility was limited at times. We reached the Arenal Moana Resort late and in the pouring rain. We had a quick dinner and went to bed anticipating our morning tour.

The rain continued in the morning. We were picked up and driven to Lake Arenal to begin our hike. Manmade, with a dam built between 1970 and 1973, Lake Arenal, which rests at the base of the volcano, supplies a high percentage of the country’s hydroelectric energy. At over 21 miles in length, Lake Arenal is the second largest lake in Central America. Prior to construction of the dam, there had been homes nearby. But an unexpected volcanic eruption in 1968 which lasted for several days killed many people and livestock, buried three villages, and ruined crops, properties, homes, and livelihoods. Since that time building in the area has been prohibited.

Laake Arenal

We met our local guide Martin, boarded our boat and headed across the lake.

As we drove across the lake, Martin explained to us that the mountain range here is part of the Continental Divide; we are on the Caribbean side of the divide. The second volcano in the area, The Chato Volcano, is inactive; it has not erupted in over 5000 years.

Despite the rain we passed a few birds; first a female Belted Kingfisher, a large, stocky, blue-gray bird with a shaggy crest on its head and a thick, pointed bill. The male would have orange on the chest. The species is native to North America and commonly found near clear water bodies like rivers, lakes, and shorelines. They feed primarily on fish, which they catch by diving headfirst into the water. Their presence is often announced by a distinctive, loud rattling call. 

female Belted Kingfisher

We also passed a large flock of Snow Egrets, Great Egrets, and Cormorants which often are found cohabitating.

Snow Egrets, Great Egrets, and Cormorants

We climbed out of the boat onto La Peninsula Trail of the Arenal Volcano National Park. The Arenal Volcano National Park is located within the much larger Arenal Conservation Area, which protects more than 500,000 acres of rain forest, rivers, lakes and old volcanic lava fields. This area contains a great wealth of geologic and biological complexity. The volcano itself is approximately 5,500 feet high and has gone through several eruptive cycles. Within the national park, short trails pass through secondary forest as well as lava fields from previous eruptions. On land we were greeted by a large guava tree.

Guava Tree

Martin pointed out t a concrete marker which indicates the maximum reservoir level. ICE refers to the Instituto Costarricense de Electricidad, the state-owned entity responsible for electricity and telecommunications, a crucial public utility providing nearly 100% renewable energy and telecom services under the Grupo ICE umbrella. It is a major national institution founded in 1949, vital for the country’s clean energy model and infrastructure. 

Martin pointed out a bromeliads leaf, a family of plants with many species of which the pineapple is one. The leaves of this one have a large hollow base which catches water which animals can drink in dry times. Monkeys eat the white part of the leaf.

We then saw an agouti eating the stem of a palm tree. Agoutis are the largest rodents in Costa Rica. Their diet consists of fruits, seeds, shoots, leaves, and nuts. Known as nature’s gardeners, they aid in seed dispersal by burying seeds for later consumption and then forget where they have been left. When alarmed, they may thump their hind feet, erect their rump hairs, or run away with high-pitched barks. 

agouti

Along the hike we had several views of Lake Arenal.

Lake Arenal

Martin then pointed out a trumpet tree from the genus Cecropia, commonly known as guarumo in Central America. Common names include trumpet tree, snakewood, and tree-of-laziness, as sloths are often spotted in their branches, centered below. Cecropia species are fast-growing, dioecious trees found throughout the Neotropics. They are considered pioneer plants, often the first trees to grow in clearings caused by deforestation or fire, helping to regenerate vegetation. 

Cecropia

Sloths will eat many leaves, but the leaves of the Cecropia are their favorite.

The squirrels love the fruits of the Cecropia.

The Cecropia trees have hollow, branched stems.

The trees have a symbiotic relationship with ants. The axillary buds are full of glucose on which the ants feed. The ants live inside the hollows of the trunk and branches making the tree uninhabitable to other plants like orchids and vines, thus saving the tree from parasites.

At this point we were treated to another view of Lake Arenal.

Lake Arenal

Martin pointed out an abandoned termite nest and explained that once abandoned they are often used by birds such as Parrots and Kingfishers for nesting.

abandoned termite nest

Martin showed us a kohleria spicata, a flower favored by hummingbirds and pollinator bees.

kohleria spicata

He also showed us a pair of Scarlet-rumped Tanagers. The two birds in the image display the species’ distinct sexual dimorphism:  The bird on the right is a female, characterized by her olive-brown tones and a bluish-white bill. The bird on the left is a male, which has glossy black plumage and a bright scarlet-red lower back and rump. Tanagers primarily feed on fruits, insects, and small arthropods. This species is a resident breeder in the Pacific lowlands of Costa Rica and western Panama. They are fairly common in humid tropical lowlands, favoring forest edges and plantations. 

Scarlet-rumped Tanagers

As we left the forrest we found a hawk high up in a tree.

hawk

As we left La Penninsula Trail and boarded our van to drive to the Coladas Trail we saw a White-nosed Caoti. In the Racoon family, Coatis have a long, flexible snout and strong claws, which are well-adapted for foraging for food in crevices and holes. They are omnivores, eating everything from fruit to small animals like mice and lizards. The species typically weighs between8.8–13.2 lb and can reach a nose-to-tail length of about 3.6 ft. They use their long, semi-prehensile tails for balance. 

Caoti

We embarked on the Coladas Trail, which includes areas that were once destroyed by volcanic activity and are now in the process of regeneration. There we found an “armored” caterpillar of the silk moth family known for their striking appearance: covered in spines and bristles. The bristles are urticating hairs, which means they can cause adverse skin reactions or stings if touched. 

“armored” caterpillar

We hiked about three quarters of a mile to the pinnacle of the trail which was formed by relatively recent lava flows. From the end of the trail we were supposed to have a great view of the Arenal Volcano. But alas, it was completely engulfed in clouds. We had hiked in the rain and received no reward for our efforts, bummer. I did like the sign one does not see just anywhere. Although volcanic activity has decreased since 2010 and is now mostly fumarolic with occasional phreatic eruptions at the top of the mountain – this means there are no lava flows – hiking up close to the crater remains dangerous.

On our way back we saw a banderita Española, a plant common as a first settler after a catastrophic deforestation like lava. Martin explained the difference in primary forests, ie old growth forest with large trees at least 400 years old versus secondary forests, which are those found after catastrophic events including fires. This area had been a primary forest until the 1968 volcanic eruption; the previous eruption had been 1592.

banderita Española

Along the hike back we were treated to a female Great Curassow, more on them later.

female Great Curassow

We also saw a Yellow-rumped Cacique. Key characteristics of this species include: They build unique, hanging woven nests and are widely distributed across northern South America. They have mainly black plumage with a sharp yellow rump and a pale, ivory-colored beak. A distinctive feature is their striking, sky-blue eyes. These birds are highly social, often seen in flocks, and are known for being accomplished mimics. (The dots on the picture are rain drops. Yes, it was still raining.)

Yellow-rumped Cacique

Martin showed us a Mimosa pudica, commonly known as the sensitive plant, sleepy plant, or touch-me-not. It is a creeping annual or perennial flowering plant native to South and Central America. Its fern-like leaves are famous for rapidly folding inward and drooping when touched, shaken, or exposed to heat. This movement is a defense mechanism to deter herbivores and protect the plant from potential harm. The leaves are prickly to the touch. The plant may also produce small, spherical, pink, or purple flowers during its growing season. 

Mimosa pudica

Back at our resort Arenal Manoa the bellhop pointed out a resident sloth high up in the tree. We had hiked in the forest all morning and not seen one.

The rain continued all afternoon but finally broke in the late evening long enough for us to head into the small town of La Fortuna. We strolled around a bit before treating ourselves to a large steak dinner.

La Fortuna Park

After breakfast we were driven to Mistico Hanging Bridges, a privately owned reserve containing about 2 miles of trails which include eight fixed bridges and 5 hanging bridges, which are between 160 – 330 feet long and 10-150 high, all which were designed to blend with the natural environment, leaving the forest virtually intact. From their website: “Mistico Arenal Hanging Bridges Park encompasses a unique fusion of several different ecosystems that promote high biodiversity in plant and animal species. Located between the edges of two forest types, the region integrates both highland and lowland landscapes into one beautiful and unique vegetation strip.”

Before reaching Mistico we passed Lake Arenal and found perched there a Yellow-headed Caracara, a bird of prey belonging to the falcon family. It is found in tropical and subtropical regions from Central America south to northern Argentina and Uruguay.  Unlike most raptors, it is omnivorous and often scavenges for food. Adults have a pale, buffy head and underparts with dark brown wings and back. 

Yellow-headed Caracara

Upon arrival at Mistico our group of 10 was met with our guide Mey. At the entrance of the trails were stone statues created by the Chorotega, ancient inhabitants of Guanacaste using advanced techniques. The works reflect their rich culture and beliefs and are a testament to their artistic skill and deep connection with nature.


Our first sighting was a a Chestnut-mandibled Toucan, a subspecies of the Yellow-throated Toucan. Their diet is omnivorous, consisting of fruits, insects, and small animals. It is one of the largest toucan species, known for its bright yellow throat and dark, chestnut-colored lower mandible. The species is found in tropical jungles from Honduras south into northern South America. They typically travel in small flocks within the forest canopy. Mey told us there are 6 species of toucan in the park, and they mostly eat wild fruit. She also told us that toucans prefer cloudy, rainy days (did I mention it is still raining?) because their black bodies absorb too much heat on sunny days.

Chestnut-mandibled Toucan

Next we saw St. Mary of the Angels or “La Virgin de los Ángeles.” According to tradition, la negrita is a small about 3 inches representation of the Virgin Mary found in August 1635 by a native woman named Juana Pereira. As the story goes, when she tried to take the statuette with her, it miraculously reappeared twice back where she had found it. The townspeople then built a shrine around the statue. In 1824, the Virgin was declared Costa Rica’s patroness saint. La negrita, composed of jade, volcanic stone, and graphite, now resides on a gold, jewel-studded platform at the main altar in the Basilica de Nuestra Señora de los Ángeles in Cartago.

La Virgin de los Ángeles

Stachytarpheta cayennensis is a species of flowering plant in the verbena family known by many common names, including blue snakeweed, Cayenne snakeweed, dark-blue snakeweed, bluetop, nettle-leaf porterweed, rattail. This plant has some uses in traditional medicine. Several Latin American peoples recognize extracts of the plant as a treatment to ease the symptoms of malaria. The boiled juice or a tea made from the leaves or the whole plant is taken to relieve fever and other symptoms. It is also used for dysentery, pain, and liver disorders. Here its primary purpose is for the hummingbirds.

Stachytarpheta cayennensis

Mey pointed out a 300 year-old ficus tree.

We found a a Broad-billed Motmot (It was actually our second Motmot of the day, but we did not get a good photo of the first.) The broad-billed motmot is a fairly common Central and South American bird. They are nonmigratory, sedentary birds that are most frequently seen in singles or pairs. There exist six subspecies of the broad-billed motmot. At about 12 inches long, the broad-billed motmot is one of the smallest members of the family. They have dark eyes and feet. Most of its upper body, including its head, neck and chest, is a cinnamon-rufous color. There is a black patch on either side of its head that covers the cheeks and auricular area, as well as one on the centre of its chest. The lower half of its body is more greenish above and becomes more bluish below. The broad-billed motmot has a long tail that gradually changes from blue to black. It also has two racquet-shaped central feathers which are much longer than the rest. As its name suggests, the broad-billed motmot has a broad, flattened bill. Its bill is black, has serrated edges, and has a keel on the upper mandible. This species does not demonstrate sexual dimorphism, which means that both the male and female look alike. This bird resides in humid forests, warm lowlands and foothills, and is found at elevations below 3,000 ft. The broad-billed motmot’s diet consist mainly of insects and their larvae as well as some small vertebrates such as snakes, frogs, and lizards. Unlike other species of the Momotidae family, broad-billed motmots do not consume fruits.

Broad-billed Motmot

Mey pointed out a kapok tree, often referred to as the “Broccoli Tree” due to its distinctive, symmetrical crown when viewed from below. The tree is known for its cotton-like fluff from seed pods, which are used for stuffing. 

Broccoli Tree

Mey found a brown viper which she enlarged for us through her scope. There are 5 species of viper in the park, all of which are poisonous. This one has been coming to this same tree for 5 years, making him easy to find.

By this point on the trail we had crossed several fixed bridges, and now we came to our first hanging bridge.

I was not a huge fan of them; I had to have both hands holding on at all times. I would wait until my group was mostly across before attempting to cross so I would not have to stop along the way.

Eric, on the other hand, traversed with no problem.

Mey pointed out the “monkey vine,” with its distinctive curly shape, so named because the monkeys use the vines to travel from tree to tree. Unfortunately, due to the rain, we did not spot any monkeys.

monkey vine

Even looking back at the bridges we had passed and seeing how high they were made me anxious.

We took a side path to view the Blue Morpho Waterfall.

Blue Morpho Waterfall

Mey pointed out a “walking palm” tree so nicknamed because it has roots grow on the outside in the direction toward the sun, then will release the roots on the shady side from the ground; the tree appears to “walk” toward the sun over time.

walking palm

We then found another Broad-billed Motmot. Motmots nest by excavating long tunnels in earthen banks, road cuts, or occasionally termite mounds. They are cavity nesters that create, rather than build with twigs, burrowing tunnels 5–14 feet long with a nesting chamber at the end.

Broad-billed Motmot

Mey also found for us an Eyelash Viper, a venomous pit viper native to Central and South America, so named because of its distinctive modified scales above its eyes that resemble eyelashes. These scales protects its eyes as it moves through the trees.  Like other vipers, it is venomous and should be treated with caution. The snake is arboreal (tree-dwelling) and highly variable in color, up to 10, which aids in camouflage.  But unlike a chameleon, it is born a single color which it remains for life. Adults typically range from 20 to 31 inches in length. 

Eyelash Viper

Mey also found a baby eyelash viper. She explained that the babies’ venom is actually more dangerous to humans than that of the adults because they have not yet learned that we are not edible, so they waste too much of their venom trying to immobilize us to no avail.

I particularly liked this variety of Heliconia plant. Heliconias are large herbs closely related to bananas and are known for their vibrant, unique inflorescences (flower heads). The colorful parts are actually bracts (modified leaves) that protect the true flowers inside. Hummingbirds are the primary pollinators of Heliconias in the Americas, attracted by the abundant nectar and the specific color and shape of the flowers. 

The “Dragon’s Blood” tree is prized for its red sap which has antiseptic properties and is used in healing. This tree has been scraped for its sap by so many people that the park had to erect a “Do Not Touch” sign.

“Dragon’s Blood” tree

A flower we saw often on our walk was the vibrant red ginger flower, also known as ostrich plume or pink cone ginger. It is a quintessential tropical bloom, known for its bold, architectural, and vibrant form. The actual flowers are small and white, emerging from the top of the showy red bracts (modified leaves) that form the cone shape. We saw a few remnants of these, but they had mostly been knocked off by the heavy rains. The plant is native to Malaysia but is widely found in tropical regions, including Costa Rica. It is a popular perennial herb used for both ornamental purposes and sometimes to flavor cooking. 

red ginger flower

Mey was a bit disappointed that the rain had kept all the monkeys away. The park is home to howler, white-faced and spider monkeys. Howler monkeys are considered the loudest land animals in the world with calls reaching up to 140 decibels, equivalent to a jet engine taking off, and audible from three miles away, and yet we heard none. 

As we headed back to the resort for lunch, the sun started to peak out. After lunch we took the break in the rain as an opportunity to explore the resort a bit. We found the hot springs.

The waters are heated geothermally by the Arenal Volcano.

Our resort has a total of 8 pools plus a waterfall.

The landscaping around the pool is gorgeous. We found a male scarlet-rumped tanager sitting on a Heliconia. 

male scarlet-rumped tanager on a Heliconia

Having been wet all morning, we were not anxious to jump in. Apparently we wer not alone in this thought as the pools were mostly empty.

The entire property has gorgeous gardens.

There are many species of Heliconias.

Each room is actually a little villa. Our entrance from the road was hidden until

we followed a path to our room.

Our afternoon adventure was a trip to the Sloth Observation Conservatory. Of course, the rain had started up again. We were met by our guide Steve who explained that in is unlawful to cut down trees along the Lava River which makes this property along the river with its very tall trees a perfect habitat for sloths plus they can move back and forth across the river. Sloths live mostly in the trees. They generally sleep for 20 hours a day because it takes them so long to digest their food, they need to conserve energy. They must leave the tree to defecate, which they do only once a week, generally only at night. When they are on the ground they are vulnerable to predators which include pumas, boas, and hawks. Although they leave the tree to defecate, they give birth in the tree. Sloths are herbivores and eat many types of leaves, but they like those of the Cecropia tree the best. There are two species of sloths in Costa Rica: the two-toed sloth with a pointier nose, and a three-toed sloth with a rounder, smiley-looking face, the latter is the one most often characterized in advertisements. Having told us all of this about the sloths, Steve went on to explain that they are nocturnal and generally hard to find during the day.

Our first encounter was with a pair of Great Curassows. The bird on the left is a female, and the one on the right is a male.  Great curassows are large, pheasant-like birds native to the Neotropical rainforests, ranging from eastern Mexico to northwestern Ecuador. They are the largest of the pheasant/turkey family. They are often seen on the forest floor, but also feed in trees. Males are typically glossy black with a distinctive yellow knob on their bill and a curly crest, while females can exhibit rufous, barred, or black color morphs. The female in the image is a rufous morph. They are large, robust birds, with males weighing around 8.8 lbs. The species is rarely found outside of protected areas due to over-hunting. 

pair of Great Curasosws

I had a picture of a female above, but her head is so beautiful, I am including a closeup here.

And here is a better picture of the male revealing his distinctive yellow knob.

As we ventured down the path we immediately found a two-toed sloth in the typical sleeping position.

But this guy was not asleep!

Steve was very excited as the sloth started to move. He kept telling us how very unusual it is to see a two-toed sloth this active in the afternoon. We stayed for several minutes and took several videos, which unfortunately are not compatible with this blog format.

We saw a busy colony of leaf-cutter ants. Steve explained that they are known for their extensive foraging trails where they carry leaf pieces to their massive underground nests. They are considered nature’s farmers, demonstrating advanced agriculture by growing their own food source. They don’t eat the leaves; they use them as mulch to grow a specific fungus, their actual food source. Colonies have distinct roles, with soldiers guarding and workers foraging and tending the fungus. They are recognizable by their long, clean lines of ants carrying leaf pieces many times their body weight. In the picture below find the little green dots that start in the lower right-hand corner and extends past the upper edge of the large, prominent brown leaf to the base of the tree.

And we saw yet another variety of Heliconia.

Next we found a Hoffmann’s Woodpecker. This individual appears to be a female, as it lacks the red crown patch found on males. They are resident birds found along the Pacific slope from southwestern Honduras to central Costa Rica. They are common in open woodlands, forest edges, gardens, and urban areas. 

Hoffmann’s Woodpecker

And we found a Rufous-tailed Jacamar. It is known for its iridescent green upper parts and rufous (reddish-brown) underparts and tail. The bird is typically around 10 inches long. The bird is an aerial hunter, using its distinctive long, sharp bill to catch flying insects like butterflies, dragonflies, and wasps mid-flight. This species is common in Costa Rica and can be found from southern Mexico down to southern Brazil and Ecuador. They typically perch upright on exposed branches or vines at mid-height in forest edges and clearings. 

Rufous-tailed Jacamar

We crossed yet another hanging bridge, the sixth for the day.

When we returned to our resort, our resident sloth was high up in its tree doing what sloths do best: sleeping.

After a delicious sushi dinner by the pool, despite the rain, we called it a night.

In the morning it was time to say goodbye to La Fortuna withour ever having seen the volcano for which the area is named. And yes, it was still raining. We joined a bunch of other folks on a boat for the Lake Arenal crossing.

Today not only we but also our luggage were to get wet.

The views from the boat were nonexistent.

The highlight was the visit from this Owl butterfly, so named because of the markings that resemble an owl’s eye, a defense mechanism to fake predators.

Owl butterfly

Once on the other side of the lake we all boarded a bus headed to Monteverde, which sits at a high elevation in the Tilarán Mountains, generally ranging from about 4,600 to 5,900 feet above sea level, creating its famous cool, misty cloud forest climate and high biodiversity. After a couple of hours we made a pit stop in this cute cafe that actually encouraged graffiti; we all signed.

We were dropped off at our new accommodations: Böëna Monteverde Lodge and Gardens.

Böëna Monteverde Lodge and Gardens

We had a lovely spacious room with a balcony that purportedly had a view, but forest growth had blocked it mostly. But the lodge had some really warm and comfy places to lounge.

We were picked up in the evening for our night tour of the forrest. Our guide for the evening was Carlos who told us there are over 940 species of birds in Costa Rica, including migratory ones, which represents over 10% of the world’s species in one tiny country. The reason is Costa Rica is a country with multiple ecosystems (rainforests, cloud forests, coasts, wetlands) packed closely together. Of course for us it was still raining, which is a detraction for the wildlife as well as for us. But we did manage to see a Lesson’s Motmot, also known as the blue-diademed motmot. It has a vibrant blue crown with a distinct black central patch. There are 6 species of Motmot in Costa Rica: the Lesson’s Motmot is the only one found at Monteverde’s high elevation.

Lesson’s Motmot

Next Carlos spotted a Side-striped palm-pit viper, a venomous snake found in Central America. Adults typically average between 60 and 70 cm in length, with a thin body and a well-differentiated head. It is known for its vibrant green coloration and a yellow-white stripe running along its side, which helps it camouflage in tropical foliage. This species is arboreal (tree-dwelling) and a master of ambush. It is native to the mountainous rainforests of Costa Rica and western Panama. 

Side-striped palm-pit viper

Carlos explained that in general the way to distinguish a poisonous snake from one that is not is by the shape of the head. A poisonous snake will have a flattened, somewhat heart-shaped head while a nonvenomous snake will have a thinner, pointy head.

Next Carlos spotted a rhinoceros katydid, a species of conehead katydid found in Central America. Like many members of its family, this species is omnivorous, feeding on insects, snails, lizards, berries, foliage, and seeds. It is known for the distinctive, long, horn-like projection on its head, which it uses to fight other males or deter predators. This one, however is a female, which can be discerned by the long tail through which she lays her eggs; males have no tail. These katydids can grow up to 3 inches in length. They are nocturnal insects. 

rhinoceros katydid

Carlos showed us a 400 year-old strangler ficus (fig) tree, proof that this is a primary forrest.

Strangler Ficus Tree

He explained to us that strangler figs begin their life as epiphytes in the canopy of a host tree. Over time, they send roots down to the forest floor, which thicken and eventually envelop and outcompete the host tree for resources and sunlight. The host tree eventually dies and decays, leaving the hollow, intricate structure of the fig tree. The picture below is looking up into the hollow of the strangler ficus.

We found several Brown Jays sleeping in the trees. Carlos told us that birds generally sleep on the out branches of trees so if a predator ascends the trunk, the bird should feel the vibrations, awaken, and fly away. With the heavy winds accompanying the rains, the birds will sleep poorly not being able to differentiate the source of the vibrating branches.

Brown Jay

Another guide with a group called us over to see a bark scorpion they had found using an ultraviolet light. Scorpions are arachnids and nocturnal predators that feed on insects and spiders. The venom of most scorpions found in Costa Rica is not lethal to humans; stings are generally comparable to a bee sting. There are 14 species of scorpions in Costa Rica.

bark scorpion

 Scorpions are ancient creatures, with ancestors dating back around 435 million years. They are shy and tend to hide during the day, often found in wooded areas. The bark scorpion is named for its tendency to burrow into the barks of trees. However, without the aid of the ultraviolet light, it would be difficult to find even in bright light.

Carlos pointed out a Oleander hawkmoth caterpillar. These caterpillars are known for their bright, vibrant colors. They feed on oleander plants.

Oleander hawkmoth caterpillar

Carlos also found a baby leaf-mimic katydid. They often use crypsis, blending into their background to evade predators. Some species have detailed patterns, veins, and even “bite marks” on their wings to look like damaged or decaying leaves. 

baby leaf-mimic katydid

The highlight for me of our night tour was our final find: a hummingbird nest with two babies in it. (I am not a huge fan of insects.) Carlos told us that hummingbirds, the smallest of the birds, have the smallest nests and the smallest eggs, about the size of a jellybean. Hummingbirds always lay 2 eggs about every 2 years and live only 4-5 years total.

hummingbird babies in nest

We did not see much else that night. We headed back to our lodge to get dry and enjoy dinner.

Monteverde is a peaceful community made up of dairy farmers, naturalists and tourism service providers who have joined together to create a model for sustainable development and protection of the environment that is becoming known throughout the world. The town was founded in 1954 by a group of Quakers searching for a peaceful place to live; it is now home of Monteverde Cloud Forest Reserve, which is where we met Carlos in the the morning, yes, still raining. The reserve was established in 1972 and named after a scientist George Powell who, while visiting the area, became concerned about conserving Monteverde’s rich biodiversity. Quakers in Monteverde also contributed to the creation of the reserve which encompasses great numbers of species. The Monteverde Cloud Forest Reserve initially covered some 810 acres of forested land. Nowadays, its protective reach extends over 35,089 acres. Whereas the night prior on a private farm we had been at an altitude of about 4000 feet, the Cloud Forest Reserve is at about 5000 feet, a different microclimate. With over 8 miles of trails available for visitors to explore, we headed out.

Our first siting, which Carlos lined up in the viewfinder for us, was a Yellowish Flycatcher, a small passerine bird, meaning it has feet suitable for perching. It typically forages for insects, often flicking its tail upwards when perched. 

Yellowish Flycatcher

Next Carlos found for us a hummingbird sitting in her nest. We stopped and watched for a while, noting how territorial she behaved chasing off whenever another bird came near.

Carlos explained to us that trees in Costa Rica have no rings. There are no typical seasons of summer and winter, only the “dry” season (which we were in, ergo the quotes, because not so dry yet for us) and the rainy season. Trees grow prettty much continuously. Without a dormant period, no rings develop. Trees must be dated by carbon and size.

With little wildlife stirring in the rain, we focused on the flora. With only about 1-2% of the light reaching the forest floor, there is much competition for growth. We found a bush with a small red wild cherry: Jerusalem cherry, a type of shrub found in tropical and subtropical environments.  It is in the nightshade family, and, indeed, the berry smells like a tomato. Although the birds love the berries, it is ill-advised for humans to eat because ithey have an extremely strong laxative effect.  Carlos advised us that except for fungi, of which there are many extremely poisonous varieties found here in the cloud forest, there are no poisonous plants here, only ones with some bad side effects.

Jerusalem cherry

We crossed yet another hanging bridge; I was starting to get used to them.

Carlos pointed out the flower of the aptly named shrimp flower. The red shrimp plant is a common, vibrant, red-flowered plant in the Monteverde Cloud Forest, specifically adapted for pollination by hummingbirds. Is distinctive shape allows it to deposit pollen on the backs of feeding hummingbirds.

Although not a lot of plants are blooming this time of year in the forest, high up in a tree we spotted a wild species of hearty fuchsia, also known here as hummingbird fuchsia.

Monteverde sits right on the continental divide: the Caribbean is to the East, the Pacific to the West. Weather (ie rain) comes from both directions, which is what makes it a rain forest. (Although we are told it is generally a cloudy mist this time of year, not the pouring rain we have been experiencing). Cloud forests make up less than 1% of all forests on earth. We continued along the Heart of the Forest Trail.

Carlos showed us a baby ficus just beginning to strangle its host tree. In many years it will look like the one we saw the previous night.

The monkey tailed fern is also aptly named.

Carlos found a bunch of butterflies sleeping in the shelter of a hollow in a tree. Butterflies are cold blooded and prefer warmth; they do not fly in the cold rain.

These lianas are thick, woody vines that are rooted in the soil but climb up trees to reach sunlight in the canopy. They are a major structural component of tropical forests, often creating dense, tangled networks between trees. Lianas vines are called hanging bridges because monkeys use them to cross from tree to tree. Humanity has been inspired to use lianas in artisanal products to the point of reducing their presence in the forest. The Monteverde Cloud Forest Preserve is actively protecting them.

Lianas aka Monkey Vines

Hiding in a deep hole in the dirt we found a Costa Rican Orange Knee tarantula,  a large, striking, and relatively slow-growing tarantula endemic to Costa Rica, particularly found in the Monteverde Cloud Forest. Known for its dark abdomen and bright orange leg markings, this species is typically found on the forest floor, where it feeds as a nocturnal hunter. Generally considered docile, they may flee or flick urticating hairs from their abdomen if disturbed. Their venom is not considered medically significant to humans, although their bite can be painful.

At this point it is worth distinguishing endemic, as the above tarantula is to the Monteverde Rain forest, which means it is only found here, from indigenous, which means it originated here but also elsewhere. Which subject brings me to bromeliads and orchids. The majority of species of both plant families are epiphytes: plants that grows on another plant but are not parasitic, obtaining their nutrients from air and using the host plant, generally a tree, only for stability of structure. Monteverde is home to an extraordinary diversity of orchids, with over 500 species identified in the region, 34 of which are endemic to Monteverde. While few to no bromeliads or orchids were in bloom at the time of our visit, we could see literally thousands hanging from branches everywhere. This one branch has dozens of each (one lone bromeliad in bloom) plus moss.

After leaving the preserve trail we took a quick break.

Of the over 360 species of hummingbirds in the world, 54 species can be found in Costa Rica, most of which live in the Monteverde Cloud Forest. The preserve has set out feeders with sugar water, which apparently does not adversely affect the behavior or health in the wild, for the tourists. This area is called the Hummingbird Gallery.

There are 8 species which frequent the gallery. The most striking is this male Violet Sabrewing hummingbird, one of the largest hummingbirds found in Mexico and Central America, measuring 5.1 to 5.9 in in length.  They are known to be spectacular and aggressive birds. Males are known for their vibrant, metallic violet and blue plumage, with a contrasting green back and distinctive white tail patches. The species inhabits humid evergreen forests in highlands and foothills. 

Violet Sabrewing hummingbird

Also stunningly beautiful is the male Green-crowned Brilliant hummingbird, commonly found in Costa Rica and Panama. It is a relatively large and slender hummingbird with a long, straight bill.  

male Green-crowned Brilliant hummingbird

The female Green-crowned Brilliant hummingbird has a green-spotted chest, a distinct white whisker mark, and a white spot behind the eye.

female Green-crowned Brilliant hummingbird

The male Green-crowned Brilliant hummingbird may also have an orange throat, whcih can be confusing.

male Green-crowned Brilliant hummingbird

Below on the right is the male Green-crowned Brilliant hummingbird sharing the feeder with a female Purple-throated Mountain-gem hummingbird; the females do not have the purple throat but instead have bright fluffy underparts, a black cheek, and a white line behind the eye.  (You can also see the raindrops in this picture.)

female Purple-throated Mountain-gem hummingbird

Next is a juvenile Magenta-throated woodstar hummingbird.  Males have a distinctive red throat (gorget), while females have white-tipped tail feathers and no red throat. 

Fun facts: Hummingbirds can fly forwards, backwards, and hover in mid-air.  The bird’s wings beat at high frequencies, creating the characteristic “humming” sound. 

juvenile Magenta-throated hummingbird

The coppery-headed emerald humming bird is a small humming bird measuring only about 3 inches long and weighs about 0.1 ounce. It is one of only 3 species of birds endemic to costa Rica.

coppery-headed emerald

Green Violt-ear hummingbird is known for its iridescent green plumage and a prominent violet-blue patch behind the eye. The male flares these violet “ear” feathers during displays. 

Green Violt-ear hummingbird

We had managed to see 6 of the 8 species that frequent the feeders, and we were very cold and wet. We headed back to our lodge for a warm, dry meal and some rest. These tours started very early, which is not generally our preference.

When we woke in the morning the sun was shining! We were treated to a rainbow on our way to the next park.

We arrived at the Treetopia Park and were assigned a group and our morning guide: Sebastian. By the time we hit the trail, it was raining again.

Sebastian’s first find of the day for us was a male Purple-throated mountaingem. Males are distinguished by their bright purple throat, blue crown, and a white line behind the eye. This medium-sized hummingbird is found in the mountains of southern Nicaragua, northern Costa Rica, and western Panama, typically inhabiting forested areas and hilly terrains at altitudes from 2,600 to 8,200 feet. Sebastian reiterated what Carlos had said the day prior: hummingbirds are the only birds that can fly backwards. They eat twice their weight daily.

Purple-throated mountaingem

Our first hanging bridge of the day is also Costa Rica’s longest spanning 774 feet.

Sebastian also found us an orange-kneed tarantula, but he had a lot more to say on the subject. The female lives in the same hole, dug by someone else, for her entire life, which can be 20 years. She sits and waits for her food to come to her. She sleeps with only half of her brain at a time, so she is always alert. The male hunts outside the hole and has a life expectancy of only 4-5 years. He also hates the sun; he hunts at night. Although they have eyes, they use trichobothria, specialized, highly sensitive mechanosensory hairs on a tarantula’s legs and pedipalps that detect minute air currents and vibrations, often referred to as “hearing hairs,” to detect prey movement, avoid predators, and navigate by sensing air movements as small as 10 millionth of a millimeter.  They mate after the female is 4-5 years old. The male hands her a bag of sperm which she uses to self fertilize. She will lay thousands of eggs at a time, but then will eat some while waiting for other food to appear. Only 1% of the eggs hatch. The hatchlings spend only a few weeks in the nest before venturing out. All tarantulas in the world are venomous because they are all carnivores and use their venom to kill their prey which includes mammals as large as a rat. The tarantula in turn is prey to a wasp which also uses venom to paralyze the tarantula, digs a hole in its middle, and lays eggs there. The wasp eats the tarantula over the course of a month without killing it, starting first with the legs then finally the heart, which then finally kills it.

orange-kneed tarantula

When asked about the many “bubbles” we saw on the trees, Sebastian responded that they are sap beetles, which surround themselves in a bubble of sap.

With irony Sebastian pointed out a strangler ficus strangling a fig tree, which is also in the ficus family. Figs are among the oldest known cultivated plants, with evidence of farming dating back roughly 11,000 years. Fig trees are fertilized exclusively by tiny fig wasps  in a specialized, interdependent relationship. A female wasp enters a fig’s small opening, pollinating its internal flowers while laying eggs, often losing her wings and antennae in the process. After laying eggs, the female wasp dies inside the fruit. He reassured us that figs we buy in the grocery store have been engineered and do not contain dead wasps nor their eggs.

Fig trees communicate within forest ecosystems primarily through an underground, interconnected network of mycorrhizal fungi, often referred to as the “wood-wide web”. Through this network, fig trees share resources like carbon, nutrients, and water, while sending warning signals regarding threats. It prevents them from all fruiting at the same time so animals will not decimate their fruit supply all at once.

stangler ficus strangling a fig tree.

Sebastian reiterated that there is no season of dormancy for the trees. Why, then does the following species of cacao tree have brown leaves on its tips? The answer is that the new growth comes in green first; it is a defense mechanism of the tree to protect its fruit from mammals like monkeys.

cacao tree

Sebastian pointed out an angel wing begonia, named for the shape of the leaves.

angel wing begonia

He jokingly told us when in doubt of the name of a plant, just look at it; most names reflect the appearance like this hot lips plant, a member of the coffee family

hot lips plant

and this three flower lantana, A shrub in the verbena family that can grow up to 3 meters tall. It has small, fragrant, lavender-pink-purple flowers that bloom in clusters of three, followed by small purple berries.

three flower lantana

The monkey tail fern, which we had seen before.

monkey tail fern

and the broccoli tree

broccoli tree

Time to talk orchids. There are over 30,000 recognized species of orchid in the world, over 1,125 found in Costa Rica with over 800 in Monteverde. They represent one of the oldest flowering plant families, existing for roughly 100,000 years. They smell good despite the lack of nectar. They have developed highly specialized, sometimes deceptive, methods to attract specific insects for pollination.  Orchid seeds are minuscule, with one capsule containing up to 3 million seeds. The plants vary greatly in size ranging from tiny, nickel-sized blooms to plants weighing over one ton.

Sebastian showed us the platystele jungermannioides, purported smallest orchid in the world. It is pollinated by male mosquitoes. (Sebastian then took a moment to point out the relative lack of mosqutoes in the rain forest which is attributed to the nearly 60 species of bats living here.)

platystele jungermannioides

Most orchids are epiphytes, meaning they grow on other plants or trees for support rather than in soil.

The flower has identifying features: bilateral symmetry, 3 sepals, 2 petals, one lip (labellum: one of the petals is highly modified to serve as a specialized landing platform for pollinators), one column, and pollinia (waxy pollen masses. Instead of loose, powdery pollen, orchid pollen is aggregated into solid, waxy masses called pollinia. This adaptation ensures that a pollinator carries the entire pollen load at once, increasing the efficiency of cross-pollination).

Sapota (Sapodilla in English) is a sweet, brownish, tropical fruit is also referred to as naseberry, mudapple, or dilly in various regions. It has a grainy, brown, pear-like flesh and is commonly cultivated in India, Mexico, and Central America. It is generally not favored by humans because ripe it is mostly water and farely tasteless; the green fruit is a strong laxative.

The most dominant group of plants in the forest are ferns, which are also the third oldest group of plants and the oldest group of vascular plants on Earth, with a history spanning over 360 to 380 million years.

The second most dominant plant found in the forest are mosses which are the second oldest plants on Earth, with a history spanning approximately 400 to 450 million years. They were among the first organisms to transition from aquatic environments to colonize land. The oldest organism in the forest are the fungi and lichen. Lichen are a symbiotic, composite organism consisting of a fungus (the mycobiont) and algae or cyanobacteria (the photobiont).  Lichen fossils date back 600 million years.

Once our tour with Sebastian was completed, we were scheduled for the tram ride to the observatory at 6000 feet. We bravely got on the gondola.

The ride up was more scary than fun with basically no views except the dense clouds surrounding us. The wind was blowing so hard at the top we did not even get off the gondola but chose to ride it right back down.

We warmed up while enjoying a lunch at the park. We no sooner finished eating and the sun came back out. We were disappointed that we had not had clear skies for our tram ride, but decided to hike on some bonus trails offered for self exploration. Off in the distance we could see the zip-line towers; that was an adventure not in our wheelhouse.

I was proud enough of myself for braving the hanging bridges.

On our own we found a yellowish flycatcher. A distinctive feature is its white eye ring, which broadens into a small triangle behind the eye. 

yellowish flycatcher

We also found a Cavendishia complectens, an epiphytic shrub native to Central and tropical South America.  It is a woody perennial plant that typically grows on the trunks and in the canopies of other trees in cloud forests. It belongs to the family Ericaceae, which also includes blueberries.

Cavendishia complectens

The rain held off long enoough for us to make our way back to our lodge. We had planned to venture into town for dinner, but it was back to raining and blowing hard so we decided on Tiki’s Seafood, a delicious little place steps from our lodge. We had poke bowls and were happy.

Canada: Nova Scotia Province: Cape Breton Island July 31-August 3, 2025; Prince Edward Island Province August 4-7; Nova Scotia Province: Halifax August 8-10

We had a long drive from Saint John, New Brunswick to Cape Breton, Nova Scotia. Once there, we stayed with family on a gorgeous river-front home

complete with a blood pressure lowering hummingbird feeder.

After a good night’s rest, we ventured out to Louisbourg, a small fishing village with a population under 1000. The harbour had been used by European mariners since at least the 1590s, when it was known as English Port and Havre à l’Anglois, the French settlement that dated from 1713 in a fortress, more on that later. We stopped for lunch at North Star, a resort recently purchased and now operated by international designers Colin and Justin, whose shows have aired on HGTV and Cottage Life in Canada. We had watched the week prior, a 4 hour documentary of their purchase and subsequent renovation of North Star called ‘Colin and Justin’s Hotel Hell’.

North Star

We explored the property for a bit

before enjoying our “usual” lunch for the next few weeks: seafood chowder and lobster rolls. After fortifying ourselves with a hearty meal, we headed to the Fortress of Louisbourg, a National Historic Site of Canada. Much to our surprise we learned that all national sites, parks, monuments, etc. were free for the summer of 2025. It was later explained to us, by family members living in Canada, that this was one of the many ways Canada’s government has pushed back against some of Trump’s tariffs and threats; it was an incentive to keep Canadian tourists in Canada and not in the US. We boarded a bus and were driven to the fort.

Fortress of Louisbourg

The original settlement was founded in 1713 by settlers from Newfoundland, and initially called Havre à l’Anglois. Subsequently, the fishing port grew to become a major commercial port and a strongly defended fortress. The fortifications eventually surrounded the town. The walls were constructed mainly between 1720 and 1740. By the mid-1740s Louisbourg, named for Lous XIV of France, was one of the most extensive (and expensive) European fortifications constructed in North America. The fortress and town were partially reconstructed, in a project that started in 1961 and continued into the 1970s. Additional restoration was completed in 2018–2020 and again in 2022–2023 after Hurricane Fiona.

The Dauphin Gate Fortress of Louisbourg

The guard rooms closest to the entrance were for those most responsible for protecting the fort.

Note the windows from which a rifle can be fired while protecting the shooter.

The original budget for the fort was four million French livres, but the total cost of building ultimately cost France 30 million livres, which prompted King Louis XV to joke that he should be able to see the peaks of the buildings from his Palace in Versaille. Two and a half miles of wall surrounded the entire fort. On the western side of the fort, the walls were 30 feet high, and 36 feet across, protected by a wide ditch and ramparts.

Past the guard rooms, we entered the fortress community. As we walked about we learned about the daily life of the militia and their families. There were two sieges on the fortress. The siege of Louisbourg in 1745 resulted in the capture of the settlement by a combined British/British North American force during King George’s War in the British colonies. It was returned to the French in exchange for border towns in what is today Belgium. It was captured again during the siege of 1758 by British forces in the Seven Years’ War, after which its fortifications were systematically destroyed by British engineers. The British continued to have a garrison at Louisbourg until 1768 but had abandoned the site by 1785.

Most of the buildings are topped by a fleur-de-lis , a stylized lily, or iris, that has been a prominent symbol in heraldry, art, and culture for centuries, notably representing French royalty, in this case King Louis XIV.

Many of the first settlers were Basque. Their diet and trade were heavily dependent on cod, as we learned from these docents. Unlike most other cities in New France, Louisbourg did not rely on agriculture. Louisbourg itself was a popular port and was the third busiest port in North America. It was also popular for its exporting of fish, and other products made from fish, such as cod liver oil. The North Atlantic fishing trade employed over ten thousand people, and Louisbourg was seen as the ‘nursery for seamen.’ Louisbourg was an important investment for the French government because it gave them a strong commercial and military foothold. For France, the fishing industry was more lucrative than the fur trade. 

Over the years, restoration included about 60 buildings and two bastions. Many of the workers learned 18th century French masonry techniques and other skills to create an accurate replica. We looked in on several homes and visited kitchens

dining rooms

salons

offices

and bedrooms.

Even the barnyards

and vegetable gardens have been restored to their original functionality.

There are not only 18th century attired guides positioned throughout the fortress,

at 3 PM, a fife and drum band marched by playing.

Although most of the population was Roman Catholic during French control of the site, the Church was not powerful or wealthy. The Military Chapel was staffed by Recollets (missionaries) and everyone was welcome to attend the services. 

We were pulled inside by the sounds of singing

and found the choir on the balcony above.

One building is a museum celebrating the Indigenous Mi’kmaq people of the area. The eight-pointed star is an important symbol for the Mi’kmaq; it symbolizes the sun, representing spirituality and life, and the Mi’kmaq Sacred Circle, symbolizing natural cycles and interconnectedness. The star represents unity, the four cardinal directions, and the concept of balance within nature and oneself. Ancient Mi’kmaq petroglyphs of the star, indicate its deep historical roots, predating European contact

There is a huge warehouse that displays gear for winter and for use by fisherman

as well as tools for daily use.

We were impressed with there method to prevent entrance of rodents; broken glass was wedged beneath the foundation stones .

There were originally four gates, only two of which have been restored. The Frederick Gate was the waterfront entrance.

Frederick Gate

The fortress site provides opportunities for overnight stays in period-style accommodations as well as enjoying a meal in a local “inn.”

We left the fortress and drove to the lighthouse point. The Louisbourg Lighthouse is the fourth in a series of lighthouses that have been built on the site, the earliest was the first lighthouse in Canada. 

Construction began on the lighthouse in 1730 to assist navigation to the Fortress of Louisbourg. Lighthouse Point played a decisive role in both the Siege of 1745 and 1758 as, once captured, it provided a commanding gun battery location to bombard the fortress. This lighthouse was badly damaged in 1758 during the Final Siege of Louisbourg and abandoned by the British after they demolished the fortress. Stonework ruins from the first tower are still visible at the site.

There were two more lighthouses that had been destroyed by fire. The current lighthouse, an octagonal concrete structure decorated with neoclassical architectural features, was built in 1923. The Louisbourg lighthouse was destaffed in 1990.

Louisbourg Lighthouse

The fortress can be seen across the bay.

After the capture of the fortress in 1758, its fortifications were demolished in 1760 and the town-site abandoned by British forces in 1768. A small civilian population continued to live there after the military left. English settlers subsequently built a small fishing village across the harbor from the abandoned site of the fortress. The village grew slowly with additional Loyalists settlers in the 1780s. Today it remains a predominantly fishing village as evidenced by the stacks of lobster pots seen by almost every home. We were told that historically lobster was considered poor people’s food; locals would hide the shells in the garbage to avoid detection by their neighbors. Lobster transformed into a luxury item through changes in transportation, the development of canned lobster, and promotion by wealthy diners in cities like Boston and New York in the late 19th century.

We returned to North Star where we met with our family to enjoy dinner at The Bothy Restaurant.

We enjoyed chatting with Justin, Colin, and their staff especially after watching many of them in the documentary. In addition to enjoying lots of fresh seafood, we were entertained with live music and Scottish dancing.

The next day found us back in Louisbourg for their annual crab fest

which also featured live music.

After filling our bellies with crab, we went out for a boat ride. There are rivers, bays, and coastline everywhere on the island of Cape Breton; one is never far from the water and/or a view of it. Eric sent up the drone to capture our adventure.

We motored past the Big Fiddle, the world’s largest fiddle, which is located on the Sydney waterfront. The fiddle and bow reach a height of 60 feet. The Big Fiddle was designed and constructed by Cyril Hearn in 2005.  It is a tribute to the folk music and traditions of the province’s Celtic community.

The Big Fiddle

The next day we left our family and drove along the Cabot Trail, a 185 mile route encircling Cape Breton Island, renowned as one of the world’s most scenic coastal drives with spectacular ocean, forest, and mountain views. This popular road trip offers opportunities for hiking, whale watching, and exploring charming fishing villages. We stopped by Saint Joseph du Moine for the view.

We continued along the coast, stopping frequently.

We admired the Mackenzie River Valley.

We drove through Cape Breton Highlands National Park, around the northern tip of the island, then passed onto the eastern side.

We checked into the Castle Rock Country Inn, a really cute bed and breakfast,

Castle Rock Country Inn

from which we had a great view of the North Atlantic.

We went out to dinner at The Arduaine Restaurant at the Keltic Lodge and enjoyed fresh seafood specialties.

The following day we headed to Prince Edward Island (PEI). We stopped in Antigonish to visit Peace by Chocolate, which began with the Hadhad family’s thriving chocolate business in Damascus, Syria, which was destroyed in a bombing in 2012, forcing the family to become refugees in Lebanon before immigrating to Antigonish, Nova Scotia, in 2016. Supported by their new community, they rebuilt their chocolate-making legacy, establishing the Peace by Chocolate company that same year. The company’s story has since become a symbol of resilience, a celebration of Syrian heritage, and a message of peace and inclusion. We had watched the 2021 fim by the same name.

We boarded the Northumberland Ferry in Pictou, then settled in with a steaming cup of seafood chowder while enjoying the crossing on this overcast day.

We arrived PEI at Wood Islands

then drove the 40 minutes to Charlottetown where we were booked in an extremely cute bed and breakfast, Inn on the Harbor,

Inn on the Harbor

where we had the most comfortable room.

We dropped our stuff and headed right out to explore the port

before heading to Victoria Row to check out the nightlife then heading to Claddagh Oyster House for dinner.

We had a walking tour booked for the morning. We meandered along the Hillsboro River, a watershed covering over 135 square miles,

and into Confederation Park, where we met our guide Jonah. He started with the background history of PEI: the Mi’Kmaq arrived thousands of years ago via ice bridges. The first caucasians arrived in 1594. The French established the first settlement in 1713. Originally the island was named Saint John by the French, but when the English took over it was renamed in 1799 to honor Prince Edward, Duke of Kent and Strathearn, the fourth son of King George III and the father of Queen Victoria. He was so honored due to his service as commander of British forces in the Maritimes and his interest in the colony’s development, even though he never visited the island.  In 1864 the growing city held a conference of provinces: New Brunswick, Novas Scotia, and Province of Canada (at the time included both Ontario and Quebec) to negotiate for a larger single confederation. (PEI was included in the conferences but joined the Confederation later, in 1873.) On the day the delegates were due to arrive there was a circus in Charlottetown. There had not been a circus in over 20 years; it was much more interesting to the majority of the population. There was no one working at the public wharf at the foot of Great George Street when the Canadian delegates arrived on the steamship SS Victoria, so Prince Edward Island representative William Henry Pope (1825-1879) had to handle receptions by himself, including rowing out to greet the new arrivals. The statue below, on Confederation Landing, represents that greeting. The brick walkway appears undulating to represent the waves.

Peake’s Quay, named for James Peake Jr. (1842-1895), was a successful banker and shipbuilder. The Peaks family was one of the wealthiest in Charlottetown until about 1880 when the town’s decline began due to the loss of trees for export as well as competition from other developing cities like Montreal, Toronto, and Halifax. The decline continued until the 1980s when restoration projects began which in turn promoted tourism. Peak’s Quay is now a bustling hub of shops and restaurants as well as a marina. (Of note, PEI suffered further loss of trees when hurricane Fiona came through in September, 2022 taking over 40% of the islands trees down.)

Also found on the quay is Cow’s ice cream, made first here on PEI, but now a favorite throughout PEI and Nova Scotia.

The building for the first bank of PEI, constructed in 1867, is made of island brick and reflects the need then for a local bank and currency during the shipbuilding era. Over time the building has served various purposes including a Customs House and offices for both Federal and Provincial governments. Jonah pointed out that it had a drive though window which, by today’s standards, is very high because it was built to accommodate a horse and buggy.

The Bishop’s Palace in Charlottetown was the former residence of the local bishop and is now part of St. Dunstan’s University (SDU). 

Bishop’s Palace

St. Dunstan’s Basilica is named for St. Dunstan, an 11th century English bishop and Benedictine monk. This is the fourth church on this site. The first Catholics to arrive were French from different New France settlements, but the second wave of Catholics later were Scottish, who had the first small wooden chapel built in 1758. After a fire in 1897 destroyed the second wood church, the first stone St Dunstan’s Cathedral was built and completed in 1907. The present stone structure was built between 1913 and 1919 after a fire destroyed the original cathedral in 1913. It was built in the Gothic Revival architectural style. The cathedral was blessed by the Pope in 1929 and elevated to a basilica.

St. Dunstan’s Basilica

Angus Bernard MacEachern (1759-1835) was the first Bishop of the Diocese of Charlottetown in 1829.  Prior the town did not have its own and had to share with other communities.

We took a look inside.

Jonah regaled us with the story of how, before Charlottetown had a bishop of its own, the bishop would travel 12 miles on the river in a small boat every week for services. The community loved and appreciated him. His tomb is in a side chapel of the basilica,

and his boat is preserved within.

Sculptor Nathan Scott’s statue commemorating two Fathers of Confederation both named John Hamilton Gray, one a Prince Edward Islander and the other a New Brunswicker stands squarely in the middle of Great George Street. It depicts the two Grays in conversation in 1864 debating the merits of confederation vs individual provinces, a subject on which they had opposing views.

Province House is where the PEI  Legislature has met since the structure was built for PEI by the Brits in 1847.  Because the soil on the island is rich in iron and other nutrients, growing corn and potatoes was lucrative in the early days of the island. As farming and hence the population grew, there was a push for self-governance. Province House was designed for “responsible government.” Prior government had been provided by the crown; PEI was the first province to establish self-governance. The building is currently undergoing extensive renovations which began in 2015 with an estimated budget of $10 million over two years. It has cost over $238 million with no end in sight. Jonah joked, “There are two seasons on PEI: winter and construction.”

Province House

The war memorial in front of Province House was unveiled on July 16, 1925, to commemorate soldiers from PEI who died in the First World War.  The memorial now also pays tribute to islanders who lost their lives in the Second World War, the Korean War, and the Afghanistan War. 

Province House sits at one end of what had been Queen Square, which was the central square in Charlottetown. All of the land below Water Street is reclaimed land. At the time of the confederation meetings, Queen Square was the main square and Victoria Row the main thoroughfare.

Victoria Row, historically known as the south side of Victoria Square,  is a street mall located on Richmond Street between Queen and Great George Streets. The architecture surrounding the cobblestone street dates back to the victorian era. It is currently all built from red brick after the original structures burned down in the fire of 1883. Because of excessive autos, the street is now closed to vehicular traffic during the summer months. It is home to various boutique shops and restaurants and is considered a main tourist attraction in Charlottetown. 

The Confederation Centre of the Arts is a national memorial and performing arts centre, dedicated to the 1864 conference that led to Confederation. It hosts live performances, runs an art gallery with Canadian visual art, provides arts education programs, and holds heritage activities that facilitate discussion about Canada.  Constructed to commemorate the 100th anniversary of the Charlottetown Conference and serve as a national memorial to the Fathers of Confederation, the center was designed in a Brutalist style, opened by Queen Elizabeth II in 1964, and was designated a National Historic site in 2002. 

The Confederation Centre of the Arts

Charlottetown City Hall is the seat of the City Council. It was designed in the Romanesque Revival style. It was built beginning in 1887 and was completed in 1888.

Charlottetown City Hall

The peoples who had inhabited the island were first the indigenous, then the French, and finally the Brits. The clock on the bell tower has symbols of a fox, a flower, and a great heron as an amalgamation to represent each.

The fire hall opened in 1916.

Rodd Charlotte is a town hotel built in the 1880s, originally as a railway station.

Rodd Charlotte

Jonah explains to us that in the late 19th century, everything north of Rochford Square was considered rural.

Where today’s (unimaginative architecturally) government buildings now stand was once a bog which was home to Africans.

Beaconsfield Historic House was built in 1877 for wealthy shipbuilder James Peake. It was considered one of the most elegant homes in Charlottetown. The house was designed by architect W.C. Harris and featured modern amenities for its time, including gas lighting, central heating, and indoor plumbing. In the 1970s the house served as a ladies’ residence and later as a residence for student nurses.  

Beaconsfield Historic House

Today, it is a museum and a symbol of Victorian elegance, open year-round for tours and special events.

The Government House is the official residence of the Lieutenant Governor of Prince Edward Island. The house was built in 1834 and is located within Victoria Park, overlooking the Charlottetown harbor. 

The Government House

It is owned by the royal family, whose members stay here when visiting the island.

After the tour we continued to walk around Charlottetown for a while until it was time to return to Victoria Row for dinner and a view of the St. Dunstan’s Basilica in the setting sun.

St. Dunstan’s Basilica

In the morning we headed north to visit the Greenwhich Trails.

We hiked through the woods and came out at a clearing with a view of St. Peters Bay.

There we saw fishermen collecting traps. Both PEI and Nova Scotia have very strict regulations with dates of when/where lobsters and oysters can be removed.

We visited the nearby beach.

Then we got back in the car and visited another beach.

We continued our drive along the northeastern most shore of PEI until we came to the East Point Lighthouse. Built in 1867, it is known as Canada’s Confederation Lighthouse. The lighthouse stands 64 feet high and has 67 steps to the top. 

East Point Lighthouse.

We then drove to our destination for the evening: The Inn at Bay Fortune. Dating to 1913 and originally a summer home for a Broadway playwright, this refined inn (open seasonally) is a five star resort with a restaurant run by Chef Matthew Pigeon.

As instructed, we had arrived early so we could explore the grounds on our own for a bit before the meal. We hiked through the pots and pans trail

and into the Arts Forest where we discovered woodland animals “hiding” in the wood piles.

We strolled through the farm.

The meal is called the fireworks feast because all of the food is cooked on open fires. Here the fire is getting started at the Fire Alter.

There are plenty of spots to sit, relax, and enjoy the surroundings.

Even the bar is whimsically decorated.

In the back of the woods are huge piles of oyster shells labeled with the year in which they were consumed.

The pile for 2020 was sadly quite small.

At 4 o’clock we were invited to join Chef Matthew in his “classroom” where he introduced himself. Together with the chief farmer Kevin Petrie and forager Nick of the North, they provide all of the ingredients for the food of the fireworks festival from local sources. Even the wheat for the bread is grown locally. Chef Matthew explained the concept of regenerative agriculture. The quote from his website:

“As farmers we understand that our first responsibility is to our soil, to the earth around us. We naturally focus on the life of our plants, but they come and go while the life of the soil endures. We’re inspired by the circle of life: the ongoing connection between healthy soil, a healthy environment and healthy, happy humans. We know that the more nutritious an ingredient is the better it tastes and the better the earth it came from. Our systems continuously strengthen the incredibly diverse and productive microorganisms within our soil. Sustainability is just our starting line, with one foot planted in the past and another firmly in the future we deploy a wide array of fascinating natural techniques to ensure long-term vitality.”

the classroom

After an informative session on culinary farming, we were invited to taste our amuse-bouche of fresh tuna caught that afternoon.

Then the tasting hour was begun! There were stations at the various fire pits plus Chef Matthew and a couple of his staff stood and shucked oysters only hours out of the Bay Fortune, all we could eat! We only managed about a 8-10 each because there were so many things to try including pulled pork tacos, more tuna, baked oysters. The most unique thing we tried was duck hearts fried in bone marrow. Every bite was so delicious.

Once the tasting hour was complete, we joined Chef Matthew on the main lawn for a champagne toast.

Even the sparkling wine is locally sourced.

Next we were invited into the dining room. We were seated family style at long tables and given the tasting menu for the night.

This would not be Prince Edward Island without first a bowl of seafood chowder, which was different than any we had yet had, and OMG so good!

Soup was followed by some light veggies

and then the most ingredients I have ever seen in a harvest salad.

We got to chatting with our table neighbors and eating all the delicious food, so I missed taking a pic of the breads, meats, and potatoes. As everything is seasonally themed, desert was appropriately raspberry in several different forms. By the time we left, we had been eating for 5 hours, a most memorable meal.

The next morning we set out to see the famous red beaches on the southern shores of PEI. Unfortunately, the tide was a bit too high to see much.

But we certainly could appreciate how much iron is in the soil.

We then set out for Green Gables. Neither of us had ever read Anne of Green Gables, so we decided to listen to it on Audible as we drove around the island.

Author of the beloved children’s novel, Lucy Maud Montgomery grew up in nearby Cavendish, PEI. Her mother had died of tuberculosis when Lucy was 21 months old. Grief stricken, her father placed her with her grandparents. It was her nearby aunt and uncle that owned the home in Cavendish, PEI that became the inspiration for Green Gables.

Green Gables.

Anne of Green Gables has been translated into at least 36 languages and has sold more than 50 million copies, making it one of the best selling books worldwide to date in any language, and is taught to students around the world. The building was initially erected during the 1830s, by the MacNeil family, relatives of Montgomery, who was born near the homestead. Interest in the Green Gables property grew in the decades after Montgomery published her novels, resulting in Green Gables’ purchase by the government of Canada in 1936. The government initially operated the home as an historic house that depicted 19th century farming life on Prince Edward Island. However, by the 1970s plans were undertaken to refurbish the building to resemble Green Gables as depicted in Montgomery’s novels. Since 1985, Green Gables and the larger National Historic Site operate as a museum of Lucy Maud Montgomery and her novels. One enters through the parlor.

There is a downstairs bedroom, in the book occupied by Matthew, the elderly brother.

The kitchen has also been restored to reflect a 19th century farmhouse.

The upstairs bedroom is where Anne lived.

Even the gardens have been restored to their original function.

In her books, Montgomery describes the haunted forest, not so haunted on this gorgeous summer day.

They have even preserved Anne’s beloved Lovers’ Lane.

After a thorough tour of the Green Gables museum and property, we took a ride along a different part of the north shore of PEI than that which we had explored the previous day.

The scenery is truly spectacular.

After a long day, we headed back to Charlottetown for another scrumptious seafood meal, started, of course, with a dozen oysters. Then in the morning we bade farewell to PEI.

The weather on the return ferry was much more gray than it had been on our first crossing. So we meandered inside for yet another bowl of yummy seafood chowder and were happily surprised by the entertainment we found there: a 70s cover band.

We drove the short distance from the ferry to our home for the next few nights: Halifax Marriott Harbourfront Hotel.

Halifax Marriott Harbourfront Hotel

As the day was still young, and we had plenty of energy, we headed out to have a look around. Halifax is located on the ancestral lands of the Mi’kmaq who lived in the area long before Europeans arrived. Mi’kmaq called the area “Great Harbor”. The city itself was established by the British in 1749 in violation of treaties with the Mi’kmaq. The establishment of the city led to Father le Loutre’s War, otherwise known as the Anglo-Micmac War. General Edward Cornwallis brought nearly 1,200 settlers to the new town of Halifax, which was named after the 2nd Earl of Halifax in England. Due to his success in extending American commerce, the Earl became known as “father of the colonies”. One of the first places we encountered was Province House, the seat of the Nova Scotia House of Assembly. The three-story building is built in the Neo-Classical style with Nova Scotia sandstone. It is the oldest legislative building in Canada and has been the meeting place for the Nova Scotia legislative assembly since 1819. The building is a National Historic Site of Canada. 

Province House

Next to the Province House is a memorial honoring those who served and died during the South African (Boer) War, which took place from 1899 to 1902. 

South African (Boer) War Memorial

On the other side of Province House is a statue of Joseph Howe (1804-1873, erected in 1904 to commemorate the centennial of Howe’s birth. It was the first public statue of a Nova Scotian to be erected in the province.  Joseph Howe was a journalist and politician who championed responsible government and argued in his own defense to establish freedom of the press in Nova Scotia. 

Joseph Howe

As we walked around the old city for a while, we were struck by how many murals there are everywhere.

We found a lot with a whole lot of murals and signage explaining that there had been a mural and music festival in the second week of July.

Guided by the GPSMyCity app, we embarked on a self-guided walking tour. First we stopped to admire the Town Clock, also known as the Old Town Clock or the Citadel Clock Tower. It is one of Halifax’s most recognizable landmarks. This historic clock tower, a reconstruction of an early 19th-century Palladian-style structure, remains a symbol of the city’s military past and architectural heritage. The idea for the Town Clock was conceived by Prince Edward, Duke of Kent, who served as the commander-in-chief of British North America’s military forces. Concerned about punctuality within the British Army and Royal Navy garrison in Halifax, he commissioned a turret clock before his return to England in 1800. The clock was manufactured by the prestigious House of Vulliamy, a renowned London-based firm of Royal Clockmakers. The Town Clock officially began keeping time for Halifax’s garrison on October 20, 1803 and continues to function with its original mechanism: an intricate system of three weights, gears, and a 13-foot pendulum housed in a cast-iron frame. The bell chimes every quarter-hour and hour, maintaining the discipline of timekeeping established over two centuries ago. The clock face, set on all four sides, features Roman numerals, with “4” traditionally written as “IIII” rather than “IV” for aesthetic balance. The clock’s slow-moving mechanism has contributed to its longevity, requiring twice-weekly manual winding by employees of Citadel Hill National Historic Site, under the care of Parks Canada. At noon daily there is a gun salute.

Behind lies the Citadel, completed in 1856 with an 8 pointed star configuration surrounding the fort. The garrison grounds are now an amphitheater and artillery park. We chose not to visit having seen the citadel in Quebec City.

Town Clock

We found ourselves in the Grand Parade,  a military parade square that dates to 1749. When the first contingent of British settlers in Halifax arrived in June 1749. Charles Morris, the Chief Surveyor, worked on the town layout which comprised an urban grid made up of oblong, rectangular city blocks with the Grand Parade at the center of the town. The plan stipulated a church at the southern end of the square, and a courthouse and prison at the northern end. Today the square is used for public events, concerts and special celebrations.

The monument shown is the Halifax Grand Parade Cenotaph unveiled on July 1, 1929, to commemorate the men and women of Halifax who died in the First World War.  It was later updated to include the years of the Second World War and the Korean War. 

Halifax Grand Parade Cenotaph

The Saint Paul’s Church, on the southern end of the Grand Parade, opened in 1749. It was the first Protestant Church in Canada and is also the oldest building in Halifax. Architecturally, Saint Paul’s is a significant landmark as the first Palladian-style building in Canada. It has undergone numerous expansions over the centuries. The church’s present structure includes wings added in the 19th century, making it one of the few Anglican churches worldwide with five aisles. The church was also the official place of worship for the garrison until 1844. Many notable figures have been associated with Saint Paul’s, including Governor Edward Cornwallis, Prince Edward (the future Duke of Kent).

Saint Paul’s Church

Halifax City Hall was built in 1890. It was originally built to replace the old courthouse and for other public use. Halifax City Hall is notable for being one of the oldest public buildings in Nova Scotia. With four floors and a seven-story clock tower, it is also one of the largest.

Halifax City Hall

 City National Bank building, which has a neoclassical architectural style, was formerly a bank and is now a bar and is on the National Register of Historic Places. 

 City National Bank building

The Art Gallery of Nova Scotia was originally built as the customs house and post office in 1868.  The exterior is constructed with Nova Scotia sandstone, and the building’s design was inspired by an Italian Renaissance palazzo. The museum’s collection includes historical and contemporary art from Nova Scotia, Canada, and around the world. 

The Art Gallery of Nova Scotia

I digress from our self-guided walking tour to include this Tim Horton’s. At this point we had been in Canada for over 2 weeks, and it occurred to me that I have yet to include one. Driving throughout Canada, Tim Horton’s is as ubiquitous as Starbucks and Subway combined in the US; there is one in almost every gas station. We stopped a couple of times to try the coffee and snacks, but honestly, we are not big fans of either.

At this point it was starting to get late. We freshened up a bit before setting out for what turned out to be a most delicious dinner at the Five Fishermen.

In the morning we dicided to drive to Peggy’s Cove, a small rural community located on the eastern shore of St. Margarets Bay,  less than an hour drive from Halifax. Due to the large volume of tourists, we had to park out of town and walk. A short distance before we got to the town of Peggy’s Cove, we passed St. John’s Anglican Church which was constructed in the Gothic Revival style in 1893. It replaced a previous church that was destroyed by fire in 1881.

St. John’s Anglican Church

The first recorded name of the cove was Eastern Point Harbour or Peggs Harbour in 1766. The village is likely named after Saint Margaret’s Bay (Peggy being a nickname for Margaret), which Samuel de Champlian named after his mother Marguerite Le Roy.

The village was founded in 1811 when the province of Nova Scotia issued a land grant of more than 800 acres to six families of German descent. The settlers relied on fishing as the mainstay of their economy but also farmed where the soil was fertile.

Many artists and photographers  flocked to Peggy’s Cove. As roads improved, the number of tourists increased. Today the population is small but Peggy’s Cove remains an active fishing village and a favorite tourist destination.

Peggys Point Lighthouse, also known as Peggys Cove Lighthouse, is an active lighthouse  and an iconic Canadian image.

Peggys Point Lighthouse

The classic red-and-white lighthouse is still operated by the Canadian Coast Guard and is situated on an extensive granite outcrop at Peggys Point. This lighthouse is one of the most-photographed structures in Atlantic Canada and one of the most recognizable lighthouses in the world.

Despite numerous signs warning of unpredictable surf (including one on a bronze plaque on the lighthouse itself), several visitors each year are swept off the rocks by waves, sometimes drowning.

There were several musicians hoping for tips from tourists including a man playing bagpipes and this guy playing an Alphorn (not very well…we were in Switzerland just last year).

More than 400 million years ago, in the Devonian Period, the plate tectonics movement of the Earth’s crust allowed molten material to bubble up from the Earth’s interior. This formed the rocks seen today and are part of the Great Nova Scotia batholith, a large mass of intrusive igneous rock. The landscape of Peggy’s Cove and surrounding areas was subsequently carved by the migration of glaciers and the ocean tides.

Peggy’s Cove has been declared a preservation area to protect its rugged beauty.

William Edward deGarthe (1907–1983) was a Finnish painter and sculptor who lived for much of his life in Peggy’s Cove.  In the late 1970s, deGarthe began a ten-year project to sculpt a “lasting monument to Nova Scotia fishermen” on a 100 ft granite outcropping behind his Peggy’s Cove Home. In 1976 deGarthe invited one of his students, J. Rene Barrette to help him with the sculpture. They worked together for 5 years. The project was about 80-per cent complete when the artist died in 1983.

The work depicts thirty-two fishermen and their wives and children enveloped by the wings of the guardian angel St. Elmo. It also features the image of Peggy, a legendary late-18th century shipwreck survivor deGarthe believed gave her name to the village. deGarthe bequeathed the sculpture to the province of Nova Scotia, and it can be viewed in a park located behind his former home.

We traveled back to Halifax along a different route from which we had come to see more of the coastline. We were rewarded with some magnificent scenery.

One observation during our time in Canada that I have failed to mention is the plethora of Canadian flags on so many homes and businesses.

We wondered whether this is typical of Canadians or if it was inspired by their current anti-American (ie anti-Trump) sentiment.

And of course no road trip in Canada is complete without passing a Tim Horton’s (or 2 or more).

Once back in Halifax we embarked on a stroll along the Halifax Waterfront Boardwalk. The boardwalk stretches from Halifax Seaport to Casino Nova Scotia. It is about a two mile walk, making it an easy excursion. It has everything one would imagine on a boardwalk. We started in front of our hotel.

and continued walking. About central is the Dockyard Clock. Originally installed in 1772 in the domed cupola of the Hauser Stores, which were part of the original Halifax Naval Dockyard, it is the last remaining architectural feature of the original Naval Dockyard. It is one of the oldest turret clocks in Canada.  The clock has been relocated three times and its current location is at Chebucto Landing. 

Dockyard Clock

Further along the boardwalk we passed the The Maritime Museum of the Atlantic, the oldest and largest Maritime Museum in Canada. The original concept of the Museum can be credited to a group of Royal Canadian Navy officers who envisioned a maritime museum where relics of Canada’s naval past could be conserved. Starting with a small space at the Halifax Dockyard in 1948, the museum then moved to quarters in the Halifax Citadel in 1952, and became the Maritime Museum of Canada in 1957. Floods and fires in the early 1960s caused temporary relocations to a variety of sites until 1965, when a home was found in a former bakery building at the Navy’s Victualling Depot. The Museum became the Marine History section of the Nova Scotia Museum in 1967. We kept thinking if the weather turned rainy, we would venture inside. But alas, the summertime sun was so gorgeous, we never got around to it.

In front of and part of the Maritime Museum is the CSS Acadia, a former hydrographic and oceanographic research ship. The ship served the Hydrographic Survey of Canada and the Canadian Hydrographic Service from 1913 to 1969, charting the coastline of Eastern Canada. It is the only ship still afloat that served in the Royal Canadian Navy during both World Wars and was present during the 1917 Halifax Explosion, more on that later.

CSS Acadia

All along the boardwalk are restaurants, coffee shops, souvenir shops, and plenty of things to see, do and buy. This very Canadian fast food spot serves poutine, a Canadian dish consisting of french fries and cheese curds topped with a hot brown gravy. Poutine originated in Quebec in the 1950s and has become a popular symbol of Québécois and Canadian cuisine.  We tried it once but were not at all fans.

There is, of course, also a Cow’s Ice Cream shop.

There were also multiple statues on the boardwalk,

even a Lebanese one. This statue was unveiled in September 2018 to commemorate 130 years of Lebanese immigration to the city and to honor the early Lebanese settlers. It depicts a young man in traditional Lebanese clothing, facing away from the harbor as if he has just arrived to begin a new life. The monument is a universal symbol of a proud, strong, and globally united Lebanese community. 

But the statue that amused us most was this one that despite the sign was never without folks young and old atop it when we passed.

There we also more murals on the boardwalk

this one right in front of our hotel, party time!

In the Harbor are plenty of ships all the time.

Also there is a view of Georges Island. The island is a glacial drumlin that has been a strategic military fortification since the mid-18th century.  It was part of the “Halifax Defense Complex” and served as a prison and an Acadian internment camp. Georges Island is only accessible by sea, and visitors can take a ferry or use a private boat, canoe, or kayak. The lighthouse on the island was first established in 1876, with the current concrete lighthouse built in 1919 after the original was destroyed by fire. 

Georges Island

We found a spot for dinner before calling it quits for the day. We had our usual Nova Scotia fare.

In the morning we had booked a Harbor Hopper tour. The bus part of it whipped around the city so fast that we got very little out of the experience; we had done better with our self-guided walking tour. We learned two important facts: Spring Street is so named because natural springs run beneath it. It was previously the busiest of all streets and lined with Victorian homes, only one of which survives today. The second interesting fact is that the Halifax Harbor is the second deepest city harbor in the world after Sydney Harbor, Australia. Many office buildings use the water in their air conditioning systems. But then the amphibious machine turned into a boat and took us out onto the water making the tour worth our while. We got great views of the harbor.

We could see out hotel

and the dockyard clock

and the CSS Acadia docked in front of the Maritime Museum. The Acadia, now part of the museum and used for science research, was the only ship to survive the Halifax explosion of 1917.

While on the water, our guide explained about the Halifax explosion of 1917. On the morning of 6 December 1917 at 8:45 am, the French cargo ship SS Mont-Blanc collided with the Norwegian vessel SS Imo  in the harbor. Mont-Blanc, laden with high explosives caught fire and detonated. At least 1,782 people, largely in Halifax and Dartmouth, were killed by the blast, debris, fires, or collapsed buildings, and an estimated 9,000 others were injured. The blast was the largest human-made explosion at the time. A tsunami created by the blast wiped out a community of Mi’kmaq who had lived in the Tufts Cove  area for generations. Rescue trains were dispatched from across Atlantic Canada, as well as the northeastern United States.  The response to the explosion from Boston and the appreciation in Halifax cemented ongoing warm relations.  In 1918, Halifax sent a Christmas tree to Boston in thanks and remembrance for the help that the Boston Red Cross and the Massachusetts Public Safety Committee provided immediately after the disaster.[That gift was revived in 1971 by the Nova Scotia government to continue the goodwill gesture and to promote trade and tourism. The tree is Boston’s official Christmas tree and is lit on Boston Common throughout the holiday season.

We thoroughly enjoyed our excursion out onto the water.

Once back on terra firma, we decided to continue our self-guided walking tour. First stop was Saint Mary’s Cathedral Basilica, a Gothic Revival style Catholic cathedral and the mother church of the Roman Catholic Archdiocese of Halifax-Yarmouth.  It was built on the site of a wooden chapel from 1784, with the cornerstone of the current stone building laid in 1820. Though consecrated in 1899, it was made a basilica in 1950. The interior of the cathedral suffered great damage during the explosion of 1917. Most of the cathedral’s stained glass windows were shattered and some of the bells were cracked. Renovations have repaired the windows and restored the bells to their previous grandeur.

Saint Mary’s Cathedral Basilic

The cathedral’s spire is the tallest polished free-standing granite spire in North America.

The Government House of Nova Scotia, located on Barrington Street, serves as the official residence of the lieutenant governor of Nova Scotia. Construction of Government House was commissioned in 1800 by then-Governor Sir John Wentworth to replace the previous Government House, which stood on the site now occupied by Province House.  Although the building was still incomplete, the governor and his family moved in by 1805.

The Government House of Nova Scotia

As we wandered inside, there just happened to be a tour in English about to start, so we joined. The wallpaper is all hand painted.

The dining room has the only original piece of furniture: a mahogany dining table.

On opposite entrances to the dining room are the two coat of arms: Nova Scotia

Nova Scotia Coat of Arms

and the royal family.

Royal Family Coat of Arms

There are also several interesting objects of art

and silver service.

Over the years, Government House has hosted numerous royal guests. Prince Edward (later King Edward VII) was the first in 1860, followed by Prince Arthur (1869), Prince George (later King George V) in 1883 and 1901, and Prince Albert (1913). King George VI returned in 1939 with Queen Elizabeth, who later visited as the Queen Mother. Queen Elizabeth II made multiple visits. Other royals included Princess Margaret, Prince Andrew, Prince Edward, and Prince Charles with Princess Diana. Queen Elilizabeth last visited in 2021. The staircase to the private rooms is the longest unsupported staircase in Canada.

We were informed that the Lieutenant Governor very much still lives and works here, but is currently out of town, which is why we were invited into his office.

Across the street from the Government House is an old burial ground. The Old Burying Ground was established in 1749 and served as the city’s main cemetery until 1844. 

The Welsford-Parker Monument is a triumphal arch that commemorates two Nova Scotian officers, Major Augustus Welsford and Captain William Parker, who died in the Crimean War. 

The Welsford-Parker Monument

The monument was erected in 1860 and is the only Crimean War monument in North America.

The Welsford-Parker Monument

St. Matthew’s United Church is one of the oldest Protestant church communities in the city.  Established in 1749, the same year as the original colony, it initially served as a place of worship for various dissenting Protestants from New England who did not align with the Church of England. The congregation originally gathered at Saint Paul’s Church until it secured its building at Hollis and Prince Streets in 1754. However, this structure was lost to a fire in 1857, leading to the construction of the current church on Barrington Street. The church also made use of the Old Burying Ground in Halifax. The congregation became part of the United Church of Canada in 1925, and has been known as St. Matthew’s United Church since then. 

St. Matthew’s United Church

We passed the Halifax Court House, a historic building the main section of which was completed in 1863.  It has housed both county and provincial courts since its completion. The architecture is noted for its imposing facade with a classical pediment and Tuscan columns. 

Halifax Court House

We also passed the former Halifax Memorial Library. The library was opened in 1951 as a memorial to soldiers who died in the World Wars. It was the main branch of the Halifax Public Libraries until 2014, when it was replaced by the Halifax Central Library.  The Halifax Regional Municipality is currently exploring options for the site’s future, which may include demolishing the building and turning the area into a park with “historical interpretation”. 

former Halifax Memorial Library

On the grounds is a 10 foot bronze statue of Winston Churchill. It was sculpted by Oscar Nemon and unveiled on January 20, 1980.  The statue was created to honor Sir Winston Churchill, who visited Halifax in 1943 and 1944. 

Halifax Central Library is the flagship library of the Halifax Public Library System. This library was completed in 2014 in a Modern architectural style designed. The library is notable for its ultra-modern design. It has the appearance of multiple levels stacked atop each other at varying angles. This includes the fifth floor, which juts over the plaza providing shade to the benches and tables below.

Halifax Central Library

The library is also home to public artwork created by Cliff Eyland. Eyland painted 5,000 miniature paintings on canvas the size of library cards, fittingly called “Library Cards.” 

“Library Cards”

Along with books, the library offers community rooms, an auditorium and two cafes. The rooftop terrace is a popular spot for visitors to get a beautiful view of Halifax from a unique location. We went up for a look.

The Ralph M. Medjuck Building, also known as the “H Building,” located on the Sexton Campus of Dalhousie University, was originally constructed in 1909 as the main building for the Nova Scotia Technical College. It is currently home to the university’s School of Architecture and Planning. 

The Ralph M. Medjuck Building, also known as the “H Building

The Church of Saint David was established in 1925, when the Presbyterians leased and then purchased the former Grafton Street Methodist Church as their congregational home. Much valued for its historical and spiritual association with Methodism and the creation of the United Church of Canada, the place is also valued for its association with the talented and renowned architect, David Stirling. Designed in the Victorian Gothic style, Sterling’s creation is a rare, if not unique, example of such architecture, constructed in brick from the province. The building is highlighted by its great front gable with tall Gothic buttresses and five detailed finials that project above the roof line. Most notably, the church was built without a steeple. Initially named simply the Presbyterian Church, the temple was renamed in 1930 in honor of the saintly King David I of Scotland, who reigned from 1124 to 1153.

The Church of Saint David

Located on Barrington Street, the Khyber Building has been a cornerstone of Halifax’s cultural scene for over a century. Originally erected in 1888 as The Church of England Institute, this Victorian Gothic Revival structure has evolved through various identities, from a religious institution to a vibrant artist-run center, music venue, and social space. It’s cultural reinvention began in 1994, when Halifax’s City Council repurposed the building as an arts hub, leading to the establishment of the Khyber Arts Society in 1997. By 1998, the Khyber Club emerged as a contemporary art gallery and performance space, fostering Halifax’s underground music and visual arts communities. Over the years, it became synonymous with artistic experimentation and creative energy, hosting countless exhibitions, concerts, and community events.

However, in 2014, the Halifax Regional Municipality closed the building due to hazardous materials, putting its future in limbo. A passionate movement emerged to reclaim and restore the space, and in March 2023, the Barrington Street Building Preservation Society secured $200,000 in federal funding and an additional $250,000 from the municipality to assist in remediation efforts. This funding marks a significant step toward reopening the Khyber as a thriving cultural venue under the stewardship of the Khyber Centre for the Arts.

Khyber Building

We had our final dinner in Canada on the waterfront at The Bicycle Thief. Of course we started with a dozen oysters and dined from there.

Canada: Quebec Province: Montreal July 23-25, 2025; Quebec City July 26-28 2025; New Brunswick Province: Saint John July 29-30

As part of our cross country trip this year we visited Canada. First we visited my brother in Ontario before heading to Montreal. There we checked into Hotel Cantile Suites which was centrally located. It had been a very long drive so we had dinner and relaxed, saving the touring for the next day. First thing in the morning we headed out to our walking tour which met in Dorchester Square by the Sir Wilfrid Laurier Memorial. Alex was already telling the group that Laurier (1841-1919) was the seventh prime minister of Canada  from 1896 to 1911 and the first French Canadian prime minister. His 15-year tenure remains the longest uninterrupted term of office among Canadian prime ministers and his nearly 45 years of service in the House of Commons is a record for the House. Laurier is best known for his compromises between English and French Canada.

Sir Wilfrid Laurier Memorial.

The back side of the monument, sculpted by Joseph-Émile Brunet and erected in 1953, is a granite relief depicting the provinces created and united under Laurier’s administrations. The monument faces towards the United States, reflecting Laurier’s support for early free trade and a continental economic orientation. 

We walked past Windsor Station, currently an office building but formerly the city’s Canadian Pacific Railway station; It served as the headquarters of CPR from 1889 to 1996,

Windsor Station

on our way to Centre Belle (Bell Center), the Canadiens’ hockey arena, which opened in 1996. With a seating capacity of 21,105, Bell Centre is the second largest ice hockey arena in the world after SKA Arena in St. Petersburg, Russia. 

Centre Belle (Bell Center)

Other sports and entertainment events occur at the Centre Belle, but hockey is by far the most popular with games consistently sold out since October 2005.

Joseph Henri Maurice “Rocket” Richard (1921-2000) played all of his 18 seasons for the Canadiens. He was the first player in NHL history to score 50 goals in one season (1944-45), and the first to reach 500 career goals. But what Richard is most remembered for was giving French Canadians a spiritual lift during the “dark times” of French suppression; he was a cultural icon among Quebec’s francophone population. The Richard Riot was a riot on March 17, 1955 in Montreal. Following a violent altercation on March 13 in which Richard hit a linesman, Richard was suspended for the remainder of the season. Montreal fans protested that the suspension was too severe; the team’s largely Francophone  fan base claimed the length of the suspension was motivated by Richard’s French Canadian ethnicity. The riot became a spark for change.

Next Alex took us to Place Ville Marie to see L’Anneau (The Ring) erected in 2022. L’Anneau is the largest steel sculpture in Montreal spanning 98 ft in diameter and weighing approximately 51,000 lbs. It cost over 5 million dollars because it is heated to prevent snow buildup, and has  vibration dampers to prevent damage during high winds or earthquakes. It symbolizes the connection between Montreal, Place Ville Marie, its residents, and visitors.  Mount Royal, the city’s namesake, can be seen through L’Anneau.

L’Anneau (The Ring)

The Olympic games were first hosted in Canada in 1976. The stadiums built for the events were not paid off until 2006. The games were controversial that year because the Olympic committee made the decision to boycott South Africa due to apartheid.

In the Olympic Park stands The Monument to the Ancient Flame. The monument commemorates the 1976 Summer Olympics during which the Olympic flame experienced a memorable moment when an official briefly re-lit it with a cigarette lighter after it was doused by rain. 

Square Victoria (Victoria Square) forms an integral component of the city’s urban public transit system and constitutes a ‘prestige address’ for the international face of the city.

Square Victoria (Victoria Square)

The original Paris Metro entrance was donated by the Paris transport authority (RATP) to commemorate the collaboration of Parisian engineers in the construction of the Montreal metro. This iconic Art Nouveau entrance was installed in 1967, the 100 year anniversary of independence, and is a lasting symbol of international cooperation.  Alex explained that this metro stop connects underground to a large system of underground shops and stops. (more on this later)

In the center of Victoria Square sits the Monument à la reine Victoria (Queen Victoria Monument) unveiled in 1872 by Lord Dufferin, shortly after the confederation (more on him in Quebec City).

Monument à la reine Victoria (Queen Victoria Monument)

Alex explained that Old Montreal was mostly built between 1820 and 1880. Since buildings must have a façade in keeping with that style, which was mostly Anglo influenced like this impressive building The Gran Tronc (Grand Trunk) Railway, which established its North American headquarters in Montreal and operated an extensive network across Quebec, Ontario, and the northeastern United States. This historic building opened in 1902.

Gran Tronc (Grand Trunk)

Before 1840 there were two Canadas: Upper Canada was mostly English while Lower Canada was mostly French. In 1837 there were rebellions in both Canadas after which Canada became united. The Parliament was fist in Kingston, which burned down during a rebellion. The second Parliament was in Montreal 1844-1849 but was also burned down by a rebellion. The Parliament was moved to Ottawa by Queen Victoria and now remains there.

site of second Parliament building 1844-1849

This monument-fountain honors John Young (1811-1878), the first Chairman of the Port Commission of Montreal, known for his significant contributions to the development and enlargement of the port.  First erected in 1908, the monument was moved to its current location on rue de la Commune at Saint-Pierre in 1997.

The 1967 International and Universal Exposition, commonly known as Expo 67, was a world’s fair held in Montreal from April 28 to October 29, 1967, Canada’s centennial year. Building projects for the fair included reclaimed land to enlarge an island on which to to build Habitat 67, one of the few remaining buildings from the fair.

The metro and the pier were also part of the fair building project. The historic Convoyeurs Tower in the city’s Old Port., shown in the middle below, is now a bungee jump. 

Major League’s 1969 expansion, the  Montreal Expos (now the Washington Nationals), was named in tribute to this event.

On its third day the fair broke a record single day attendance record at the time with over 500 thousand visitors. Now the fairgrounds are beautiful parks.

A fife and drum corp practiced across the pond.

Basilique Notre-Dame de Montréal (Notre-Dame Basilica of Montreal) has been on this site since 1672, the current basilica completed in the 1840s. In 1982 it was ordained by Pope John Paul II. The stained glass is historic; we did not get a chance to go inside. It is now used for important events like state funerals. Celine Dion was married here.

In the Place d’Armes, the square in front of the basilica, is a 2013 privately owned art installation Les deux snobs (The Two Snobs). The diptych evokes, with humor, the cultural discords that used to prevail between the English: Le Carlin Anglais (The English Pug)

and Le Caniche Français (The French Poodle).

Also in in Place d’Armes is the Maisonneuve Monument. Sculpted by Louis-Philippe Hébert and unveiled in 1895, it commemorates Paul de Chomedey, Sieur de Maisonneuve, who founded Montreal (originally Fort Ville-Marie) in 1642. He was a Catholic zealot.

Our next square visited was Place Jacques-Cartier (Jacques Cartier Square) which was originally a private garden for a chateau. When the chateau burned down the owner was convinced to donate the land. The broad, divided street slopes steeply downhill from City Hall and Rue de Notre Dame to the waterfront and port. In the summer it is lined with Parisian-style cafes and bistros; at Christmas it is lined on both sides with lit trees. Alex claimed it to be the maple syrup capital of the world.

Place Jacques-Cartier

Colonne Nelson (Nelson’s Column) erected in 1809 in Place Jacques-Cartier is dedicated to the memory of Admiral Horatio Nelson (1758-1805), following his death at the Battle of Trafalgar.  Built to honor both Nelson’s memory and his victory over Napoleon’s fleet, it is the city’s oldest monument and the oldest war monument in Canada.

The five-story Hôtel de Ville de Montréal (Montreal City Hall) was built between 1872 and 1878 in the Second Empire style. 

Hôtel de Ville de Montréal (Montreal City Hall)

Next to City Hall are the three flags of Montreal: Canadian National flag (left) a red maple leaf on a white field between two red stripes; the Flag of Quebec Province (center), known as the “Fleurdelisé” featuring a white cross on a blue background with four white fleurs-de-lis.; and the Flag of Montreal (right) which bears five symbols to recognize the city’s founding peoples: the white pine for the Indigenous presence, the fleur-de-lis for the French, the rose for the English, the thistle for the Scottish, and the clover for the Irish. 

As we left Place Jacques-Cartier Alex pointed out the Hydro-Québec Building, which houses the headquarters of the major electricity supplier for Quebec Province as well as upper New York State. The hydropower is generated from the Lawrence River..

Hydro-Québec Building

Next we entered Quartier Chinois (Chinatown). The area had previously been a Jewish neighborhood in the mid to late 19th century. The first Chinese immigrant arrived in Montreal in 1877. As others followed, they moved into this neighborhood because it was close to the growing railway, for which many of them worked. The Chinese immigrants also opened laundromats and restaurants. The area became known as Quartier Chinois (Chinatown) in 1902. The Paifang Gates were a gift from Shanghai in 1999. At a total of four, Montreal’s Chinatown features the most paifang gates of any Chinatown in Canada. They symbolize a fortunate and auspicious entryway into the vibrant cultural and commercial district. 

Alex took us into the underground city. First he showed us the map but explained how difficult it is to follow, especially because it does not say where we are on the map.

Montreal’s La ville souterraine (Underground City), or RESO (French for network), is a vast (largest in the world), interconnected network of over 19 miles of tunnels and passageways linking shopping centers, hotels, office buildings, and transit hubs beneath the downtown area, serving as a year-round urban hub and a shelter from extreme weather. As many as 500,000 visitors a day can find shopping, dining, entertainment, and access various buildings through over 190 exterior points, making it a unique and must-see part of the city. It was designed in the 1960s by Boston architect Vincent Ponte.

We emerged from RESO at St. James United Church. Built in 1889 it is a prominent example of High Victorian Gothic Revival architecture, featuring two tall towers and a large rose window. 

St. James United Church

As we walked by The Hudson Bay Company Alex explained that it is an historic Canadian retail company initially focused on the fur trade. It is considered the oldest company in North America with its roots tracing back to a Royal Charter granted in 1670. 

Before leaving us Alex gave us this last trivia tidbit: “Canada” means “village” or “settlement” and is derived from the St. Lawrence Iroquoian word kanata. In 1535 Indigenous inhabitants used this word to direct the French explorer Jacques Cartier to the village of Stadacona (present-day Quebec City), and Cartier subsequently used “Canada” to refer to the village and its surrounding area, a name that eventually expanded to encompass the entire country. 

With the tour completed, we went back to Chinatown for a late lunch. We found another Paifang Gate. This one featured stone statues of lions, called Shishi, traditional symbols that stand guard at the entrance to the neighborhood, 

After lunch we retraced some of our steps of the morning and went back toward the waterfront. Along the way we passed Hommage à Marguerite Bourgeoys sculpture, an outdoor 1988 sculpture and memorial depicting the founder of the Congregation of Notre Dame of Montreal of the same name .

Hommage à Marguerite Bourgeoys sculpture

We passed the la Cour d’appel du Québec (Quebec Court of Appeals). Founded in 1849, it is the highest judicial court in Quebec, Canada.

la Cour d’appel du Québec (Quebec Court of Appeals)

Once back on the waterfront we visited the Marché Bonsecours (Bonsecours Market), a two-story domed public market. It opened in 1847 and for more than 100 years it was the main public market in the Montreal area. It also briefly accommodated the Parliament of United Canada for one session in 1849. We went inside, but due to the lateness of the day, the stalls were mostly closed.

Marché Bonsecours (Bonsecours Market)

Next to the market was an interesting church: Chapelle Notre-Dame-de-Bon-Secours (Our Lady of Good Help). One of the oldest churches in Montreal, it was built in 1771 over the ruins of an earlier chapel.

We trekked around the port for the rest of the afternoon.

The following day we spent some time visiting the Musée des Beaux-Arts de Montréal (Museum of Fine Arts). Founded in 1860, it is the oldest art museum in Canada.

Musée des Beaux-Arts de Montréal (Museum of Fine Arts)

We also visited Basilique Cathédrale Marie Reine du Monde (Mary, Queen of the World Basilica). The church was consecrated in 1894 as Saint James Cathedral.  At the time it was the largest church in Quebec. It was made a minor basilica in 1919 by Pope Benedict XV then rededicated in 1955 to Mary, Queen of the World by Pope Pius XII.  In imitation of the statues of the 12 apostles on the façade of St. Peter’s in Rome, the cathedral is topped by statues of the patron saints of 13 parishes of Montreal that donated toward the cathedral,

Basilique Cathédrale Marie Reine du Monde (Mary, Queen of the World Basilica).

The walls and floors are made of marble imported from Italy and feature several mosaics. The bronze plaque above the altar depicts St. Peter’s Basilica in Rome.

I was particularly struck by the baptismal font.

Once more we headed back toward the waterfront. We passed Les Chuchoteuses (The Gossipers), a bronze sculpture by Rose-Aimée Bélanger installed in 2002. 

Les Chuchoteuses (The Gossipers)

By then it was evening. We stopped on Rue Sait-Paul (Saint Paul Street), Montreal’s oldest street, a historic cobblestone street known for its European feel, charming shops, art galleries, and historic architecture. We sat, ate, drank, and peopled watched for hours.

Rue Sait-Paul (Saint Paul Street)

In the morning we made our way to Quebec City. There we stayed in Hotel 71, right in the heart of the Old City. After checking in we explored on our own for the rest of the afternoon. We immediately found the old city ruins in front of the large city mural. (more on the mural later) It was the location of Samuel de Champlain’s first settlement in 1608.

Archaeological remains from earlier structures have been uncovered here.

There is also a cute little park for a rest.

We wandered around the lower city noting restaurants, souvenir and toy shops,

before we climbed the steep hill next to the mural

to the park at the top: Parc Montmorency (Montmorency Park). The historical significance of the park is that the site was home to the first Parliaments of Lower Canada, Canada East, and Quebec from 1791 to 1883 when it was destroyed in a fire. (The second Parliament was in Montreal, which we had seen, the third and current is in Ottawa.) In 1894 the city opened ithe space as Parc Frontenac. It was recognized as a national park in 1949. Large cannons lining the wall speak to the site’s historical military role as a defensive battery.

Parc Montmorency (Montmorency Park)

In the center is a statue of George-Étienne Cartier (1814-1873), Prime Minister of United Provinces of Canada and Father of Confederation. He was considered to have “discovered” the Lawrence River.

George-Étienne Cartier

From there we had a great view of the Saint Lawrence River below.

From the park we also had a great view of Quebec City’s iconic  Fairmont Le Château Frontenac, commonly referred to as the Château Frontenac. Opened in 1893, the Chateauesque-styled building has 18 floors; its 262-foot height is augmented by its 177 foot ground elevation.  It was one of the first of Canada’s grand railway hotels, and was designated a National Historic site of Canada in 1981.

Fairmont Le Château Frontenac

From Parc Montmorency we continued our upward climb past the The Louis S. St-Laurent Building. Built between 1872 and 1873, this building originally housed the city’s central post office, and nowadays is used for government offices.

The Louis S. St-Laurent Building

We continued to upper Old City to Notre-Dame de Québec Basilica-Cathedral (Our Lady of Quebec City). Built first in 1647 , it is the oldest church in Canada and was the first church in Canada to be elevated to the rank of minor basilica, by Pope Pius IX in 1874. It has twice been destroyed by fire, most recently in 1927, and has been rebuilt.

Notre-Dame de Québec Basilica-Cathedral (Our Lady of Quebec City)

Across from the cathedral is a lovely little year-round Christmas shop.

We continued past Hôtel de ville de Québec (City Hall of Quebec City)  which was inaugurated on September 15, 1896.

Hôtel de ville de Québec (City Hall of Quebec City)

At the top of the Old City sits La porte Saint-Jean (The Saint-Jean Gate), one of the entry points through the fortified walls of Old Québec. These fortifications were initially built by the French in 1690 to protect the city from British invasion and were later rebuilt by the British after they captured Québec City in 1759.  During the American siege of Quebec in 1775, American militiamen regularly approached the Saint-Jean Gate to try and persuade the local population to join their cause.  The gate is a significant landmark, reflecting the city’s military history and its evolution over centuries. 

La porte Saint-Jean (The Saint-Jean Gate)

Finally we stopped for dinner at Beclub Restaurant.

After dinner we meandered through the streets admiring works by street artists.

We hung out for a bit in Place d’Armes, established between 1640 and 1648. During the French Regime, this square was known as Grande Place, and its most prominent structural neighbour was Château Saint-Louis, the permanent residence of the governors of New France. Military parades were held by the French army here until 1760, when the colony changed hands. From then on, similar activities were carried out in this square by British troops. During the construction of the Citadelle in the 1830s, military activities ceased to be held at Place d’Armes, which became a public park in about 1865. In the middle of Place d’Armes, stands Monument de la Foi (Monument of Faith). This Gothic-style fountain and monument commemorate the 300th anniversary of the arrival of the Récollet missionaries in 1615, who were the first missionaries in Quebec.

Monument de la Foi (Monument of Faith)

A street performer was entertaining a crowd on Dufferin Terrace in front of a monument dedicated to Samuel de Champlain, the founder of Québec City, the governor of New France, and the first European to explore the Great Lakes.

Monument Samuel-De Champlain

These young men had the best view.

We spent the morning on the water front parks where we had the best views of the Le Château Frontenac.

We hung out for a bit in Batterie Royale (the Royal Battery), a historical site built in 1691 and named after King Louis XIV, who funded its construction. It was built as part of Quebec City’s defensive system and was used by French soldiers during the 1759 siege. Unearthed during archaeological excavations, the Battery was restored in 1977 and officially reopened the following year. It features four stone walls, 14 embrasures, and reproductions of cannons, offering a glimpse into the city’s military history.

Batterie Royale (the Royal Battery)

We then meandered through the streets of the Petit Champlain district, known for its European charm and historic architecture. The pedestrian tram up to Dufferin Terrace can be seen at the end of the street.

On Rue du Petit-Champlain, at the foot of the cliff below Dufferin Terrace, is a little dog park Parc Félix-Leclerc dedicated to Félix Leclerc who is known for his late 1930s Radio-Canada  productions of plays and music.

Parc Félix-Leclerc

On the side of a restaurant, the Fresque du Petit-Champlain mural depicts a working class neighborhood of a previous era in Quebec City including elements of trade and port life.

Fresque du Petit-Champlain

And from almost every street, the impressive Chateau can be seen looming above.

In the afternoon we had a scheduled walking tour of the Old City with Jean-Simon of his own company: Urban Horizons. Jean-Simon started with background information: the city was founded in 1608 by Samuel Champlain for the purpose of fur trade, especially for furs of beavers. It is the oldest established French city in North America and is the only city in North America besides Mexico City to have been enclosed by walls. Quebec means “where the river narrows,” referring to the narrowing of the Lawrence River as it enters the continent. From Quebec the traders had control of all ships needing access to Montreal, the great lakes, and most of North America. In 1763 Quebec became an English colony, but the population continued to speak French. The Hôtel du Parlement du Québec (Parliament Building of Quebec), built in 1886 on a prior cricket field, was inspired by Le Louvre in Paris. The central tower was dedicated to Cartier.

Hôtel du Parlement du Québec (Parliament Building of Quebec)

Standing in front of the Parliament building is the majestic Fontaine de Tourny (Tourny Fountain) adorned with numerous figures and boasting 43 water jets. It was originally created by French sculptor Mathurin Moreau and received a gold medal at the 1855 Paris World’s Fair. After the fair it was moved to and remained in Bordeaux until 1960 when it was disassembled, to make room for parking lots, and placed into warehouses. The fountain was a gift to the City of Québec by La Maison Simons, a local family retail business, to mark the city’s 400th anniversary. The cost to buy the fountain: $1; the shipping and reassembling cost: $5,000,000.

Fontaine de Tourny (Tourny Fountain)

Jean-Simon talked about the Fortifications de Québec (ramparts of Quebec City). It is a city wall  that surrounds the western end of Old Quebec’s Upper Town. The ramparts date back to the 17th century and have undergone a succession of modifications and improvements throughout their history. In the late 19th century many wanted the gates torn down because they were too narrow for modern vehicles but instead, they were rebuilt with wider gates. The city walls extend 2.9 mi and includes 5 gates, with the upper (southern) portions of the ramparts forming a part of the Citadelle of Quebec (Quebec Citadel), still with an active military. 

Porte Saint-Louis

The Roosevelt and Churchill Monument, busts of Franklin D. Roosevelt and Winston Churchill, is a tribute to the wartime alliance between the two leaders and commemorates the Quebec Conferences held during World War II. The first Quebec Conference in 1943 involved Roosevelt and Churchill discussing strategy for the war, including the invasion of France.

Roosevelt and Churchill Monument

The Boer War Memorial was unveiled on 15 August 1905.  It was dedicated to all Quebecois who were killed in action during the Boer War. This memorial was erected on the site of departure of the first Canadian contingent for South Africa, on 30 October 1899.

Boer War Memorial

The Monastère des Ursulines de Québec (Ursuline Monastery of Quebec City), founded in 1639, is the oldest institution of learning for women in North America. It was originally founded by a group of Roman Catholic nuns to convert local indigenous children. But now all schools in Quebec Province are secular.

Jean-Simon regaled us with an anecdote about the battle of 1759 when the British took over the city. The British had arrived in the middle of the night with cannons. The French were taken by surprise; the battle only lasted 20 minutes. French Governor Montcalm was buried in a cannon hole in the floor of the chapel of the monastery. The nuns kept the secret of his burial place until it was discovered in 2001.

The monastery was established under the leadership of Mother (now Saint) Marie of the Incarnation (1599–1672). She was a widow with a son living in France to whom she wrote many letters which preserve a recorded history of life at the monastery at that time.

Jean-Simon pointed out Restaurant Maison Jaquet, originally a home completed in 1676, making it one of the oldest houses in Quebec.  He explained the steepness of the roof is necessary in a city that receives 11.5 feet of snow every year. Roofs were historically red so they could be seen from a distance when the city was blanketed in snow.

The tour stopped on Dufferin Terrace. Jean-Simon talked briefly about the statue there of Samuel de Champlain (1574-1635), founder of the city. He had arrived here with 30 men, only eight of whom survived the winter. No one knows what he actually looked like; the statue, and all other “likenesses” of him are all based on some one else.

Jean-Simon also filled us in on some of the history of the Château Frontenac which, built in 1893, has always been a hotel. The towers were added in 1924. The final section was added in 1993 and included a pool and a spa to allow the hotel to maintain its 5 star status.

Château Frontenac

We followed the steep hill down toward the lower city. As we descended the steps, Jean-Simon informed us they had been coined the “breakneck stairs” by drunken soldiers.

L’Escalier Casse-Cou (Breakneck Stairs)

We stopped in front of La Fresque des Québécois (The Mural of Quebec), a large-scale trompe-l’oeil mural completed in 1999 by a collaboration of both French and Canadian artists. The mural is painted on the side of Soumande House on Notre-Dame Street  and depicts scenes and figures from Quebec’s history. In addition, all four seasons of the year are depicted from winter on top to spring on the bottom.

In addition to depicting cultural communities, such as the Indigenous people and the French, Irish, and British settlers,

the mural also depicts historically significant figures like the Ursaline nuns

and Samuel de Champlain, shown in a green jacket and holding his hat with a large white feather. Louis Fréchette, a prominent 19th-century poet, journalist, and translator.

At this point Jean-Simon explained more of Quebec’s history. Between 1663 and 1673 approximately 800 young women were sent from France to New France (Quebec) by King Louis XIV to address a severe male-to-female population imbalance and boost the colony’s growth. The 800 women were dubbed the Filles du Roi (“Daughters of the King”). These women were provided with free passage and a dowry to marry French settlers, and they played a vital demographic role, with most French Canadians today tracing their ancestry to at least one Fille du Roi.  

We then found ourselves in Place Royale where Samuel de Champlain founded the City of Québec in 1608. 

Place Royale

In the center is a bust of Louis XIV who, as we learned above, helped populate the new French colony.

In the back of the square is the Église Notre-Dame-des-Victoires (Our Lady of Victories), the oldest church in Canada built in stone and retaining the original stones, it is one of the oldest churches in all of North America. Construction was started in 1687 on the site of Champlain’s habitation and was completed in 1723. Jean-Simon told us that this is where a scene toward the end of Leonardo Dicaprio’s “Catch Me if You Can” movie was shot. (We watched it that night, and it was!)

Notre-Dame-des-Victoires (Our Lady of Victories) 

Jean-Simon explained that the church received the name Notre-Dame-de-la-Victoire (Our Lady of Victory) following two battles in which the English were defeated: first in 1690, when Governor Louis de Buade de Frontenac famously declared “I will answer you with the mouths of my cannons,”  a refusal to surrender when facing a British attack led by William Phips (which was, by the way, a bluff), then again in 1711, when the attacking British fleet was sunk in a storm. In 1775 the Americans attacked to try and pull Canadians into their war with England, but they failed, and this was the last attack on Quebec City.

In the late 18th century Napolean placed an embargo on wood from Scandanavia to England, which made the economy here in Quebec soar. Homes, businesses, and shops opened around the city. In time the economy failed and a large number of building fell into ruin but now with tourism are starting to be restored, preserving the historic architecture.

Jean-Simon had recommended microbrewery Archibald for a beer, which advice we followed

before heading to Cochon Dingue (Crazy Pig) for a delicious dinner.

The next day we decided to head out onto the Lawrence River.

Our boat for the morning was Louis Jolliet, named for Louis Jolliet who was born in Quebec in 1645 and became an explorer in North America.

As we pulled away from the dock the guide explained that this is one of the largest estuaries in the world. The water is brackish and the tides are generally 6-9 feet except in the spring with the snow melt, when the tides can become as large as 18 feet. The St. Lawrence River is about 2300 miles long extending to the Great Lakes and has 16 locks along the way, 7 of which are in Montreal. The estuary is rich in krill; marine animals feed here, migrate to the Caribbean to breed, then return. At certain times of year beluga whales and dolphins can be seen in these waters. The Quebec region of the river is shallow, only about 18-24 feet deep in most places, which saved it from submarine U boats during World War II. Quebec City itself is less than a half mile from the Atlantic Ocean, which is why there is a strong naval presence here; the red boats are naval. The seaway was inaugurated in 1929, after dredging 86 million tons of soil, with the presence of President Eisenhower, the Canadian prime minister, and Queen Elizabeth II all present.

As we headed up the Lawrence River we had picture-perfect views of the city.

We passed Davies Shipbuilding yard. Founded in 1825, they have built over 700 ships. Our Louis Jolliet had been built there in 1938 as a war ship but was converted to a cruise ship in 1977. Today they continue building everything from icebreakers to warships for use by NATO, which is for what the white one in the yard currently will be used.

Davies is on an island called Île-d’Orléans (Orleans Island). This picturesque island is a popular destination known for its agriculture, scenic beauty, historical sites, and culinary delights; 90% of the land on the island is agriculture.   We did not stop. Instead we travelled further under the Île d’Orléans Bridge where we had our best views of the waterfalls.

Île d’Orléans Bridge (Orleans Island Bridge)

The larger waterfall is called Montmorency Falls which, at 272.3 high, it is a full 98.4′ taller than Niagara Falls. In the winter the spray freezes and accumulates at the base forming a heap of ice the locals call the “sugar loaf.” The smaller waterfall to the left is called the Bridal Veil Falls. The legend is that a bride whose fiance was killed in World War II jumped to her death from the top, but her veil became caught on the rocks.

Montmorency Falls

After leaving the boat we walked around the lower city for a bit. Amongst the many restaurants and many, many art galleries

sits La Vivrière (The Foodcrops), a bronze fountain sculpture which commemorates the 50th anniversary of the founding of the Food and Agriculture Organization (FAO) of the United Nations, which was established in Quebec City in 1945. La Vivrière depicts a woman carrying food from various continents, symbolizing the fight against hunger.  

The sculpture evokes a ship figurehead, and the wave pattern in the surrounding brickwork represents the historic shoreline of the St. Lawrence River. 

We then once more climbed the steep path to the upper city. We meandered about the Terrasse Dufferin (Dufferin Terrace), a boardwalk that overlooks the St. Lawrence River. It wraps around the Château Frontenac before climbing toward the Citadelle. 

Terrasse Dufferin (Dufferin Terrace)

The boardwalk features six gazebos.

On the south end of the terrasse is a 490 ft ramp or Terrasse Dufferin Slides (c. 1898) used annually as a toboggan run during the Carnaval de Québec (Quebec Winter Carnival). 

Terrasse Dufferin Slides

We hiked all the way to Cap Diamant, Plains of Abraham, featuring works by First Nations artists. The location on Cap Diamant is a significant initiative by the National Battlefields Commission, showcasing a new space for art and dialogue. 

Les trois sentinelles (The Three Watchmen) is a monumental bronze sculpture by Haida artist James Hart.  The three figures, traditionally positioned atop totem poles in Haida villages, represent legendary guardians who watch for danger from both the physical and spiritual realms. 

Les trois sentinelles (The Three Wathmen)

We walked across the Plaines d’Abraham (Plains of Abraham), an historic area established on 17 March 1908. The land is the site of the Battle of the Plains of Abraham, which took place on 13 September 1759. The park is today used by 4 million visitors and tourists annually for sports, relaxation, outdoor concerts, and festivals.

Plaines d’Abraham (Plains of Abraham)

We reached the top of Cap Diamant: the Citadille. Citadelle de Québec (The Citadelle of Quebec) is an active military installation  and the secondary official residence of the Governor of Central Canada.  The strategic importance of Cap Diamant was recognized by the French as early as 1608. Several defensive fortifications were built on the site first by the French and then by the British after their conquest of New France. The modern citadel was built from 1820 to 1850, in an effort to secure Quebec City against a potential American attack. The British used the citadel until 1871, when they formally handed the property over to the Canadian government

It is hard to see from these pictures, but we are looking down onto the entrance.

As we walked past and down the other side, looking back we could appreciate how buried the Citadel is.

Proceeding down the hill back toward the upper city, we passed the US Consulate.

US Consulate

We approached the Chateau Frontenac from the side. The obelisk to the left below is the Wolfe-Montcalm Monument located in Governors’ Garden. Unveiled in 1828, it commemorates the British General James Wolfe and the French General Louis-Joseph de Montcalm, both of whom died during the Battle of the Plains of Abraham in 1759. The inscription on the monument’s top plaque, translated, reads: “Their courage brought them the same end, the same fame; posterity, the same monument”.  The monument is the oldest in Quebec City and the second-oldest war monument in Canada. 

After taking photos of the Chateau for the last few days, we decided to enter the foyer

Lobby Fairmont Le Château Frontenac

and made our way to the bar, where we sat and drank and enjoyed the view until it was time for dinner.

bar Fairmont Le Château Frontenac

The next day’s drive was over 7 hours to reach our well located St. John Hilton in Saint John, New Brunswick. Saint-Jean (Saint John) is a seaport city located on the Bay of Fundy. It is Canada’s oldest incorporated city, established by royal charter on May 18, 1785, during the reign of King George III. Although tired, we dragged ourselves out to the Marketplace for a light dinner at the Saint John Ale House where we enjoyed local specialties including grilled scallops and a lobster roll.

Across from the Marketplace was an amphitheater in which a band was playing.

After a good night’s rest, we embarked on a self-guided walking tour of the city. Our first stop was the Loyalist House, a National Historic Site and a museum. Constructed in 1817, it was the home of the prosperous Merritt family, who were United Empire Loyalists who emigrated from New York after the American Revolutionary War. The house is a significant survivor of the Great Fire of Saint John in 1877, which destroyed much of the city. It is recognized for its early 19th-century classical architecture in Atlantic Canada and remains one of Saint John’s only buildings from that era that has never been structurally altered.

Loyalist House

Next we visited St. John’s Stone Church, an Anglican church built between 1824 and 1826. It is a notable example of the Romantic Gothic Revival style in Canada. It earned the nickname “Stone Church” due to its construction using ballast stones brought from England by ships returning from transporting lumber. A piece of Caen stone from St. Andrew’s Church in Steyning, Sussex, England, known as the “Linking Stone,” is set in the Chancel arch, connecting it to the church’s English heritage. 

St. John’s Stone Church

Next stop: The Saint John City Market, is the oldest continuously operated farmers’ market in Canada, with a charter dating from 1785.

Saint John City Market

We stepped inside.

The flags indicate the nationality of the food served. In addition to a large selection of fresh produce, there are also restaurants

with more seating outside in the nice weather.

We made our way to King George’s Square. Established in 1785, just a year after the formation of New Brunswick, the King’s Square was aptly named after King George III. Over the years, it has become a cherished space adorned with various monuments and plaques, each paying homage to individuals who have played pivotal roles in shaping the city’s history. At the heart of King’s Square stands the majestic King Edward VII Memorial Bandstand, a two-story architectural gem crowned with a copper roof and adorned with an intricate metal framework. This bandstand, donated in 1909 by the City Coronet Band, serves as a central focal point and a symbol of homage to King Edward VII.

King Edward VII Memorial Bandstand

Among the notable monuments in the park is The Loyalist Cross, erected in 1934 to honor the first settlers representing the province. Unveiled on New Brunswick’s 150th anniversary, this cross stands as a timeless tribute to the enduring spirit of those who laid the foundation for the region. 

The Loyalist Cross

A 20 foot tall monument commemorates John Frederick Young, a heroic 19-year-old who tragically drowned while attempting to rescue a 10-year-old boy in nearby waters on October 30, 1890.

Across the street from King George’s Square is the Imperial Theatre. Built in 1912 , it opened to the public on September 19, 1913. In 1928 it became home to the first commercial radio station. The theatre was designed as a modern adaptation of the Italian Renaissance, and was used both for live vaudeville acts as well as “talkies”. In 1929, it was renamed the Capitol Theatre, and like most vaudeville houses across the continent, became a cinema.

Imperial Theatre

We strolled by the Trinity Anglican Church. Trinity Anglican Church holds a special place in the early religious history of Saint John. Established by the United Empire Loyalists shortly after their arrival, it became the inaugural congregation in the city, playing a pivotal role in shaping the religious landscape of the community. The church is part of a series of brick and stone buildings constructed between 1877 and 1881, a period of rebuilding following the devastating fire that consumed two-thirds of the City of Saint John in 1877. The original church structure, completed in 1791, fell victim to the destructive fire, leading to the construction of the present Trinity Anglican Church. The cornerstone for this new church was laid in May 1879, and it was completed in 1880. As a prime example of Gothic Revival architecture, the church stands as an impressive structure with a towering spire reaching 200 feet, making it visible from various vantage points in uptown Saint John. The resonant chimes of the clock, marking every half hour, contribute to the distinctive character of the city.

Trinity Anglican Church

The Port of Saint John is Canada’s third-largest by tonnage with a cargo base that includes dry and liquid bulk, containers, and cruise. 

We watched as two tug boats turn a large container vessel.

The one on the left is pulling; the one on the right is pushing.

What Saint John is most noted for is that it sits on the Bay of Fundy, a bay between the provinces of New Brunswick and Nova Scotia. Its tidal range at 56 feet is the highest in the world. Some tides are higher than others, depending on the position of the moon, the sun, and atmospheric conditions. The steps into the bay just outside our hotel show this difference between almost high tide

and approaching low tide.

Because of tidal resonance in the funnel-shaped bay, the tides that flow through the channel are very powerful. In one half-day tidal cycle, about 100 billion tons of water flow in and out of the bay, which is twice as much as the combined total flow of all the rivers of the world over the same period.

We were told that the strength of the incoming tide actually pushes against the flowing Saint John River, resulting in the Reversing Falls. We decided to take the about 2.5 mile hike to see it. Along the way we passed the Fallen Heroes Memorial

and the Naval Memorial

which honors the courage and sacrifice of New Brunswick mariners and maritime aviators who served Canada, including those who lost their lives and have no known grave. 

Place Fort Latour, from their web page, ” commemorates 5700+ years of changing ceremonial, commercial, and industrial uses of this special place. The site of treachery, intrigue, and a memorable battle in early Acadian times, Place Fort La Tour provides today’s visitors with experiences and structures that are evocative of these stories and a current day meeting place, much like it has always been. Land Acknowledgement: Place Fort La Tour / Menaquesk is situated on the traditional and unceded and unsurrendered territory of the Wolastoqiyik/Maliseet. The Wolastoqiyik/Maliseet along with their Indigenous neighbours, the Mi’Kmaq/Mi’kmaw and Passamaquoddy/Peskotomuhkati.”

Place Fort Latour

A mural by Barry Ogden, a notable figure in Saint John for organizing beautification projects, visually represents the significant events and cultures associated with Place Fort La Tour’s long history. 

The Memory Vessel created by New Brunswick artist Peter Powning is situated at the eastern end of the Reversing Falls, within Irving Memorial Park. It serves as a memorial to five individuals who tragically died in an accident near the site.  The canoe-shaped sculpture is made of stainless steel and contains small pieces of recycled glass, which illuminate at night with a soft glow. The artwork’s design, with its undulating columns and canoe-like form, reflects the city’s nautical heritage and the importance of memory. 

The Memory Vessel

Finally we reached the Park from which to observe Reversing Falls.

The Reversing Falls is a unique series of rapids where the powerful tides of the Bay of Fundy force the Saint John River’s flow to reverse twice daily, creating churning water and whirlpools. At low tide, the river flows towards the bay, but as the tide rises, the bay’s immense water pressure gradually reverses the river’s flow, generating rapids and whirlpools that flow away from the harbor. 

It is hard to discern from these stills (it is quite impressive in person), but the whirlpools give a sense of the water swirling in both directions at once.

The water forms a line between the incoming tide and the flowing river.

After the long hike back it was time for another ale and dinner at the Marketplace

and to enjoy the sunset.

Argentina: Misiones Province: Puerto Iguazú March 20-22; Buenos Aires Province: Buenos Aires March 23-25

We flew from Salta City to Puerto Iguazú, home of the famous falls. We were met at the airport by a driver and our guide for the next 2 days: Matias. Matias welcomed us to Puerto Iguazú with its population of 45,000. He told us that Iguazú means big waters in Guarani, a living Indigenous South American language, primarily spoken in Paraguay, where it is a national language alongside Spanish, and is an official language in this part of Brazil. The climate here is subtropical with rainfall and humidity all year and only occasional frost. The Misiones Province is so named because of the Jesuits who came to convert the locals, the Guaraní, who were living here in harmony with nature. Each mission was like a small city. On the Portuguese side, the locals were made into slaves. On the Spanish side those locals who joined the mission were protected from soldiers. On the Spanish side there were 18 missions; they had a Bible printed in Guaraní. Misiones Province is now notable for its waterfalls as well as its rich red soil and plentiful vegetation. At the time of the Jesuits’ arrival, yerba mate grew wild in the area. The Guaranís drank it through a bamboo “straw” from a gourd with a hole in it. The Jesuits tried to forbid the drinking of mate because they thought it promoted laziness. But when forbidding the drink was unsuccessful, they instead started production. Today 95% of Argentina’s yerba mate is grown here; it is called green gold.

They left us at the Iguazú Jungle Lodge with information of where to explore and dine with the remainder of our day.

Iguazú Jungle Lodge

We hiked up to the northernmost region of town to this little park.

A harpist played while the sun set.

This location, “Triple Frontera” (Triple Frontier), is where the Iguazú River joins the Paraná River; three countries come together; Argentina, Brazil and Paraguay. The Friendship Bridge seen across the river connects Brazil on the right to Paraguay on the left in this picture.

The Friendship Bridge

All three flags are flown.

We passed a small artisinal market in San Martin Plaza.

We had a delicious Argentinian tomahawk steak at La Rueda (The Wheel) Restaurant before heading back for the night.

In the morning as we drove toward the falls, Matias explained that the park was created in 1934 to protect the border area as well as the environment. Iguazú Falls’ water source, is the Iguazú River, which originates in the Serra do Mar mountains in the Brazilian state of Paraná. The river flows for about 820 miles before plunging over a series of cliffs and plunging 220 feet, creating the spectacular Iguazú Falls, the largest waterfall system in the world, on the border of Argentina and Brazil.  Along the way are many tributaries and hydroelectric dams, all of which can effect the water flow at any time. Matias emphasized that all of the water is from rainfall, not melting glaciers or snow caps in the mountains.

Matias also informed us that due to deforestation, only 7% of the original Atlantic Rain Forest remains, most of which is now in this area, which is now a protected green corridor to protect endangered species such as jaguars (Guarani for “kills in one leap”), pumas, ocelots, wild pigs, tapirs, and more. Coaties are common here, as we will see soon. This is the most biodiverse area in Argentina with many species of birds, mammals, amphibians, reptiles, numerous insects and butterflies.

We had finally reached the park. While Matias procured our tickets, we studied the map. While the Brazilian side of the falls is known for its panoramic beauty, the Argentinean side offers a more close-up look at the falls from above and below with its winding upper and lower trails.

As we embarked on the upper trail first, Matias pointed out the tall, skinny cecropia tree in whose hollow trunk ants live. Birds eat the fruits; the leaves are brewed to treat upper respiratory infections.

The first falls we reached were Dos Hermanas (Two Sisters).

Dos Hermanas

And around the corner we came to our first sighting of the majority of the falls, a formation which originated over 150 million years ago.

Next we approached Salta Chico.

We could appreciate Brazil across the way

and how very far the falls wrap around. The total distance on the top is 1.7 miles across with 70% in Argentina, 30% in Brazil.

Next we came to Bossetti Falls named for the engineer and explorer Carlos Bossetti, a member of a 1882 German expedition that studied the region and built some of the first walkways.

Bossetti Falls.

Matias explained to us that after several years of visiting the falls almost daily, he now gets excited over uncommon things, usually found amongst the fauna. On this day he became excited at the rare, in the region, presence of a pato real or “royal duck,” discernible by the green on his back.

Next we came to a pair of falls named Adam and Eve, so named because while the rangers were choosing names for the falls, a couple was seen bathing and swimming naked beneath them.

Salta Eva

From above Salto Adán here we could see an original, abandoned, walkway below.

Salto Adán

Next came  Salto Bernabé Méndez falls, named after Bernabé Méndez, a park ranger killed by poachers in 1968 while protecting the park.

Salto Bernabé Méndez

Matias pointed out the many vultures flying about.

Next we came to Salto Mbiguá.

Salto Mbiguá

Eric was fascinated by a huge spiderweb. Matias told us the nephila spider, one of the largest, spins a web so strong it can be used as fishing line.

Next we came to the second largest of the falls: San Martín. San Martín was an intellectual who promoted revolution in Argentina. Every town we have visited has had a prominent San Martín street and/or plaza; every province a San Martín city, and here, a San Martín Falls.

Salto San Martín
Salto San Martín

Here was a tree full of vultures.

As we hiked toward the lower trail, we passed a vulture on a rock.

It happens that the vulture was picking a dead fish up out of the river, an experience new to Matias. We watched for a while until the vulture was successful.

At the base of the trailhead we came to a rest stop. Here Matias chuckled as he told us that so many people have fed the wildlife, especially the coatis, the humans are now ironically forced to eat inside of cages to protect them from the wildlife.

We embarked from the bottom of the lower trail.

The first falls we encountered on the lower trail was the Salto Nuñez, named for Álvar Nuñez Cabeza de Vaca, the Spanish explorer credited with the first European discovery of the falls in 1541.

Salto Nuñez
Salto Nuñez

We enjoyed walking along the bottom glimpsing falls in the distance.

From this lower vantage point we could see both the Argentinean side to the right as well as the Brazilian side to the left with San Martín island, on which the vultures sleep, in the middle.

Matias inadvertently dropped his water bottle over the fence while posing for this pic and had to (illegally) hop onto the other side for its retrieval.

With most of the falls in view, Matias explained that the total number of falls, somewhere in the neighborhood of 275, differs at any given time depending on the amount of rainfall, which has currently been slightly above average. There are times when the falls we are seeing now, immediately to the left of Salto San Martín, are not there. When the rainfall has been heavy, some of the falls converge and flooding can occur. He showed us pictures taken at times of two floods: the most recents in 2014 and 2023, and of the drought of 1978.

From the lower trail we got to see from below some of the falls we had seen from above. First was Salto Chico

Salto Chico

then Salto Dos Hermanas

Salto Dos Hermanas

Matias pointed out a late-blooming ginger lily.

As we headed to the last leg of the Argentinean side of our journey, Matias explained to us that back in the 1970s, this area of the park was an airport. As tourism grew and the number of visitors increased, the airport was moved out of town and structures were erected within the park for dining and lodging. It was in this area we found our first coatis, a mammal in the raccoon family.

and owls in the trees

and a grey cracker butterfly.

We caught the train out to the Salto Garganta del Diablo (Devil’s Throat Falls). The trainline opened in 2001. Prior to its opening, tourists had to hike the distance.

Alighting from the train we were greeted by a plush crested jay.

We joined the trailhead out to the Salto Garganta del Diablo.

As we traversed the trail, a Cramer’s eighty-eight butterfly landed on Eric’s cap.

Matias informed us that this is the third walkway constructed to the Salto Garganta del Diablo (Devil’s Throat Falls). This one opened in 2001, same year as the train and tourist center.

The first walkway was washed away in the flood of 1982, the second in the flood of 1993. This one had parts washed away in the October, 2023 flood. and has been rebuilt four times in total in the 24 years since it opened. As we walked over the river, we could see remnants of the older walkways.

and parts washed away in floods.

On the river we saw a blue heron.

In the river we saw giant catfish.

As we neared the falls were were impressed with the number of people there.

We got close enough for our first glimpse of Salto Garganta del Diablo.

Finally we edged our way onto the viewing platform.

Words cannot describe the roaring sound of the falls

as well as the welcome coolness of the misty waters.

Of course a selfie was necessary.

We could not drag ourselves away, so we just kept snapping more pics.

Here at the top of the falls the river is wide and shallow. The color of the water changes based on the volume of rainfall, which has been greatly affected by deforestation. After joining the Paraná River below at the Triple Frontera, together they flow to Buenos Aires where they spill into the estuary Rio de la Plata and then into the Atlantic Ocean.

A few last pics of Salto Garganta del Diablo

Salto Garganta del Diablo

and we headed back.

This time an Agathina Emperor butterfly landed on Matias’ vest. I have been in butterfly gardens with less impressive numbers and varieties of butterflies than seen here.

Back at the Jungle Lodge, spent from all the hiking, we lounged at the pool before dining in the Jungle Restaurant.

The next day was time for the Brazilian side of the falls. As we waited in a fairly long line for the border crossing, Matias filled us in on some of the history of the border between the two countries. Right now the border crossing into Brazil is much longer than in the past because every day goods, including gasoline and groceries, are much less expensive in Brazil after a significant period of inflation in Argentina. Due to large government debt, in December, 2001, after about 20 years, the Argentinian peso was unpegged to the US dollar. The thought at the time was that allowing the market to determine the exchange rate would radically improve competitiveness and eliminate the then current account deficit along with the need to borrow money to finance it which would hopefully stimulate the economy, which was suffering at the time from large unemployment numbers. This led ultimately to several years of runaway inflation, which Miele was elected to control in 2023. Since his election prices have stabilized, but continue to be higher than in Brazil. This has not always been the case. In times past gasoline was so cheap in Argentina, Brazilians would cross over the border to buy it and then sell it illegally in Brazil. Even with overall prices high in Argentina now, Brazilians and Paraguayans still cross into Argentina to buy wine.

Matias also pointed out to us the Itaipu hydroelectric dam on the border between Brazil and Paraguay which, built in the 1970s and opened in 1984, is now the second greatest producer of electricity in the world, only surpassed by one in China. It has 20 generators, 10 in each country. There is a second dam further down the river that generates power for Argentina.

Finally we made it across the border and entered the Brazilian park. Matias explained that because the Argentinian side had been cleared for an airport, the trees on the Brazilian side are much older and larger with levels of vegetation. Here there are Palm trees under canopies. Heart of Palm, for example, needs more shade than is typical in the subtropical jungle of Argentina. We soon got our first glimpse of the falls from the Brazilian side.

From here is a better river view

and a good look at most of the falls at once.

Matias loved to have us pose for pics.

From here we can also see the full 200 foot height of the falls and appreciate the two distinct levels.

a closer view of the different levels is below.

We came upon a crowd of people, some of whom were feeding the coaties, which Matias promptly and firmly reminded them was not allowed. It is no surprise why the humans now have to sit in cages to enjoy a meal.

The are pretty aggressive animals and, in my opinion, somewhere between cute and ugly.

We continued along the path admiring the falls from every vantage point. The conglomeration of falls in the main section is called Salto Rivadavia.

Salto Rivadavia

Here the vultures overhead seemed even closer.

Sightseeing boats go right up to and under the falls, drenching all of those aboard. Unfortunately, due to our loss of a day due to the cancelled flight, we were headed to the airport immediately following this excursion leaving no time for a boat ride. Not sure we would have done it even if we had the time.

A panorama, despite the distortion, shows the full expanse of the 1.7 miles of the falls. The full falls is called the Cataratas Falls.

Cataratas Falls.

We started to approach the end of the falls.

We headed toward the viewing platform already packed with tourists.

Once on the platform we could again feel the mist as it settled over us.

To the left is a tourist center with more viewing platforms at the top. The falls seen in the picture below, to the very left, are the only falls that cannot be seen from the Argentinian side.

The many smaller falls can be appreciated.

Far out onto the platform one feels the power of the water rushing by. Approximately 320,000 gallons spill over the falls every second.

One last photo op at the very tip of the viewing platform, up close to Salto Garganta del Diablo (Devil’s Throat Falls),

Salto Garganta del Diablo (Devil’s Throat Falls)

We did not wait for the elevator and started the ascent to the top.

Along the path Eric found another huge spider web, this one with its huge spider as well as its lunch caught in the web.

From this vantage point we have a side view of the fall not seen from Argentina.

We reached the very top.

Looking back on the viewing platform we could see a rainbow formed in the mist above the people below.

We asked about the large hanging bundles in the palm trees and were told they are birds’ nests.

Frederico Engel lived in and around the Iguaçu Falls (Portuguese spelling) during the early part of the 20th century. He was of a family of German immigrants who had lived in the south of Brazil since 1863. He was a pioneer in conservation efforts, keen to preserve the natural beauty of the falls.

The caipirinha is Brazil’s national cocktail, a potent and refreshing drink made by mixing fresh lime wedges with sugar, then adding cachaça, a Brazilian spirit distilled from sugarcane, and ice. The traditional method extracts the lime’s juice and essential oils for a bright, earthy, and citrusy flavor that captures the essence of Brazil’s culture. Of course we had to try one.

While trying the national drink we had to try the national street snack: coxinha, a deep-fried croquette made from dough and a creamy shredded chicken filling, often flavored with broth and vegetables like onion and garlic. Shaped like a teardrop or drumstick, the coxinha is first coated in flour, then egg, and finally breadcrumbs before being deep-fried to a crisp, golden brown exterior. 

We flew to Buenos Aires and checked into our hotel in the Palermo neighborhood, which was full of restaurants from which to choose for dinner. In the morning we were met by Laura for our tour of the city. She first told us that while the city of Buenos Aires has a population of about 3 million, the greater Buenos Aires metropolitan area includes about 16 million people, over a third of the population of the entire country. As we drove along Avenida del Libertador (Avenue of the Liberator), Laura explained that most of the European style buildings seen were built between 1880 and 1930. The southern part of the city is the oldest, but during the pandemic of 1880 most wealthy Europeans moved north.

On Avenida del Libertador we passed The Monument to the Carta Magna and Four Regions of Argentina aka the Monument of the Spanish. The monument was a donation by the Spanish community in celebration of the centennial of the Revolución de Mayo of 1810 (which marked the formal beginning of Argentina’s independence from Spain). It is made of Carrara marble and bronze. The foundation stone was laid in 1910 but it was not completed and inaugurated until 1927.

Monument of the Spanish

Our first stop was a statue of Eva Perón. María Eva Duarte de Perón, better known as Eva Perón or by the nickname Evita, wife of Argentine President Juan Perón, was an Argentine politician, activist, actress, and philanthropist who served as First Lady of Argentina from June 1946 until her death at home in July 1952. She died childless at the young age of 33 from cervical cancer. The statue is on the site of what was the home in which she lived and died. The statue is in a park where the presidents used to reside. (Since 1955 the presidents now live in Olivo, which previously had been their summer home.) She is depicted as running away from the pain of her cancer leaving her blanket behind. It was unveiled in 1999. An inscription at the base of the statue reads, “She knew how to dignify women, protect childhood and shelter old age, giving up all honors”.  The small pile of bricks next to the statue are from the original house which burned down, from which she had escaped with her life.

Next we stopped in the Recoleta neighborhood. As we headed toward the basilica we passed a huge rubber tree (ficus) planted by monks in the Gran Gomero in Plaza Juan XXII. 

An artist created the sculpture Atlas, a representation of the mythological titan, to support one of the tree’s massive, heavy branches. The statue symbolizes the strength and longevity of the tree, which is considered one of the city’s oldest and most iconic landmarks. 

Atlas

The Basilica of Our Lady of the Pillar, was built as part of the Franciscan monastery, completed in 1732. It is the second-oldest church in Buenos Aires, and had served as a parish church following the expulsion of the Franciscans in 1821. Now it is a cultural center.

Basilica of Our Lady of the Pillar

The architecture is simple

but the internal decor is Baroque.

A picture composed of tiles hanging just outside the basilica shows what the city looked like in 1794. The river was closer than it is today; the land was later reclaimed for ports.

In 1822 monks donated land for a cemetery when their order was disbanded, and the garden of the convent was converted into the first public cemetery in Buenos Aires. As we entered the Recoleta Cemetery, we were immediately struck by how different this is to any cemetery we had previously visited.

For one, it is so large with so many mausoleums (almost 5,000 in 5.5 square blocks), it is organized along named streets.

Recoleta Cemetery

At first they were simple.

But later became more elaborate.

Bodies are placed in a sealed zinc coffin which is then placed within a wood coffin, which is just for decoration. Some mausoleums are apartment style for the whole family.

Some mausoleums are very thin.

In 1823, one year after the cemetery opened, San Martin’s wife died of tuberculosis and was buried here. San Martin himself died in France, but ultimately his body was brought back to Argentina in 1980; he is laid to rest in Buenos Aires Metropolitan Cathedral, which we were to visit later. Originally San Martin’s parents were buried here by his wife, but they were later moved to Yapeyú, the province in which he was born.

William Brown (1777-1857) was the founder of the navy and was of Irish descent; his monument is green.

William Brown (1777-1857)

Tomás Guido (1788-1866) was a friend of San Martin and a general in the Argentine War of Independence. Together they had crossed the Andes Mountains; his mausoleum is made of rocks from the Andes. He was originally buried here but his mortal remains were moved next to those of San Martin in 1988 on the hundredth anniversary of his birth.

Tomás Guido (1788-1866)

The cemetery filled in 2003. All of the plots are family owned and have a contract with the government for 80 years. After 80 years if no one pays the government for the contract, the government can take the plot back and sell it. Therefore, there continues to be new ones added all the time. This is one of the newest.

A peak through the glass window reveals the interior.

Often there is a downstairs chamber for other family members; note the stairwell to the right.

Bartolomé Mitre (1821-1906), the sixth president of Argentina, was the first constitutional president. He was interred in his family mausoleum and the government maintains it. 

Bartolomé Mitre (1821-1906)

The patron saint of Argentina is Our Lady of Luján (Nuestra Señora de Luján), also known as the Virgin of Luján, often adorns mausoleums. (more on her later) Seen below to the right, she is the Madonna with the wide triangular-shaped veil.

 

And of course, Eva Perón (1919-1952) has a place in the Duarte family crypt in the Recoleta Cemetery, a significant landmark and popular tourist attraction. After Evita’s death in 1952, her body was embalmed, placed in a glass coffin, and set to be housed in a monument. However, following a military coup that ousted her husband, Juan Perón, in 1955, her body was secretly removed. It was hidden for years and eventually buried in a cemetery in Milan, Italy, under a false name. Her body was returned to Argentina in 1974 with her husband Juan Perón when he returned from exile. She was interred five meters underground in the heavily fortified crypt, owned by her brother Senator Juan Duarte, to prevent further theft or desecration. The tomb is a place of pilgrimage for many, especially for the thousands of people who visit each year, many of whom bring flowers or ribbons.

Eva Perón (1919-1952

My favorite story of all was that of a Liliana Crociati de Szaszak, a young newlywed who died in an avalanche in Innsbruck, Austria, in 1970. Her father, a hairdresser, built her a Gothic-revival crypt featuring a life-size bronze statue of Liliana in her wedding dress. After her beloved dog, Sabú, died, a statue of him was added, with Liliana’s bronze hand resting on his head. This was reportedly against cemetery rules, as pets are not typically buried there.

Liliana Crociati de Szaszak

We drove back north along Avenida 9 de Julio (July 9th Avenue), believed to be the widest avenue in the world and a central thoroughfare, named after Argentina’s Independence Day. It has 22 lanes, 11 on each side, as well as a median totaling over 450 feet wide. The center lanes are for buses only. There is parking below ground. Along the way we passed three embassies and the Park Hyatt Hotel, all of which had been built between 1880 and 1930 as private homes.

We next visited The Catedral Metropolitana de la Santísima Trinidad (The Metropolitan Cathedral of the Most Holy Trinity), dedicated to the immaculate conception. It is the most important cathedral in Argentina. The building site was first committed to the church in 1580. The current cathedral building began in 1754, after the collapse of the second of the previous two churches on this site, and was finished in 1940. It now overlooks the Plaza de Mayo (May Plaza).

The Catedral Metropolitana de la Santísima Trinidad (The Metropolitan Cathedral of the Most Holy Trinity)

Inside we found a little chapel dedicated Nuestra Señora de Luján (Our Lady of Luján, sometimes referred to as The Virgin of Luján). The devotion to Our Lady of Luján began in 1630 when a Portuguese rancher from Brazil was transporting two clay statues of the Immaculate Conception. The oxen pulling the cart carrying the statues stopped moving near the Luján River. When one of the images was removed from the cart, the oxen resumed their journey, leading people to believe that the Virgin Mary wanted to be venerated there. A small chapel was built at the site, which eventually grew into the magnificent Basilica of Luján in the city of the same name. The Basilica is a major pilgrimage site, with millions of Catholics visiting annually, especially for the Feast Day of Our Lady of Luján on May 8th. Pope Pius XI formally declared Our Lady of Luján the patroness of Argentina, Paraguay, and Uruguay in 1930.

The Virgin of Luján is considered the spiritual heart of the nation, a symbol of unity, and a source of hope for the Argentine people. She is not only the patron saint of the country but also that for travelers. Public buses are adorned with her image.

Nuestra Señora de Luján

In the adjoining chapel of the cathedral is a Holocaust Memorial.

The floors of the cathedral were one of the last parts of the construction to be completed in 1940. They are composed of mosaic tiles.

There are impressive frescoes on the ceilings.

The high alter is flanked by the choir stalls.

An 1871 Walker organ has more than 3500 pipes. It was made in Germany with the finest materials available at that time. It is now played once a month.

Laura surprised us with her timing having coincided with the changing of the guards,

who are from the military and are there to protect the mausoleum of San Martin.

In the early 1800s Argentina passed a prohibition on wealthy families burying their loved ones in private chapels within cathedrals, which is why the Recoleta Cemetery was founded. An exception was made for their heroes. As we had learned throughout Argentina, José Francisco de San Martín y Matorras (1778-1850) was the hero of independence, nicknamed “the Liberator of Argentina, Chile and Peru.” In 1880 the remains of San Martin were brought from France and placed in a mausoleum shown above behind the guards. The mausoleum was designed in various shades of marble by a French artist.

There are less people in the way in the back of the tomb.

The black sarcophagus is guarded by three life-size female figures that represent three of the regions freed by the General:

Chile, represented by an anchor,

Peru, represented by the pick for the silver mines.

and Argentina, represented by broken chains which are symbolic of liberation achieved by the major battle of San Lorenzo.

The mausoleum also has the remains of Generals Juan Gregorio de las Heras (1780-1866), also a general in the War of Independence, and Tomás Guido, as mentioned previously. 

After paying our respects to the leading founders of the country, we stepped out onto Plaza de Mayo (May Plaza), formed in 1884 as the hub of the city. The Pirámide de Mayo (May Pyramid), located at the hub of the plaza, is the oldest national monument in the city. Its construction was ordered in 1811 to celebrate the first anniversary of the May Revolution, a week-long series of events that took place from 18 to 25, May 1810. The monument is crowned by an allegory of Liberty.

From there we could see the office building of the current regime, the Casa Rosada (Red House), which was originally built as a fort, the government palace, and the customs building. The red symbolizes the blood shed during the War of Independence; the color was originally a mix of bull’s blood and lime, which protected the building from humidity.

Laura commented that the fencing seen in front of Casa Rosada is not typical and probably to hold back the expected crowds for the upcoming day’s potential protests. The Plaza de Mayo has traditionally been the focal point of political life in Buenos Aires. On 17, October 1945, mass demonstrations organized by trade unions forced the release of Juan Perón, who would go on to become president three times, from prison.  During his tenure, the Peronist movement gathered every 17 October (Loyalty Day for Peronists) in the Plaza de Mayo to show their support for their leader. Many other presidents, both democratic and military, have also saluted people in the Plaza from the Casa Rosada’s balcony

The plaza, since 1977, is where the Mothers of the Plaza de Mayo have congregated with signs and pictures of desparecidos, their children, who were subject to forced disappearance by the Argentine military in the Dirty War.  People perceived to be supportive of subversive activities (that would include expressing left-wing ideas, or having any link with these people, however tenuous) would be illegally detained, subjected to abuse and torture, and finally murdered in secret. The Mothers of the Plaza de Mayo took advantage of the symbolic importance of the Plaza to open the public’s eyes to what the military regime was doing. The mothers wore white headscarves during their silent marches to represent the nappies (diapers) of their missing children.

The Equestrian monument to General Manuel Belgrano (1770-1820) holding the flag of Argentina was dedicated on September 24, 1873, at an anniversary of the Battle of Tucumán.  General Manuel Belgrano was an Argentine public servant, economist, lawyer, politician, journalist, and military leader. He took part in the Argentine Wars of Independence and designed what became the flag of Argentina. 

Equestrian monument to General Manuel Belgrano

A closer look at the statue revealed stones thrown onto the base.

Laura explained that the painted rocks around the statue are from families of those lost to COVID-19 during the pandemic and a protest to the then president celebrating his wife’s birthday during lockdown.

Argentina suffered 300,000 deaths due to the virus.

Other buildings around Plaza de Mayo include: The Cabildo of Buenos Aires, a public building that was used as a seat of the town council during the colonial era and the government house of the Viceroyalty of the Río de la Plata and a prison from 1608-1877. The Cabildo was declared a National Historic Monument in 1933 and was opened to public as a museum in 1938.

The Cabildo of Buenos Aires

and the Bank of the Argentine Nation.

Bank of the Argentine Nation

As we left Plaza de Mayo we passed the building of the Ministry of the Economy built in 1854.

Laura pointed out the still remaining bullet holes from the 16th, June 1955 attempted coup on Perón’s government.

Next we traveled down to the working class neighborhood of La Boca (The Mouth), located at the mouth of the River. We stopped by the football (soccer) stadium which has a 45,000 seat capacity.

Our driver and guide Laura support opposing teams: our driver, Boca Junior and Laura, River Plate. Legend has it that when picking the team colors, the captain of Boca Junior went to the port and the first ship he saw was flying a Swedish flag: yellow and blue.

The Boca Junior team has had some quite famous footballers through the years.

The La Boca neighborhood was the first port in the city. In 1536, the Spanish, led by Pedro de Mendoza arrived and founded the first settlement, named Nuestra Señora Santa María del Buen Aire (Our Lady of Saint Mary of Good Air) on the land that would centuries later become Parque Lezama (Lezama Park). This initial settlement was short-lived, however, and was abandoned by 1541 having been driven out by indigenous people. For decades Paraguay, with its riches in silver, became the center of the Spanish colonization; Argentina was re-found in 1580. The residents of La Boca neighborhood were often from Genoa and historically so poor that they painted their homes with whatever remnants of paint were leftover from ships. The colorful neighborhood now gets a fresh coat of paint yearly.

Through the years there have been may fires threatening this poor neighborhood which has built a longtime love and respect for the firefighters who protect them.

Influenced by a mix of rhythms of Africa and European music, tango was born in the late 19th century here in the brothels of the South of the city.

Initially shunned by the upper class, tango spread through dance halls and became a national symbol, reaching global popularity in the early 20th century before declining. It then experienced a resurgence in Argentina in the 1980s after becoming fashionable in France.

Caminito is a vibrant, colorful “museum street” and tourist attraction in the La Boca neighborhood.

 Immortalized by the famous tango “Caminito,” the area is characterized by brightly painted tenements that house artists’ studios, souvenir shops, and bohemian bars, creating a unique tango atmosphere. 

Santos Vega was a mythical Argentine gaucho, and invincible payador (type of minstrel who competed in singing competitions), who was only defeated by theDevil himself. 


Slavery in Argentina began in the 16th century, and the port neighborhood of La Boca, located in Buenos Aires at the mouth of the Riachuelo river, was a major entry point for enslaved Africans. Many of the slaves ultimately settled here enriching the culture of this working class neighborhood.

Of course the patron saint of the city, The Virgin of Luján, is represented here.

Laura treated us to some alfajores, chocolate sandwhich cookies, from famous Cachafaz Caminito.

While waiting for the driver to come back for us, we wandered about the port for a bit. Laura pointed out the statue of Benito Quinquela Martin (1890-1977) whose paintings of port scenes show the activity, vigor and roughness of the daily life in the port of La Boca. He then donated his profits back to the port community.

His donations helped build the school directly across from his statue.

After a well earned siesta, we were back out in the evening for a tango performance. We arrived early and strolled around a bit

before heading in to our venue for the performance.

Dinner was included as well as a performance of tango by single couples

as well as multiple couples.

A singer performed Andrew Lloyd Webber’s “Don’t Cry for Me Argentina” in Spanish, which brought tears to many in the audience.

We were also regaled with folk music from the northwestern provinces while images of that region passed on the screen behind the performers.

Also from the folk tradition was a performance by a drummer

who also performed Malambo, a folk dance associated with the gauchos that features energetic stomping and complicated legwork, incorporating the use of boleadoras, weighted balls on cords.  We were so happy to have visited the areas from which the folk music and dance had originated.

On our own in the morning we headed straight to the El Ateneo Grand Splendid bookstore. Built in 1919 as the Teatro Gran Splendid, it was converted into a bookstore in 2000, retaining its magnificent architecture. The world-renowned bookstore was once home to tango performances and early talkies.

Visitors can explore the theatre’s original architectural features, including frescoed ceilings, ornate balconies, and theatre boxes,

while browsing a vast collection of books. We were particularly amused by their choices of English-language books on display.

There was a full collection of Harry Potter

as well as numerous books about Taylor Swift found in the children’s’ section.

In addition to books we found numerous vinyl records for sale in the lower level.

The former stage now serves as a café, offering a unique spot to enjoy a coffee.

We continued wandering about the city. We were surprised by this advert for a streaming service; remember it was March, 2025 and our new administration back home was making a lot of headlines.

Translation: Do you se this salute as Nazi? If so, then we already have something in common

We walked past the Facultad de Derecho (Law Faculty) founded in 1821.

Facultad de Derecho (Law Faculty)

We also saw the Floralis Genérica (Generic Flora) a sculpture  made of steel and aluminum located in Plaza de las Naciones Unidas (Plaza of the United Nations).  It was created in 2002 and designed with a hydraulic mechanism which allows the petals to close at night and open in the morning symbolizing hope reborn every day at its opening. In 2023 two of the petals were knocked off during a storm and have not been replaced.

Floralis Genérica (Generic Flora)

In the park we spied a monk parakeet.

We ventured next to the Mercado de San Telmo (San Telmo Market).

Operating since 1897, the indoor section features original architectural elements like columns and beams.

San Telmo houses a variety of permanent stalls, including food vendors, antique dealers, and shops selling records and crafts.

We stopped for a quick bite to eat.

As we made our way back uptown, we began seeing some of the crowds of parades and protests to which Laura had alluded the day prior. To understand the events of the day, we needed a little more background history of Argentina. Juan Perón (1895-1974) was president of Argentina twice: as the 29th president 1946-1955, when his government was overthrown and he fled the country; again as the 40th president 1973-1974, when he died in office and was succeeded by his third wife. Perón’s ideas, policies and movement are known as Peronism, which continues to be one of the major forces in Argentine politics; his followers are Perónists.

In his youth Perón had traveled extensively throughout Europe which is where he picked up his socialistic ideology. Perón participated in the 1943 revolution and later held several government positions, including Minister of Labor, Minister of War and Vice President. It was then that he became known for adopting labor rights reforms. Political disputes forced him to resign in early October 1945 and he was later arrested. On  October 17, workers and union members gathered in the Plaza de Mayo to demand his release.  Perón’s surge in popularity helped him win the presidential election in 1946. Perón’s third wife, Isabel Perón, was elected as vice president on his ticket and succeeded him as president upon his death in 1974. Political violence only intensified and she was ousted by a military coup on March 25, 1976, initiating a period of military rule and state terrorism, the “Dirty War,” that lasted until 1983.  Plaza de Mayo is now every March 25th on the site of the Argentine government’s commemoration of the Day of Remembrance for Truth and Justice. Participants carry signs that say “Nunca Mas,” (Never Again).

The signage was a mixture of a protest or indictment of the government.

and a memorial for those lost during the Dirty War.

Note the sign below has a pictue of Eva Perón. Evita came to Buenos Aires at the age of 15 to become an actress. She had come from a poor family. She met Juan Perón while he was in the military and subsequently Vice President. She helped form his socialistic platform. Together they helped develop the middle class as well as secure the vote for women.

The Edificio del Ministerio de Obras Públicas (Building of the Ministry of Public Works), built in the 1930s,  features two giant 31-meter by 24-meter Corten steel murals of Eva Perón. First displayed in 2011 they show Evita both smiling on one side

Edificio del Ministerio de Obras Públicas (Building of the Ministry of Public Works)

and combative as she mobilizes the crowds on the other side of the building. She often gave speeches from the balconies of Casa Rosada.

Edificio del Ministerio de Obras Públicas (Building of the Ministry of Public Works)

She remains popular.

The crowds were impressivley large and non-violent.

Even the side streets were full.

Crowds even surrounded the Obelisco de Buenos Aires (Obelisk of Buenos Aires), a national historic monument and icon of the city.  Located in the Plaza de la República on the intersection of avenues Corrientes, which leads to the Plaza de Mayo, and 9 de Julio, the Obelisk was erected in 1936 to commemorate 400 years since the founding of the city in 1536 by the arrival of Pedro de Mendoza (1487-1537).

Obelisco de Buenos Aires (Obelisk of Buenos Aires)

For dinner we chose Estilo Campo in the Puerto Madero section, more on that later, for an Argentinean steak.

In the morning we had tickets to to the opera house which was very near to where we had seen the marchers the previous day. We walked by the obelisk; what a difference a day makes.

Teatro Colón (Columbus Theater) is famous for its magnificent building and, particularly, its near-perfect acoustics. The present Colón replaced an original theatre which opened in 1857 and was in Plaza de Mayo, where is now the National Bank, and was closed in 1888. The present theatre opened on 25 May 1908 after a 20 year construction process during which the first two architects, both from Italy, died. The first died at age 44, the second was murdered upon being discovered in bed with another man’s wife. The third and final architect was from Belgium.

Teatro Colón (Columbus Theater)

We took a guided tour with Lucia which began in the Main Foyer.

The floors are made of mosaic tiles from Italy.

The stairs are marble from Italy.

The red marble is from Spain, the green from Belgium, and the pink marble is from Portugal.

The stained glass originated in Paris.

Most of the costumes and sets are made and stored in the basement factory, but a few were on display here.

On the way up the grand staircase our guide pointed out fossils in the marble.

On the upper landing we entered the Gallery of Busts which contains busts of many famous composers including Bellini

and Mozart.

Also in the Gallery of Busts is a statue by a German artist. It is made from a single block of marble and is titled “The Secret” depicting Cupid whispering into his mother Venus’s ear. Overall, the statue serves as an allegorical centerpiece. Amid the historical, commemorative portraits of composers, the mythological sculpture reminds viewers of love’s unpredictable, powerful, and mysterious influence, a fitting subject for an opera house where passion and drama unfold on stage.

There are more statues of cupids on the crown moldings; muses for the music.

The detail work in the crown molding is truly impressive.

From the Gallery of Busts is a view of the Main Foyer below.

On this level the Parisian stained glass can be appreciated from a closer vantage.

Next we entered the Golden Hall. The chandeliers are from Argentina, made of bronze, and have 222 light bulbs each.

Lucia pointed out that the lower half of the columns are painted gold

whereas the upper half are actually 24c gold leaf.

The sofas are 200 years old.

All of the furniture are museum pieces.

Finally we entered a typical 6 seat box

to the auditorium. The main hall can seat approximately 2,500 spectators, with additional standing room for about 500 more. 

The boxes up front are usually reserved for officials and VIPs who want to be seen. There are black windows that can be placed in front for those who do not wish to be seen, eg widows in mourning.

This horseshoe-shaped hall is the heart of the theater, featuring stunning allegorical ceiling frescoes and an impressive, 2,866 lb chandelier, which can be lowered to change the 722 bulbs. (Actually, Lucia told us, they are not real frescoes but faux fresque, a technique that involves applying a painting onto a canvas and then transferring it to a wall or ceiling to achieve the appearance of a traditional, hand-painted mural or scene, such as a fresco.) 

The orchestra pit holds 80 musicians and can be elevated to the same level as the stage. There is room for up to 18 more musicians under the balcony for special effects.

The Teatro Colón’s design, with its dome and horseshoe-shaped hall, contribute to its reputation as one of the best concert and opera venues in the world, especially with regards its acoustics. There are resonance chambers, hollow sound boxes, beneath every soft seat.

A closer look reveals a hollow box beneath an opening, similar to a guitar, for example.

The Teatro Colón is between the wide 9 de Julio Avenue, from which we arrived, and  Libertad Street on which is the main entrance, though which we departed. We found ourselves on Plaza Lavalle. In 1856, the Parque Station was installed here, the head of the first railway line in Argentina, on the site where the Teatro Colón was later built. Looking around us we saw Mirador Massué, an old obeservation deck built as part of a 1909 construction designed by the architect Alfred Massué. Art nouveau influences can be seen in the curving facade and the use of iron and floral designs.

Mirador Massué

Right next to the theater is an impressive looking primary school built in 1903.

Escuela Presidente Roca

In the center of the park is a statue of Juan Lavalle (1797-1841) who was an Argentine military and political figure and former governor of Mendoza Province.

Behind the statue stands the Corte Suprema de Justicia de la Nación ( Supreme Court of Justice of the Nation). 

Corte Suprema de Justicia de la Nación ( Supreme Court of Justice of the Nation). 

We decided to head toward the capital building. Along the way we passed Palacio Borolo (The 
Barolo Palace), an office building that opened in 1923 and, at the time, was the tallest in the city.

As we approached the capital we saw one of many official authorized casts of “The Thinker” by Auguste Rodin in the Plaza del Congreso (Congressional Plaza), a central public space in the Montserrat neighborhood of Buenos Aires. 

 Situated at the western end of Avenida de Mayo and located in the Montserrat neighborhood, Plaza del Congresso (Congress Square) is part of a group of three plazas located in the same area, next to Plaza Lorea and Plaza Mariano Moreno. The construction of these plazas was an urban development designed to coincide with the celebrations of the centennial of the May Revolution and responded to the hygienic thinking of the late 19th century , which rightly sought ventilated and sunny spaces in large cities.

Monumento a los Dos Congresos (Monument of the Two Congresses), inaugurated on July 9, 1914, is surrounded by a staircase that gives access to the platform, on which stands the monument crowned by a statue representing the Republic with a laurel branch in one hand and the other resting on the guide of a plow; at its feet are the serpents of evils and another figure representing Labor. The eastern platform is surrounded by a fountain with large jets, between which appear sculptures of horses surrounded by bronze condors and children representing Peace. The fountain extends to the east, and represents the Rio de la Plata and its tributaries. The pool is surrounded by sculptures of animals from the national fauna and in its center arises a sculptural group built in bronze.

The Palacio del Congreso de la Nación Argentina (Palace of the Argentine National Congress), constructed between 1898 and 1906, is a national historic landmark. The palace is in Neoclassical style, largely made of white marble with elaborately furnished interiors.

On the plaza is also the senate building: Senado de la Nacion (Senate of the Nation). The Senate has 72 members, with three elected from each of Argentina’s 23 provinces and three from the Autonomous City of Buenos Aires.

There we also found a building which houses the Centro de la Memoria, el Amor y la Resitencia (Center of Memory, Love and Resistance) with a picture of the white scarf worn by “Las Madres” (The mothers of the Dirty War).

In neighboring Plaza Moreno is a statue of Mariano Moreno (1778-1811) inaugurated on October 1, 1910. Moreno was an Argentine lawyer, journalist, and politician. He played a significant role in the movement for Argentina’s independence from Spain and a decisive role in the Primera Junta, the first national government of Argentina, created after the May Revolution. 

We then headed back to Plaza de Mayo to get a glimpse of Casa Rosada without all the fencing surrounding it.

We walked around to the back of Casa Rosada and crossed the street to the Liberator Building, home to the Ministerio de Defensa (Ministry of Defense), one of the oldest ministries in the Argentine government, having existed continuously since the formation of the first Argentine executive in 1854.

Liberator Building

In the plaza in front of the building is a statue of a soldier: a memorial to those who died in the Faukland War.

In January 2023, a commemoration plaque was placed to mark the 40th anniversary of the 1982 Falklands War, paying tribute to the veterans and fallen soldiers. Argentina claims the islands, which it calls Islas Malvinas (“Malvinas” is the Spanish name for the Falkland Islands), and disputes the UK’s sovereignty. The dispute escalated in 1982 when Argentina invaded the islands, resulting in the Falklands War. Having not participated directly in either world war, the Falkland War accounts for the largest loss of soldiers’ lives in Argentina since the revolution. The Malvinas (Falklands) War directly accelerated the collapse of Argentina’s military dictatorship, which was already facing economic decline and public opposition. The disastrous and humiliating loss of the 74-day conflict in 1982 eroded the junta’s credibility, leading to mass protests at home and international condemnation. This ultimately forced the military leadership to cede power and announce a transition to democratic elections, which occurred in 1983. 

From across the street we had a good view of the back of Casa Rosada.

We crossed to Puerto Madero. Laura had told us that the area was once Buenos Aires’ second port (after La Boca), built in the late 19th century. However, the port was too shallow and small for modern boats and became obsolete after only 25 years, leading to the area being an urban wasteland, and the port was moved to its third and current location. The Puerto Madero land, which is all reclaimed land, is now the most exclusive and expensive in Buenos Aires.

Along the river are museums

Museum Ship Frigate (Museum Ship Frigate) “Presidente Sarmiento”

and The Puente de la Mujer (Women’s Bridge), inaugurated in December, 2001. The design is a synthesis of the image of a couple dancing tango. It is a 170 m long and 6.2 m wide pedestrian bridge divided into three sections: two fixed sections on either side of the dike and a mobile section that rotates on a white concrete conical pylon, allowing the passage of boats in less than two minutes.

The Puente de la Mujer (Women’s Bridge)

Also along the way are locks, which have come, throughout the world, to symbolize the everlasting love of the couple who places it.

The prior warehouses have all been converted into boutique shops and restaurants. We lazed away the rest of our last afternoon in one of them sipping beer and reminiscing about how much we have loved our visit to Argentina. We topped it off with a last gelato in the famous Luccianos’ right by our hotel.